Caribbean Studies is a multidisciplinary academic journal published since 1961 by the Institute of Caribbean Studies, College of Social Sciences at the University of Puerto Rico, Río Piedras Campus. The journal publishes original works on the Social Sciences and the Humanities in English, Spanish or French languages. It is divided in four parts: articles, research notes, book reviews (including review essays of multiple books and individual reviews), and news and events. At present one of the bi-annual issues is usually a special thematic one.

The poetry associated with Afrocubanismo has been of great interest to academics since the movement began in the late 1920s. Thomas Anderson’s detailed analysis infuses new life into the study of these remarkable works. Focusing on the representations of carnival and its comparsas (carnival bands and music), Carnival and National Identity in the Poetry of Afrocubanismo offers thought-provoking new readings of poems by seminal Cuban poets, demonstrating how their writings on and about these traditions both contributed to and detracted from the development of a recognizable Afro-Cuban identity.

This volume is the first to examine, from a literary perspective, the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as “backward” and counter to the interests of the young Republic. Including analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín, this rigorous, interdisciplinary volume offers a fresh look at the canon of Afrocubanismo and offers surprising insights into Cuban culture during the early years of the Republic.

In Carrying the Word: The Concheros Dance in Mexico City, the first full length study of the Concheros dancers, Susanna Rostas explores the experience of this unique group, whose use of dance links rural religious practices with urban post-modern innovation in distinctive ways even within Mexican culture, which is rife with ritual dances. The Concheros blend Catholic and indigenous traditions in their performances, but are not governed by a predetermined set of beliefs; rather they are bound together by long standing interpersonal connections framed by the discipline of their tradition. The Concheros manifest their spirituality by means of the dance. Rostas traces how they construct their identity and beliefs, both individual and communal, by its means. The book offers new insights into the experience of dancing as a Conchero while also exploring their history, organization and practices. Carrying the Word provides a new way for audiences to understand the Conchero's dance tradition, and will be of interest to students and scholars of contemporary Mesoamerica. Those studying identity, religion, and tradition will find this social-anthropological work particularly enlightening.

Does a civil society actually exist in Cuba today and if so what is its nature and role? In seeking answers to this hotly contested and highly politicized question, Alexander Gray and Antoni Kapcia have assembled an impressive and diverse group of contributors.

The essays in The Changing Dynamic of Cuban Civil Society range from general discussion of the private sector to case studies about volunteer work, religious entities, and nongovernmental organizations (NGOs). Since the fall of the Soviet Union and the economic crisis in 1990, the Cuban state has experienced severe challenges, and individuals have been forced to respond in unexpected ways to ensure their economic survival. Avoiding polemics and preconceptions, this volume brings a fresh and welcome perspective to one of the most vexing issues in Cuban society today.

Analyzes the literary representations of women in Salvadoran and US-Salvadoran narratives since 1980.

Informed by the first use of many British, U.S., and Guyanese archival sources, Palmer's work details Jagan's rise and fall, from his initial electoral victory in the spring of 1953 to the aftermath of the British-orchestrated coup d'état that led to the suspension of the constitution and the removal of Jagan's independence-minded administration. Jagan's political odyssey continued--he was reelected to the premiership in 1957--but in 1964 he fell out of power again under intense pressure from Guianese, British, and U.S. officials suspicious of Marxist influences on the People's Progressive Party, the popular nationalist party founded in 1950 by Jagan and his activist wife, Janet Rosenberg. But Jagan's political life was not over--after decades in the opposition, he became Guyana's president in 1992.

When a small group of free men of color gathered in 1838 to celebrate the end of apprenticeship in Barbados, they spoke of emancipation as the moment of freedom for all colored people, not just the former slaves. The fact that many of these men had owned slaves themselves gives a hollow ring to their lofty pronouncements. Yet in The Children of Africa in the Colonies, Melanie J. Newton demonstrates that simply dismissing these men as hypocrites ignores the complexity of their relationship to slavery. Exploring the role of free blacks in Barbados from 1790 to 1860, Newton argues that the emancipation process transformed social relations between Afro-Barbadians and slaves and ex-slaves. Free people of color in Barbados genuinely wanted slavery to end, Newton explains, a desire motivated in part by the realization that emancipation offered them significant political advantages. As a result, free people's goals for the civil rights struggle that began in Barbados in the 1790s often diverged from those of the slaves, and the tensions that formed along class, education, and gender lines severely weakened the movement. While the populist masses viewed emancipation as an opportunity to form a united community among all people of color, wealthy free people viewed it as a chance to better their position relative to white Europeans. To this end, free people of color refashioned their identities in relationship to Africa. Prior to the 1820s, Newton reveals, they downplayed their African descent, emphasizing instead their legal status as free people and their position as owners of property, including slaves. As the emancipation debate in the Atlantic world reached its zenith in the 1820s and 1830s and whites grew increasingly hostile and inflexible, elite free people allied themselves with the politics of the working class and the slaves, relying for the first time on their African heritage and the association of their skin color with slavery to openly challenge white supremacy. After emancipation, free people of color again redefined themselves, now as loyal British imperial subjects, casting themselves in the role of political protectors of their ex-slave brethren in an attempt to escape social and political disenfranchisement. While some wealthy men of color gained political influence as a result of emancipation, the absence of fundamental change in the distribution of land and wealth left most men and women of color with little hope of political independence or social mobility. Mining a rich vein of primary and secondary sources, Newton's study elegantly describes how class divisions and disagreements over labor and social policy among free and slave black Barbadians led to political unrest and devastated the hope for an entirely new social structure and a plebeian majority in the British Caribbean.