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2011, no. 4 through current issue
Ab Imperio Quarterly is an international humanities and social sciences peer-reviewed journal dedicated to studies in new imperial history and the interdisciplinary and comparative study of nationalism and nationalities in the post-Soviet space. The journal has been published since June 2000, four times a year. The languages of publication are English and Russian with summaries, respectively, in Russian and English. Ab Imperio pursues a policy of thematic issues within annual programs. Ab Imperio serves as an international forum for scholars reflecting on historical and contemporary encounters with diversity in composite societies.
Reassessment of Early Soviet Cultural Theories
This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime. Evgeny Dobrenko, a leading expert on Soviet literature, argues instead and offers persuasive evidence that the aesthetic theories underpinning Socialist Realism arose among the writers themselves, born of their proponents' desire for power in the realm of literary policymaking. Accordingly, Dobrenko closely considers the evolution of these theories, deciphering the power relations and social conditions that helped to shape them.
Ruins and Historical Conciousness in Modern Russia
Despite attempts to promote the aesthetics of ruins in Russia—from Catherine the Great’s construction of fake ruins in imperial parks to Josef Brodsky’s elegiac meditations—ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. Architecture of Oblivion examines the role of ruins in the development of Russia’s historical consciousness from the 18th century to the present. Investigating the meaning and functions ruins have acquired in Russian culture, Schönle looks at ideological reasons for the current disregard for the value of ruins and historical buildings, in particular by political authorities, and reveals how ruins have often become a site of resistance to official ideology and an invitation to map out alternative visions of history and of statehood. An interdisciplinary study of Russia’s response to ruins has never been attempted, although the topic of ruins has garnered considerable interest in Western Europe and in the U.S. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.
Boris Pasternak's Early Prose
Art after Philosophy: Boris Pasternak’s Early Prose, by Elena Glazov-Corrigan, redefines an area in Slavic studies which has suffered from neglect for several decades, namely, Pasternak’s early prose narratives. In her bold new study, Glazov-Corrigan analyzes the conceptual networks of thought Pasternak developed when he turned to literature after abandoning the study of Neo-Kantianism in Marburg during the summer of 1912. This book shows conclusively that Pasternak’s knowledge of philosophy is inseparable from his prose works, even though in his early stories and novellas (1913–1918) philosophical ideas operate neither as discrete textual units nor as micro-elements or clusters of possible signification. In the early Pasternak, philosophy becomes a narrative art, a large-scale narrative frame, a manner of seeing rather than of constructing reality. After Roman Jakobson’s famous 1935 essay, which characterized the early Pasternak as a “virtuoso of metonymy,” in contrast to the metaphoric Mayakovsky, no other approach has been able to generate comparable scholarly influence. The present study takes up the implicit challenge of this critical impasse. Entering into a debate with Jakobson’s findings, Art after Philosophy illuminates Pasternak’s boldest artistic experiments and suggests to his readers entirely new ways of approaching not only his early but also his later writing.
Self and Tradition in Bulgakov, Pasternak, and Nabokov
Justin Weir develops a persuasive analysis of the complex relationship between authorial self reflection and literary tradition in three of the most famous Russian novels of the first half of the twentieth century: Bulgakov's The Master and Margarita, Pasternak's Doctor Zhivago, and Nabokov's The Gift. With Weir's innovative interpretation, and its compelling historical, cultural, and theoretical insights, The Author as Hero offers a new view of an important moment in the evolution of Russian literature.
Incredible Tales of a Modern Bulgarian
The Ironies of Romantic Individualism in Nicholas I's Russia
Mikhail Lermontov (1814 1841) is one of Russia's most prominent poets and one of its most puzzling. In this radically new interpretation, David Powelstock reveals how the seeming contradictions in Lermontov's life and works can be understood as manifestations of a coherent worldview.
Alexander Blok, Zinaida Gippius, and the Symbolist Sublimation of Sex
Gender and Sexuality in Modern Czech Culture