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African Americans in South Texas History Cover

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African Americans in South Texas History

Bruce A. Glasrud

The history of South Texas is more racially and ethnically complex than many people realize. As a border area, South Texas has experienced some especially interesting forms of racial and ethnic intersection, influenced by the relatively small number of blacks (especially in certain counties), the function and importance of the South Texas cattle trade, proximity to Mexico, and the history of anti-black violence. The essays in African Americans in South Texas History give insight into this fascinating history.
The articles in this volume, written over a span of almost three decades, were chosen for their readability, scholarship, and general interest.
Contributors:
Jennifer Borrer
Edward Byerly
Judith Kaaz Doyle
Rob Fink
Robert A. Goldberg
Kenneth Wayne Howell
Larry P. Knight
Rebecca A. Kosary
David Louzon
Sarah R. Massey
Jeanette Nyda Mendelssohn Passty
Janice L. Sumler-Edmond
Cary D. Wintz
Rue Wood

" . . . a valuable addition to the literature chronicling the black experience in the land of the Lone Star. While previous studies have concentrated on regions most reflective of Dixie origins, this collection examines the tri-ethnic area of Texas adjoining Mexico wherein cotton was scarce and cattle plentiful. Glasrud has assembled an excellent group of essays from which readers will learn much."-L. Patrick Hughes, professor of history, Austin Community College

African Americans in South Texas History Cover

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African Americans in South Texas History

Edited by Bruce A. Glasrud

The history of South Texas is more racially and ethnically complex than many people realize. As a border area, South Texas has experienced some especially interesting forms of racial and ethnic intersection, influenced by the relatively small number of blacks (especially in certain counties), the function and importance of the South Texas cattle trade, proximity to Mexico, and the history of anti-black violence. The essays in African Americans in South Texas History give insight into this fascinating history. The articles in this volume, written over a span of almost three decades, were chosen for their readability, scholarship, and general interest. Contributors: Jennifer Borrer Edward Byerly Judith Kaaz Doyle Rob Fink Robert A. Goldberg Kenneth Wayne Howell Larry P. Knight Rebecca A. Kosary David Louzon Sarah R. Massey Jeanette Nyda Mendelssohn Passty Janice L. Sumler-Edmond Cary D. Wintz Rue Wood " . . . a valuable addition to the literature chronicling the black experience in the land of the Lone Star. While previous studies have concentrated on regions most reflective of Dixie origins, this collection examines the tri-ethnic area of Texas adjoining Mexico wherein cotton was scarce and cattle plentiful. Glasrud has assembled an excellent group of essays from which readers will learn much."-L. Patrick Hughes, professor of history, Austin Community College

African Americans on the Great Plains Cover

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African Americans on the Great Plains

An Anthology

Bruce A. Glasrud

Until recently, histories of the American West gave little evidence of the presence—let alone importance—of African Americans in the unfolding of the western frontier. There might have been a mention of Estevan, slavery, or the Dred Scott decision, but the rich and varied experience of African Americans on the Great Plains went largely unnoted. This book, the first of its kind, supplies that critical missing chapter in American history.
 
Originally published over the span of twenty-five years in Great Plains Quarterly, the essays collected here describe the part African Americans played in the frontier army and as homesteaders, community builders, and activists. The authors address race relations, discrimination, and violence. They tell of the struggle for civil rights and against Jim Crow, and they examine African American cultural growth and contributions as well as economic and political aspects of black life on the Great Plains. From individuals such as “Pap” Singleton, Era Bell Thompson, Aaron Douglas, and Alphonso Trent; to incidents at Fort Hays, Brownsville, and Topeka; to defining moments in government, education, and the arts—this collection offers the first comprehensive overview of the black experience on the Plains.

African & American Cover

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African & American

West Africans in Post-Civil Rights America

Marilyn Halter

African & American�tells the story of the much overlooked experience of first and second generation West African immigrants and refugees in the United States during the last forty years. Interrogating the complex role of post-colonialism in the recent history of black America, Marilyn Halter and Violet Showers Johnson highlight the intricate patterns of emigrant work and family adaptation, the evolving global ties with Africa and Europe, and the translocal connections among the West African enclaves in the United States.
Drawing on a rich variety of sources, including original interviews, personal narratives, cultural and historical analysis, and documentary and demographic evidence,�African & American�explores issues of cultural identity formation and socioeconomic incorporation among this new West African diaspora. Bringing the experiences of those of recent African ancestry from the periphery to the center of current debates in the fields of immigration, ethnic, and African American studies, Halter and Johnson examine the impact this community has had on the changing meaning of �African Americanness� and address the provocative question of whether West African immigrants are, indeed, becoming the newest African Americans.

African Art and Agency in the Workshop Cover

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African Art and Agency in the Workshop

Edited by Sidney Littlefield Kasfir and Till Förster

The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency from the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent.

African Art, Interviews, Narratives Cover

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African Art, Interviews, Narratives

Bodies of Knowledge at Work

Edited by Joanna Grabski and Carol Magee

Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.

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African Conflict & Peacebuilding Review

Vol. 1 (2011) through current issue

African Conflict and Peacebuilding Review is an interdisciplinary forum for creative and rigorous studies of conflict and peace in Africa and for discussions between scholars, practitioners, and public intellectuals in Africa, the United States, and other parts of the world. It includes a wide range of theoretical, methodological, and empirical perspectives on the causes of conflicts and peace processes including, among others, cultural practices relating to conflict resolution and peacebuilding, legal and political conflict preventative measures, and the intersection of international, regional, and local interests and conceptions of conflict and peace. ACPR is a joint publication of the Africa Peace and Conflict Network, the West African Research Association, and Indiana University Press.

The African Diaspora and the Disciplines Cover

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The African Diaspora and the Disciplines

Edited by Tejumola Olaniyan and James H. Sweet

Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.

African Diaspora in the United States and Canada at the Dawn of the 21st Century, The Cover

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African Diaspora in the United States and Canada at the Dawn of the 21st Century, The

Offers important new perspectives on the African Diaspora in North America. Drawing on the work of social scientists from geographic, historical, sociological, and political science perspectives, this volume offers new perspectives on the African Diaspora in the United States and Canada. It has been approximately four centuries since the first Africans set foot in North America, and although it is impossible for any text to capture the complete Black experience on the continent, the persistent legacy of Black inequality and the winds of dramatic change are inseparable parts of the current African Diaspora experience. In addition to comparing and contrasting the experiences and geographic patterns of the African Diaspora in the United States and Canada, the book also explores important distinctions between the experiences of African Americans and those of more recent African and Afro-Caribbean immigrants.

African Diasporic Women's Narratives Cover

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African Diasporic Women's Narratives

Politics of Resistance, Survival, and Citizenship

Simone A. James Alexander

Using feminist and womanist theory, Simone Alexander takes as her main point of analysis literary works that focus on the black female body as the physical and metaphorical site of migration. She shows that over time black women have used their bodily presence to complicate and challenge a migratory process often forced upon them by men or patriarchal society.

Through in-depth study of selective texts by Audre Lorde, Edwidge Danticat, Maryse Condé, and Grace Nichols, Alexander challenges the stereotypes ascribed to black female sexuality, subverting its assumed definition as diseased, passive, or docile. She also addresses issues of embodiment as she analyses how women’s bodies are read and seen; how bodies “perform” and are performed upon; how they challenge and disrupt normative standards.

A multifaceted contribution to studies of gender, race, sexuality and disability issues, African Diasporic Women’s Narratives engages with a range of issues as it grapples with the complex interconnectedness of geography, citizenship, and nationalism.

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