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The Poetry of Momcilo Nastasijevic
The Escaped Mystery is devoted to the poetry of Momčilo Nastasijević, whose poetic achievement is described by Edward Dennis Goy as “one of the greatest, if not the greatest, in the Serbian language of the twentieth century.” Although his output was small, Nastasijević was the supreme modernist Yugoslav poet of his time and is deeply respected by leading modern Serbian poets, such as Vasko Popa and Miodrag Pavlović. Emotions, sensory impressions, love, and fear make up the “mystery” behind Nastasijević’s poetry. In this book the mystery – the lyrical experience – is caught in its various aspects but never held too long or over-defined. Goy examines the language, music, and meaning of the poems in their original and through his own English translations.
Logos and the Russian Word
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.
This anthology contains 25 selected life stories collected from Estonians who lived through the tribulations of the 20 century, and describe the travails of ordinary people under numerous regimes. The autobiographical accounts provide authentic perspectives on events of this period, where time is placed in the context of life-spans, and subjects grounded in personal experience. Most of the life stories reveal sufferings under foreign (Russian) oppression.
As a reporter for the prestigious New York Times the author interviewed many of the leading political figures of the Balkans (Illyria). He also sought out the area's intellectuals, many of them critical of their leaders, and everyday people who provide a sense of daily life. He devotes a chapter to each ethnic group from Vlachs to Serbs, talks about their differences and similarities, and does so without giving offense. He also provides a short historical account of the various places he visits, which deepens our understanding of the local cultures. The reader meets people from all walks of life: politicians, poets, literary and art critics, journalists, handymen, car mechanics, fishermen and farmers. From Milovan Djilas and Nicolae Ceausescu to Markos Vafiadis and Sali Berisha to the Serbian “majstor” Misha and an un-named Bosnian bar singer, Binder's book features a remarkable gallery of people whose presence contributes authenticity and human warmth to the narrative.
The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910–1930
Lovesickness in the Russian Literary Imagination
The destructive power of obsessive love was a defining subject of eighteenth- and nineteenth-century Russian literature. In Febris Erotica, Sobol argues that Russian writers were deeply preoccupied with the nature of romantic relationships and were persistent in their use of lovesickness not simply as a traditional theme but as a way to address pressing philosophical, ethical, and ideological concerns through a recognizable literary trope. Sobol examines stereotypes about the damaging effects of romantic love and offers a short history of the topos of lovesickness in Western literature and medicine.
Krestovskii, Tur, and the Power of Ambivalence in Nineteenth Century Russian Women's Prose
Though among the most prominent writers in Russia in the mid nineteenth century, Evgeniia Tur (1815 92) and V. Krestovskii (1820? 89) are now little known. By looking in depth at these writers, their work, and their historical and aesthetic significance, Jehanne M. Gheith shows how taking women's writings into account transforms traditional understandings of the field of nineteenth century Russian literature. Gheith's analysis of these writers' biographies, prose, and criticism intervenes in debates about the Russian literary tradition in general, Russian women's writing in particular, and feminist criticism on female authors and authority as it has largely been developed in and for Western contexts.
Defining the Russian Nation through Cultural Mythology, 1855–1870
The Evolution of a Classic in Imperial and Soviet Russia
Gogol's claim to the title of national literary classic is incontestable. An exemplar of popular audiences no less than for the intelligentsia, Gogol was pressed into service under the tsarist and Soviet regimes for causes both aesthetic and political, official and unofficial. In Gogol's Afterlife, Stephen Moeller Sally explores how he achieved this peculiar brand of cultural authority and later maintained it, despite dramatic shifts in the organization of Russian literature and society.