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Architecture, Planning, and Consumer Culture on the American Home Front
Essays Drawn from English Landscapes
"Twenty-eight years ago I went to England for a three-month visit and rest. What I found changed my life."
So begins this memoir by one of America's best-known landscape architects, Laurie Olin. Raised in a frontier town in Alaska, trained in Seattle and New York, Olin found himself dissatisfied with his job as an urban architect and accepted an invitation to England to take a respite from work. What he found, in abundance, was the serendipity of a human environment built over time to respond to the land's own character and to the people who lived and worked there. For Olin, the English countryside was a palimpsest of the most eloquent and moving sort, yet whose manifestation was of ordinary buildings meant to shelter their inhabitants and further their work.
With evocative language and exquisite line drawings, the author takes us back to his introduction to the scenes of English country towns, their ancient universities, meandering waterways, and dramatic cloudscapes racing in from the Atlantic. He limns the geologic histories found within the rock, the near-forgotten histories of place-names, and the recent histories of train lines and auto routes. Comparing the growth of building in the English countryside, Olin draws some sobering conclusions about our modern lifestyle and its increasing separation from the landscape.
As much a plea for saving the modern American landscape as it is a passionate exploration of what makes the English landscape so characteristically English, Across the Open Field is "an affectionate ramble through real places of lasting worth."
Dans la rencontre entre l’architecture contemporaine et le patrimoine bâti, l’actualisation en tant que phénomène culturel se propose comme solution à la polarité conservation-création. L’explosion des formes en architecture contemporaine, parallèlement à la montée d’une prédominance de la signature de l’architecte, semble a priori difficilement réconciliable avec l’extension de la notion de patrimoine. Or, que ce soit pour des raisons économiques, environnementales, fonctionnelles ou patrimoniales, les insertions d’éléments d’architecture contemporaine sur des bâtiments patrimoniaux contribuent au développement urbain et font partie de la praxis actuelle. Dans cet ouvrage, le phénomène de l’actualisation est décomposé pour comprendre comment celui-ci contribue à reformuler le sens des sites patrimoniaux transformés. Ce processus communicationnel se pose comme une réponse à l’obsolescence patrimoniale. D’objet-relique, le patrimoine devient un projet dynamique, constituant ainsi un genre architectural particulier et indépendant.
Bodies of Knowledge at Work
Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.
An unparalleled architectural powerhouse, Chicago offers visitors and natives alike a panorama of styles and forms. The third edition of the AIA Guide to Chicago brings readers up to date on ten years of dynamic changes with new entries on smaller projects as well as showcases like the Aqua building, Trump Tower, and Millennium Park.Four hundred photos and thirty-four specially commissioned maps make it easy to find each of the one thousand-plus featured buildings, while a comprehensive index organizes buildings by name and architect. This edition also features an introduction providing an indispensable overview of Chicago's architectural history.
Infrastructure and Mobility in Asia
Thirty years ago, few residents of Asian cities had ever been on a plane, much less outside their home countries. Today, flying, and flying abroad, is commonplace. How has this leap in cross-border mobility affected the design and use of such cities? And how is it accelerating broader socioeconomic and political changes in Asian societies?
In Airport Urbanism, Max Hirsh undertakes an unprecedented study of airport infrastructure in five Asian cities—Bangkok, Hong Kong, Shenzhen, Kuala Lumpur, and Singapore. Through this lens he examines the exponential increase in international air traffic and its implications for the planning and design of the contemporary city. By investigating the low-cost, informal, and transborder transport systems used by new members of the flying public—such as migrant workers, retirees, and Asia’s emerging middle class—he uncovers an architecture of incipient global mobility that has been inconspicuously inserted into places not typically associated with the infrastructure of international air travel.
Drawing on material gathered in restricted zones of airports and border control facilities, Hirsh provides a fascinating, up-close view of the mechanics of cross-border mobility. Moreover, his personal experience of growing up and living on three continents inflects his analyses with unique insight into the practicalities of international migration and into the mindset of people on the move.
Living Myth and Architectonics in Southern China
Allegorical Architecture offers the first detailed architectural analysis of built forms and building types of the minority groups in southern China and of the Dong nationality in particular. It argues that Dong architecture symbolically resembles its inhabitants in many ways. The built world is an extension of their body and mind; their experience of architecture is figurative and their understanding of it allegorical. Unlike the symbolism of historical architecture, which must be decoded through a speculative reconstruction of the past, the Dong tell stories about inhabitants in their living state in the recurrent process of ritualistic making and inhabiting of their built world. This book thus offers architectural analysis of both spatial dispositions (building types) and social life (the workings of buildings). Xing Ruan likens the built world to allegory to develop an alternative to textual understanding. The allegorical analogy enables him to decipher minority architecture less as a didactic "text" and more as a "shell," the inhabitation of which enables the Dong to renew and reinvent continually the myths and stories that provide them with an assurance of home and authenticity. Attention is focused less on the supposed meanings (symbolic, practical) of the architecture and more on how it is used, inhabited, and hence understood by people. Throughout, Ruan artfully avoids the temptation to textualize the built world and read from it all sorts of significance and symbolism that may or may not be shared by the inhabitants themselves. By likening architecture to allegory, he also subtlety avoids the well-worn path of accounting for rich traditions via a "salvage ethnography"; on the contrary, he argues that cultural reinvention is an ongoing process and architecture is one of the fundamental ingredients to understanding that process. Ruan offers "thick description" of Dong architecture in an attempt to understand the workings of architecture in the social world. Paying attention to Dong architecture within a regional as well as a global context makes it possible to combine detailed formal analysis of settlement patterns and building types and their spatial dispositions with their effects in a social context. Architecture, in a broad sense, is assumed to be an art form in which the feelings and lives of its makers and inhabitants are embodied. The artifice of architecture—its physical laws—is therefore analyzed and contested in terms of its instrumental capacity. Allegorical Architecture is a work of refreshing originality and compelling significance. It will provide timely lessons for those concerned with the meaning and social sustainability of the built world and will appeal to architects, planners, cultural geographers, anthropologists, historians, and students of these disciplines.
Building the Outposts of Empire
American servicemen and -women are currently stationed in more than 140 countries from Central America to Western Europe to the Middle East, often living and working on military bases that not only dominate foreign territories but also re-create familiar space that “feels like home”—gated communities filled with rambling subdivisions, franchised restaurants, and lush golf courses.
In America Town, Mark Gillem reveals modern military outposts as key symbols of not just American power but also consumer consumption. Through case studies of several U.S. military facilities—including Aviano Air Base in Italy, Osan and Kunsan Air Bases in South Korea, and Kadena Air Base in Japan—Gillem exposes these military installations as exports of the American Dream, as suburban culture replicated in the form of vast green lawns, three-car garages, and big-box stores. With passion and eloquence he questions the impact of this practice on the rest of the world, exposing the arrogance of U.S. consumption of foreign land.
Gillem contends that current U.S. military policy for its overseas troops practices avoidance—relocating military bases to isolated but well-appointed compounds designed to prevent contact with the residents. He probes the policy directives behind base building that reproduce widely spaced, abundantly paved, and extensively manicured American suburbs, regardless of the host nation’s terrain and culture or the impact on local communities living under empire’s wings.
Throughout America Town, Gillem demonstrates how the excesses of American culture are strikingly evident in the way that the U.S. military builds its outposts. The defense of the United States, he concludes, has led to the massive imposition of tract homes and strip malls on the world—creating mini-Americas that inhibit cultural understanding between U.S. troops and our allies abroad.
Mark L. Gillem is assistant professor of architecture and landscape architecture at the University of Oregon. He is also a licensed architect, a certified planner, and a former active-duty U.S. Air Force officer.
Since the Renaissance, architects have been authors and architecture has been the subject of publications. Architectural forms and theories are spread not just by buildings, but by the distribution of images and descriptions fed through the printing press. The study of an architect's library is an essential avenue to understanding that architect's intentions and judging his or her achievements. In this well-illustrated volume, a chronological sequel to American Architects and Their Books to 1848, twelve distinguished historians of architecture discuss from various points of view the books that inspired architects both famous and not-so-famous, and the books the architects themselves produced. They examine the multifaceted relationship of nineteenth- and early twentieth-century architects to print culture—the literary works that architects collected, used, argued over, wrote, illustrated, designed, printed, were inspired by, cribbed from, educated clients with, advertised their services through, designed libraries for, or just plain enjoyed. The result is a volume that presents the intersection of the history of architecture, the history of ideas, and the history of the book. Changes in print culture during this period had a significant impact on the architectural profession, as revealed in these well-informed scholarly essays. In addition to the editors, contributors include Jhennifer A. Amundson, Edward R. Bosley, Ted Cavanagh, Elspeth Cowell, Elaine Harrington, Michael J. Lewis, Anne E. Mallek, Daniel D. Reiff, Earle G. Shettleworth, Jr., and Chris Szczesny-Adams. Among the architects discussed are A. J. Downing, Charles Sumner Greene, James Sims, Samuel Sloan, John Calvin Stevens, Thomas U. Walter, and Frank Lloyd Wright.
From Primordial Sea to Public Space
Extensively illustrated with detailed site plans and photographs, this architectural history of the Mexican plaza reveals why this central public space has been the heart of the community from ancient Mesoamerican times until the present.