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Culture, History, Politics
With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?
AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.
A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.
From Plantations to the Slums
Costumbrismo, which refers to depictions of life in Latin America during the nineteenth century, introduced some of the earliest black themes in Cuban literature. Rafael Ocasio delves into this literature to offer up a new perspective on the development of Cuban identity, as influenced by black culture and religion, during the sugar cane boom.
Comments about the slave trade and the treatment of slaves were often censored in Cuban publications; nevertheless white Costumbrista writers reported on a vast catalogue of stereotypes, religious beliefs, and musical folklore, and on rich African traditions in major Cuban cities. Exploring rare and seldom discussed nineteenth-century texts, Ocasio offers insight into the nuances of black representation in Costumbrismo while analyzing authors such as Suárez y Romero, an abolitionist who wrote from the perspective of a plantation owner.
Afro-Cuban Costumbrismo expands the idea of what texts constitute Costumbrismo and debunks the traditional notion that this writing reveals little about the Afro-Cuban experience. The result is a novel examination of how white writers' representations of black culture heavily inform our current understanding of nineteenth-century Afro-Cuban culture and national identity.
Here readers will find a vibrant, imaginative record of African culture transplanted to Cuba and transformed over time, a passionate and subversive alternative to the dominant Western culture of the Americas. In this charmed realm of myth and legend, imaginative flights, and hard realities, Cabrera shows us a world turned upside down. In this domain guinea hens can make dour Asturians and the king of Spain dance; little fat cooking pots might prepare their own meals; the pope can send encyclicals about pumpkins; and officials can be defeated by the shrewdness of turtles. The first English translation of one of the most important writers on African culture in the Americas, the collection provides a fascinating view of how African traditions, myths, stories, and religions traveled to the New World—of how, in their tales, Africans in the Americas created a New World all their own.
Religion, Race, Culture, and Identity
The first book to compare Cuban American and African American religiosity, Afro-Cuban Theology argues that Afro-Cuban religiosity and culture are central to understanding the Cuban and Cuban American condition. Gonzalez interprets this saturation of the Afro-Cuban as transcending race and affecting all Cubans and Cuban Americans in spite of their pigmentation or self-identification. Building on a historical overview of the intersection of race, religion, and nationhood, the author explores the manner in which devotion to La Caridad del Cobre, popular religion, and Cuban letters inform an Afro-Cuban theology.
This interdisciplinary study draws from various theological schools as well as the disciplines of history, literary studies, and ethnic studies. The primary discipline is systematic theology, with special attention to black and Latino/a theologies. Far from being disconnected subfields, they are interrelated areas within theological studies. Gonzalez provides a broad overview of the Cuban and Cuban American communities, emphasizing the manner in which the intersection of race and religion have functioned within the construction of Cuban and Cuban American identities. The Roman Catholic Church's role in this history, as well as the preservation of African religious practices and consequent formation of Afro-Cuban religions, are paramount.
Also groundbreaking is the collaborative spirit between black and Latino/a that underlines this work. The author proposes an expansion of racial identity recognizing the different cultures that exist within U.S. racial contexts--specifically a model of collaboration versus dialogue between black and Latino/a theologies.
The late Julius Kambarage Nyerere was nicknamed ìMusaî (Moses) during the later, post-independence years for leading his people from slavery and guiding them toward a free land of prosperity ñ the Promised Land. The Tanzanian odyssey chronicled in this book, which first appeared ten years ago as Tanzanians to the Promised Land, has been updated with new research. The author- also an engineer and a journalist- offers an enlightened and unbiased discussion of the journey and both sides of the contributions - successes and failures - made by former presidents and their systems of administration: the late Mwalimu Julius K. Nyerere, Alhajj Ali H. Mwinyi, and Mr. Benjamin W. Mkapa. Tanzaniansí hopes and expectations of the incumbent president, H.E. Mr. Jakaya Mrisho Kikwete, are also discussed. It is not intended as a political campaign of any kind, for any party or any individual. As a brief, yet comprehensive guide to the understanding of our nationís political and economic history, it puts forward suggestions concerning important areas of the country's economic development. Nyerere unfortunately didnít live to see his people arrive at the hoped-for destination, and I. J. Werremaís original inspiration to write, at forty years of independence, is sustained because after fifty years The Promised Land is Still Too Far.
Reinventing South Africa?
This is the first book to offer a thoroughgoing assessment of South Africa from its epochal transition to democracy two decades ago, up through the 2009 elections. Examining politics, the economy, public health, the rule of law, language, literature, and the media, the book will interest students not only of South Africa but of democratic consolidation, middle-income economies, highly unequal societies, multi-ethnic societies, and the AIDS pandemic.
1492 and the Making of Sephardic Jewry
After Representation? The Holocaust, Literature, and Culture
After Representation? explores one of the major issues in Holocaust studiesùthe intersection of memory and ethics in artistic expression, particularly within literature. Contributors examine the shifting cultural contexts for Holocaust representation and reveal how writersùwhether they write as witnesses to the Holocaust or at an imaginative distance from the Nazi genocideùarticulate the shadowy borderline between fact and fiction, between event and expression, and between the condition of life endured in atrocity and the hope of ameaningful existence.
The Ethics and Aesthetics of Holocaust Narrative for the Future
After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future collects sixteen essays written with the awareness that we are on the verge of a historical shift in our relation to the Third Reich’s programmatic genocide. Soon there will be no living survivors of the Holocaust, and therefore people not directly connected to the event must assume the full responsibility for representing it. The contributors believe that this shift has broad consequences for narratives of the Holocaust. By virtue of being “after” the accounts of survivors, storytellers must find their own ways of coming to terms with the historical reality that those testimonies have tried to communicate. The ethical and aesthetic dimensions of these stories will be especially crucial to their effectiveness. Guided by these principles and employing the tools of contemporary narrative theory, the contributors analyze a wide range of Holocaust narratives—fictional and nonfictional, literary and filmic—for the dual purpose of offering fresh insights and identifying issues and strategies likely to be significant in the future. In addition to the editors, the contributors are Daphna Erdinast-Vulcan, Sidra DeKoven Ezrahi, Anniken Greve, Jeremy Hawthorn, Marianne Hirsch, Irene Kacandes, Phillipe Mesnard, J. Hillis Miller, Michael Rothberg, Beatrice Sandberg, Anette H. Storeide, Anne Thelle, and Janet Walker.