With contributions from a dozen American and European scholars, this volume presents an overview of Jewish writing in post--World War II Europe. Striking a balance between close readings of individual texts and general surveys of larger movements and underlying themes, the essays portray Jewish authors across Europe as writers and intellectuals of multiple affiliations and hybrid identities. Aimed at a general readership and guided by the idea of constructing bridges across national cultures, this book maps for English-speaking readers the productivity and diversity of Jewish writers and writing that has marked a revitalization of Jewish culture in France, Germany, Austria, Italy, Great Britain, the Netherlands, Hungary, Poland, and Russia.

By comparing these and other modern issues to those of ancient Israel, Sharkansky shows that Israel’s deeply-rooted problems as a nation are likely to continue, occasionally punctuated by violent outbursts.

This is a translation from the Italian of a study of the work of Hermann Cohen, a figure generally recognized as the most significant Jewish thinker of the past 100 years. This is a translation of Andrea Poma’s La filosofia critica di Hermann Cohen, which first appeared in 1988. During the second half of the nineteenth century, the German philosophical scene had witnessed the extinction of absolute idealism and the predominance of the naive materialism of the adherents of scientism. Hermann Cohen’s philosophy stood out in favor of the value of critical reason, on which scientific idealism, in the form of a revival of authentic rational idealism, is founded. His standpoint rejected the opposite extremes of both absolute idealism and naive materialism. The Marburg school, one of the great German philosophical schools at the turn of the century, grew out of Cohen’s philosophy, which inspired a large number of twentieth-century thinkers. Cohen was, without doubt, one of the principal adherents of the “return to Kant” as a fundamental point of reference of “Critical Idealism.” He based this revival on a long, historical, philosophical tradition, represented by Plato, Descartes, Leibniz, and others, apart from Kant himself. Although Cohen saw himself as Kant’s heir, he went beyond Kant in his development and deepening of the meaning of critical philosophy in his own philosophical system. He followed an original path, which revealed a great deal of the hitherto concealed potential of this type of philosophy. In his later years Cohen turned his attention mainly to the philosophy of religion, but his last works are not simply what would be termed the Summa theologica of contemporary Judaism. They also belong to a continuous line connecting them to his previous thought, deepening the meaning and extending the potentiality of critical philosophy and its connection to religious problems, satisfactorily developing the aspect of thought on the limit of reason, which, for critical philosophy, is a necessary complement to thought within the limits of reason.

The official establishment of the State of Israel in May 1948 constituted the realization of the Zionist vision, but military victory left in its wake internal and external survival issues that would threaten this historic achievement for decades to come. The refusal of the international community to recognize the political, geographic, and demographic results of the War of Independence presented Israel with a permanent regional security threat, while isolating and alienating it in the international arena. One of the most formidable problems Israeli foreign policy faced was the stance of the Christian world toward the new state. Attitudes ranged from hostility and categorical non-recognition by the Catholic Church, through Protestant ambivalence, to Evangelical support. Cross on the Star of David presents the first scholarly analysis, based on newly declassified documents, of Israeli policymaking on this issue. Uri Bialer focuses on the impact that modes of thinking rooted in the historical tradition of Jewish-Christian interactions had on Israeli policymakers and concludes that they were not innocent of the perceptions and biases that influenced the Christian world's behavior toward Israel. The result is a fine-grained, original interpretation of an important dimension of Israeli foreign policy from the founding of the State to the 1967 War.

In this pathbreaking study Jeffrey L. Rubenstein reconstructs the cultural milieu of the rabbinic academy that produced the Babylonian Talmud, or Bavli, which quickly became the authoritative text of rabbinic Judaism and remains so to this day. Unlike the rabbis who had earlier produced the shorter Palestinian Talmud (the Yerushalmi) and who had passed on their teachings to students individually or in small and informal groups, the anonymous redactors of the Bavli were part of a large institution with a distinctive, isolated, and largely undocumented culture. The Culture of the Babylonian Talmud explores the cultural world of these Babylonian rabbis and their students through the prism of the stories they included in the Bavli, showing how their presentation of earlier rabbinic teachings was influenced by their own values and practices. Among the topics explored in this broad-ranging work are the hierarchical structure of the rabbinic academy, the use of dialectics in teaching, the functions of violence and shame within the academy, the role of lineage in rabbinic leadership, the marital and family lives of the rabbis, and the relationship between the rabbis and the rest of the Jewish population. This book provides a unique and new perspective on the formative years of rabbinic Judaism and will be essential reading for all students of the Talmud.

A sweeping chronicle of Jewish life in the Tar Heel State from colonial times to the present, this beautifully illustrated volume incorporates oral histories, original historical documents, and profiles of fascinating individuals. More than 125 historic and contemporary photographs complement Rogoff's engaging epic, providing a visual panorama of Jewish social, cultural, economic, and religious life in North Carolina.

Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it.

"The Elsewhere." Or, midbar-biblical Hebrew for both "wilderness" and "speech." A place of possession and dispossession, loss and nostalgia. But also a place that speaks. Ingeniously using a Talmudic interpretive formula about the disposition of boundaries, Newton explores narratives of "place, flight, border, and beyond." The writers of The Elsewhere are a disparate company of twentieth-century memoirists and fabulists from the Levant (Palestine/Israel, Egypt) and East Central Europe. Together, their texts-cunningly paired so as to speak to one another in mutually revelatory ways-narrate the paradox of the "near distance."