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Architectural Images in Qing China
Qing China (1644–1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of “being there,” a characteristic, she argues, that underscores the Qing concern for the substance of things—a sensibility toward the physical world characteristic of the period and emblematic of a new worldview.
La conservation du patrimoine résulte de facteurs complexes, non seulement de choix scientifiques et d’intérêts politiques ou financiers, mais aussi de positions mémorielles, voire d’idéologies. Dans une trentaine de textes ici rassemblés, Jean-Michel Leniaud expose les enjeux de l’habitus patrimonial qui s’est composé pour que, dans la cité, une place soit faite à l’héritage.
The Rhetoric of American Political Architecture Abroad, 1900-1965
Whether determining the style of its embassies or the design of overseas cemeteries for Americans killed in battle, the U.S. government in its rise to global leadership greatly valued architectural symbols as a way of conveying its power abroad. In order to explain the political significance of American monuments on foreign soil, this illustrated book explores the efforts made by the United States from 1900 to 1965 to enhance its image as a military and economic force with displays of artistic achievement.
Originally published in 1996.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Israel and the Depopulated Palestinian Villages of 1948
Hundreds of Palestinian villages were left empty across Israel when their residents became refugees after the 1948 war, their lands and property confiscated. Most of the villages were razed by the new State of Israel, but in dozens of others, communities of Jews were settled—many refugees in their own right. The state embarked on a systematic effort of renaming and remaking the landscape, and the Arab presence was all but erased from official maps and histories. Israelis are familiar with the ruins, terraces, and orchards that mark these sites today—almost half are located within tourist areas or national parks—but public descriptions rarely acknowledge that Arab communities existed there within living memory or describe how they came to be depopulated. Using official archives, kibbutz publications, and visits to the former village sites, Noga Kadman has reconstructed this history of erasure for all 418 depopulated villages.
A Chapter in the French Picturesque
Published in 1774, Essay on Gardens is one of the earliest texts showing the progressive shift in French taste from the classical model of the gardens at Versailles to the picturesque or natural style of garden design in the late eighteenth century. In this formulation of his ideas concerning landscape, Claude-Henri Watelet describes an ideal farm and also his own very real garden, Moulin Joli, near Paris. He advances the theory that the useful and the pleasurable must be combined in the planning, preservation, and decoration of the land by offering a relatively novel design that uses experimental methods to create a comfortable estate. The result is a horticultural and ecological laboratory that includes a residence, a farm, stables, a dairy, an apiary, a mill, walks, vistas, flower beds, an area reserved for medicinal plants, decorative statues, a medical laboratory, and even a small infirmary for ailing members of the community.
Given the wide scholarly interest in the field of garden design and its history, this first English edition of Watelet's small but influential book will interest historians of landscape design as well as students of the history of architecture. Joseph Disponzio's informative introduction to Samuel Danon's masterful translation situates the Essay on Gardens within the framework of other landscape and garden treatises of the late eighteenth century.
Although the original text was not illustrated, this edition includes a selection of charming drawings and etchings of Moulin Joli by Watelet himself, Hubert Robert, and others.
Water, Modernity, and the Urban Imagination
College Farm to University Museum