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Vol. 1 (2012) through current issue
Region is a peer-reviewed international journal that explores the history and current political, economic, and social affairs of the entire former Soviet bloc. In particular, the journal focuses on various facets of transformation at the local and national levels in the aforementioned regions, as well as the changing character of their relationships with the rest of the world in the context of globalization, a perspective that stresses both local adaptation to global phenomena and that adaptationâs transnational or even global significance.
Russian Women Poets of the Mid-Nineteenth Century
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation.
The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
Physical, Political, and Literary Spaces since World War II
The Russian Joke in Cultural Context
In his original new study, Seth Graham analyzes a rich and forgotten vein of humor in an otherwise bleak environment. The late Soviet period (1961–1986) hardly seems fertile ground for humor, but Russian jokes (anekdoty) about life in the Soviet Union were ubiquitous. The cultural and political relaxation in the decade following Stalin’s death produced considerable optimism among Soviet citizens. The anekdot exploited and exposed what Graham calls "Soviet diglossia" (official Sovietese vs. Russian everyday language) and emphasized the distance between official myths and quotidian reality. Jokes engaged a range of official and popular culture genres and also worked meta textually, referring to the political consequences of jokes. While the dissidents of this period, who stressed the heroic and opposed everything Soviet, have been much written about, Graham’s work on the anekdoty—written in the third person, ironic, and engaged with everything Soviet—fills a hole that has been overlooked in cultural history.
History and Literature
Throughout the development of modern Russian society, the memoir, with its dual agendas of individualized expression and reliable reportage, has maintained a popular and abiding national genre "contract" between Russian writers and readers. The essays in The Russian Memoir: History and Literature seek to appreciate the literary construction of this much read, yet little analyzed, form and to explore its functions as interpretive history, social modelling, and political expression in Russian culture.
Hunting Stories, Letters from Exile, and Military Memoirs
Of a noble and distinguished family disenfranchised by the Bolshevik revolution, Vladimir Trubetskoi (1892 1937) alone remained in Russia, and suffered the consequences of his decision. His life and experiences are well documented in this remarkable volume, a selection of his writings that reflects his comfortable prewar existence and his post revolutionary poverty, uncertainty, and displacement, all conveyed with humor and ironic detachment.
The Creative Universe of Viacheslav Ivanov
The Poetic Mind of Marina Tsvetaeva
Russian poet Marina Tsvetaeva’s powerful poetic voice and her tragic life have often prompted literary commentators to treat her as either a martyr or a monster. Born in Russia in 1892, she emigrated to Europe in 1922, returned to the Soviet Union at the height of the Stalinist Terror, and committed suicide in 1941. Alyssa Dinega focuses on the poetry, rediscovering Tsvetaeva as a serious thinker with a coherent artistic and philosophical vision.
Imperial Visions, Messianic Dreams, 1890–1940