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Portraits of Garden State Crossings
The Origins of the Beckman Institute at Illinois
This book offers a first-hand account of the origins of the Beckman Institute for Advanced Science and Technology, an interdisciplinary research institute at the University of Illinois at Urbana-Champaign devoted to leading-edge research in the physical sciences, computation, engineering, biology, behavior, cognition, and neuroscience. Theodore L. Brown, the Institute's founding director, brings an insider's personal perspective on its conception and its early operations. _x000B_ _x000B_Brown follows the progress of the Institute's creation, from the initial conceptualization of a large, multidisciplinary institute; through proposal formulation; to the architectural design and actual construction of its state-of-the-art building, completed in 1989 and made possible by the largest gift made to any public university at the time: a $40 million contribution from Illinois alumnus and founder of Beckman Instruments, Inc., Arnold O. Beckman and his wife Mabel M. Beckman.
This book examines in detail the external walls of buildings in Hong Kong. It is organized into two parts. The first part of the book presents readers with various factors such as technology and sustainability that affect the design of external walls. The twenty case studies in the second part illustrate a range of external wall designs in current trends that take account of both environmental and aesthetic issues.
Contemporary Planning in New York City
The antagonism between urbanist and writer Jane Jacobs and master builder Robert Moses may frame debates over urban form, but in "Building Like Moses with Jacobs in Mind," Scott Larson aims to use the Moses-Jacobs rivalry as a means for examining and understanding the New York City administration's redevelopment strategies and actions. By showing how the Bloomberg administration's plans borrow selectively from Moses' and Jacobs' writing, Larson lays bare the contradictions buried in such rhetoric and argues that there can be no equitable solution to the social and economic goals for redevelopment in New York City with such a strategy.
"Building Like Moses with Jacobs in Mind" offers a lively critique that shows how the legacies of these two planners have been interpreted—and reinterpreted—over time and with the evolution of urban space. Ultimately, he makes the case that neither figure offers a meaningful model for addressing stubborn problems—poverty, lack of affordable housing, and segregation along class and racial lines—that continue to vex today's cities.
The Legacy of the Public Works Administration
Robert D. Leighninger, Jr., believes there may be a model for municipal building projects everywhere in the ambitious and artful structures erected in Louisiana by the Public Works Administration. In the 1930s, the PWA built a tremendous amount of infrastructure in a very short time. Most of the edifices are still in use, yet few people recognize how these schools, courthouses, and other great structures came about. Building Louisiana documents the projects one New Deal agency erected in one southern state and places these in social and political context. Based on extensive research in the National Archives and substantial field work within the state, Leighninger has gathered the story of the establishment of the PWA and the feverish building activity that ensued. He also recounts early tussles with Huey Long and the scandals involving public works discovered during the late New Deal. The book includes looks at individual projects of particular interest--"Big Charity" hospital, the Carville leprosy center, the Shreveport incinerator, and the LSU sugar plant. A concluding chapter draws lessons from the PWA's history that might be applied to current political concerns. Also included is an annotated inventory of every PWA project in the state. Finally, this composite picture honors those workers and policymakers who, in a time of despair, expressed hope for the future with this enduring investment. Robert D. Leighninger, Jr., is faculty associate in the School of Social Work at Arizona State University. He is the author of Long Range Public Investment: The Forgotten Legacy of the New Deal.
A Handbook for Small and Midsize Organizations
Perhaps your museum’s archives have run out of space, or its public programs have outgrown their facility. Perhaps a generous donor or an energetic campaign has provided the funding for a renovation, a new wing, or a new building. Whatever the circumstances, small and midsized museums can find themselves taking on a construction project. But those responsible for seeing that it’s done right—board members, museum professionals, and skilled museum volunteers—are seldom experienced in the high-stakes world of construction management. This handbook outlines the processes and explains the complexities of renovating and building facilities. It highlights what issues to consider and what questions to ask; it outlines steps from needs assessment and project planning to design development, budgeting, construction, and, finally, settling into the new space; it provides the vocabulary and framework for the specific challenges of museum construction. Written by staff members at the Minnesota Historical Society who have consulted on scores of building projects, this volume helps museum professionals and volunteers understand the construction process to achieve their goals in a time of tight budgets.
The Architecture of Gridley J.F. Bryant
Much of Boston's rich heritage of Victorian buildings dates from the mid-nineteenth century when Gridley James Fox Bryant (1816–1899) dominated the profession of architecture in the city. At that time, Boston was undergoing a transformation from a quaint post-colonial town to a rapidly expanding Victorian metropolis. Bryant led this transformation, providing an important link between the earlier architecture of Charles Bulfinch and Alexander Parris and the later work of such practitioners as H. H. Richardson and Peabody & Stearns. In Building Victorian Boston, Roger Reed focuses on representative projects by Bryant, presenting them in a chronological narrative that both illuminates the trajectory of his career and creates a portrait of the profession of architecture during a defining period of New England history. Bryant designed more major buildings in Boston from 1840 to 1880 than any other architect. He also undertook commissions throughout New England, especially in towns linked to Boston by newly constructed railroad lines. In many ways, his practice presaged aspects of modern architectural firms. His ability to work with a variety of designers, his expertise in construction management, and his exceptional talent for self-promotion all contributed to his success. Although by the time of his death his work was no longer fashionable, newspaper accounts noted the passing of the "Famed Bostonian" and "Great Builder" whose career had had such a dramatic impact on the face of the city. For this volume, Reed has tracked down hundreds of Bryant's drawings as well as specifications, letters, newspaper articles, published renderings, and historical photographs. These materials are amply represented in this book, the definitive study of a quintessential Victorian architect.
The Material World of Mormon Settlement
For Mormons, the second coming of Christ and the subsequent millennium will arrive only when the earth has been perfected through the building of a model world called Zion. Throughout the nineteenth century the Latter-day Saints followed this vision, creating a material world—first in Missouri and Illinois but most importantly and permanently in Utah and surrounding western states—that serves as a foundation for understanding their concept of an ideal universe.
Building Zion is, in essence, the biography of the cultural landscape of western LDS settlements. Through the physical forms Zion assumed, it tells the life story of a set of Mormon communities—how they were conceived and constructed and inhabited—and what this material manifestation of Zion reveals about what it meant to be a Mormon in the nineteenth century. Focusing on a network of small towns in Utah, Thomas Carter explores the key elements of the Mormon cultural landscape: town planning, residences (including polygamous houses), stores and other nonreligious buildings, meetinghouses, and temples. Zion, we see, is an evolving entity, reflecting the church’s shift from group-oriented millenarian goals to more individualized endeavors centered on personal salvation and exaltation.
Building Zion demonstrates how this cultural landscape draws its singularity from a unique blending of sacred and secular spaces, a division that characterized the Mormon material world in the late nineteenth century and continues to do so today.
Vol. 14 (2007) through current issue
Buildings & Landscapes examines the built world-houses and cities, farmsteads and alleys—churches and courthouses, subdivisions and shopping malls—that make up the spaces that most people experience every day. Strongly based on fieldwork and archival work that views buildings as windows into human life and culture, articles are written by historians, preservationists, architects, cultural and urban geographers, cultural anthropologists, and others whose work involves the documentation, analysis and interpretation of the built world. Formerly titled Perspectives in Vernacular Architecture, Buildings & Landscapes is presently an annual publication that will begin publishing two issues a year beginning in 2009.