In sixty-seven exquisite watercolors and drawings, nationally famous architect Eugene Aubry captures on paper the sensibilities, the memories, and the grace that evokes Galveston, especially for those who are BOI (“born on the island”). Commissioned by the Galveston Historical Foundation, these works of art are intended to enhance the visual record of the buildings and the unique local architectural style that so many have appreciated over the years.? In the aftermath of Hurricane Ike, Galvestonians became more aware than ever of the treasure of the island’s historical architecture and the vulnerability of this heritage to forces beyond human control. Aubry’s art captures the almost palpable sense of past glories these buildings bring to mind. Aubry—himself BOI—has fashioned these pieces in a way that resonates with those who love the island’s ethos. ?With a fine eye to the artist’s intent and a mastery of detail, architectural historian Stephen Fox expertly and eloquently introduces the work as a whole and, in discursive captions that accompany each image, informs the reader’s appreciation of Aubry’s art.? So much more than a tribute, Born on the Island: The Galveston We Remember stands as a loving homage to Galveston—one that will call its readers home to the island, even if they have never ventured there before.

Change Over Time is a new, semiannual journal focused on publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material.

The National Trust's Forum Journal is a quarterly publication featuring in-depth articles on preservation issues. It includes timely, comprehensive pieces, often organized around a specific theme, about preservation issues of interest to a wide range of preservationists working across the country.

An international point of reference for the critical examination of historic preservation. Future Anterior approaches historic preservation from a position of critical inquiry, rigorous scholarship, and theoretical analysis. The journal is an important international forum for the critical examination of historic preservation, spurring challenges of its assumptions, goals, methods, and results. As the first and only journal in American academia devoted to the study and advancement of historic preservation, it provides a much-need bridge between architecture and history. The journal also features provocative theoretical reflections on historic preservation from the point of view of art, philosophy, law, geography, archeaology, planning, materials science, cultural anthropology, and conservation. Future Anterior is essential reading for anyone interested in historic preservation and its role in current cultural debates.

Built by Spanish Franciscan missionaries in the seventeenth century, the magnificent mission church at Acoma Pueblo in west-central New Mexico is the oldest and largest intact adobe structure in North America. But in the 1920s, in danger of becoming a ruin, the building was restored in a cooperative effort among Acoma Pueblo, which owned the structure, and other interested parties. Kate Wingert-Playdon’s narrative of the restoration and the process behind it is the only detailed account of this milestone example of historic preservation, in which New Mexico’s most famous architect, John Gaw Meem, played a major role.

Mother Ann Lee, founder of the Shakers, articulated a vision of a community that embraced sacrifice over the needs of the individual; the result was one of the most successful utopian experiments of nineteenth-century America. The Shakers, an idealistic offshoot of the ascetic Quaker religion, grew to as many as six thousand members in nineteen communities reaching from New England to the Midwest. Lee’s experiment, focused mainly on simplicity, celibate communal living, and sexual equality, provided a model of prosperity for more than one hundred years. Founded in 1806, Shaker Village of Pleasant Hill, Kentucky, was a thriving community located in the center of the bluegrass region. After the Civil War, a steadily shrinking membership resulted in the gradual decline of this remarkable community, and the last remaining Shaker to reside at Pleasant Hill died in 1923. In the years immediately following, it appeared as though the village would fall prey to neglect and a lack of historic preservation. In 1961, however, local citizens formed a private not-for-profit organization to preserve and restore the village and to interpret the rich heritage of the Pleasant Hill Shakers for future generations. Over several years, and against incredible odds, this group succeeded in raising the funds necessary for the restoration projects. By 1968, eight buildings at Shakertown, carefully adapted for modern use while retaining their historical and architectural significance, had been opened to the public. Thomas Parrish’s Restoring Shakertown masterfully explains how the Shaker settlement was saved from the ravages of time and transformed into a nationally renowned landmark of historic preservation. In chronicling how the hopes of the early fund-raisers quickly were challenged by the harsh reality of economic hardships, the book serves as a valuable study in modern philanthropy. Parrish also details the village’s negotiation of legal challenges and how its final plans for creating awareness of the Shakers’ legacy set the standard for later museum developments around the country. In addition to recounting the remarkable history of the formation and eventual demise of the “Shaking Quakers,” Parrish presents a dramatic chronicle of the village’s evolving fortunes. From describing the challenges of financing the restoration to finding preservation experts to achieve the highest standards of authenticity, Restoring Shakertown reveals the complexities and rewards of the preservation of one of Kentucky’s most significant historical and architectural sites.