Between Nostalgia and Apocalypse is a close-to-the-ground account of musicians and dancers from Arcoverde, Pernambuco—a small city in the northeastern Brazilian backlands. The book’s focus on samba de coco families, marked as bearers of tradition, and the band Cordel do Fogo Encantado, marketed as pop iconoclasts, offers a revealing portrait of performers engaged in new forms of cultural preservation during a post-dictatorship period of democratization and neoliberal reform. Daniel B. Sharp explores how festivals, museums, television, and tourism steep musicians’ performances in national-cultural nostalgia, which both provides musicians and dancers with opportunities for cultural entrepreneurship and hinders their efforts to be recognized as part of the Brazilian here-and-now. The book charts how Afro-Brazilian samba de coco became an unlikely emblem in an interior where European and indigenous mixture predominates. It also chronicles how Cordel do Fogo Encantado—drawing upon the sounds of samba de coco, ecstatic Afro-Brazilian religious music, and heavy metal—sought to make folklore dangerous by embodying an apocalyptic register often associated with northeastern Brazil.

Even though it failed to prevent World War II, the League of Nations left a lasting legacy. This precedent-setting international organization created important institutions and initiatives in labor, economics, culture, science, and more, from the International Labor Organization to initiatives targeting education, taxation, nutrition, and other issues. Otherwise marginalized in global diplomacy, Latin Americans were involved, and often acted as leaders, in many League-related activities and made a number of positive contributions to the League. In this book foremost scholars from Europe and the Americas consider Latin American leadership and experiences in the League of Nations. Using research in frequently overlooked collections, Beyond Geopolitics makes groundbreaking contributions to the study of Latin American international relations, the history of the League of Nations, and the broader story of cooperation across borders.

Presenting five case studies from South America, this foundational book examines the roles played by architecture and urban design in large territorial transformation projects, which remake landscapes but leave a questionable legacy when resource-extraction projects move on.

The dominant tradition in writing about U.S.–Latin American relations during the Cold War views the United States as all-powerful. That perspective, represented in the metaphor “talons of the eagle,” continues to influence much scholarly work down to the present day. The goal of this collection of essays is not to write the United States out of the picture but to explore the ways Latin American governments, groups, companies, organizations, and individuals promoted their own interests and perspectives.

The book also challenges the tendency among scholars to see the Cold War as a simple clash of “left” and “right.” In various ways, several essays disassemble those categories and explore the complexities of the Cold War as it was experienced beneath the level of great-power relations.

In Beyond the Lettered City, the anthropologist Joanne Rappaport and the art historian Tom Cummins examine the colonial imposition of alphabetic and visual literacy on indigenous groups in the northern Andes. They consider how the Andean peoples received, maintained, and subverted the conventions of Spanish literacy, often combining them with their own traditions. Indigenous Andean communities neither used narrative pictorial representation nor had alphabetic or hieroglyphic literacy before the arrival of the Spaniards. To absorb the conventions of Spanish literacy, they had to engage with European symbolic systems. Doing so altered their worldviews and everyday lives, making alphabetic and visual literacy prime tools of colonial domination. Rappaport and Cummins advocate a broad understanding of literacy, including not only reading and writing, but also interpretations of the spoken word, paintings, wax seals, gestures, and urban design. By analyzing secular and religious notarial manuals and dictionaries, urban architecture, religious images, catechisms and sermons, and the vast corpus of administrative documents produced by the colonial authorities and indigenous scribes, they expand Ángel Rama’s concept of the lettered city to encompass many of those who previously would have been considered the least literate.

The scholars whose work is assembled here attempt to better understand the nature of Wari by examining its impact beyond Wari walls. By studying Wari from a village in Cuzco, a water shrine in Huamachuco, or a compound on the Central Coast, these authors provide us with information that cannot be gleaned from either digs around the city of Huari or work at the major Wari installations in the periphery. This book provides no definitive answers to the Wari phenomena, but it contributes to broader debates about interregional influences and interaction during the emergence of early cities and states throughout the world.