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Ireland is a country which has come to be defined in part by an ideology which conflates nationalism with the land. From the Irish Revival’s celebration of the Irish peasant farmer as the ideal Irishman to the fierce history of land claim battles between the Irish and their colonizers, notions of the land have become particularly bound up with conceptions of what Ireland is and what it is to be Irish. In this book, Wright considers this fraught relationship between land and national identity in Irish literature. In doing so, she presents a new vision of the Irish national landscape as one that is vitally connected to larger geographical spheres. By exploring issues of globalization, international radicalism, trade routes, and the export of natural resources, Wright is at the cutting edge of modern global scholarly trends and concerns. In considering texts from the Romantic era such as Leslie’s Killarney, Edgeworth’s “Limerick Gloves,” and Moore’s Irish Melodies, Wright undercuts the nationalist myth of a “people of the soil” using the very texts which helped to construct this myth. Reigniting the field of Irish Romanticism, Wright presents original readings which call into question politically motivated mythologies while energizing nationalist conceptions that reflect transnational networks and mobility.
Gender and Incarceration in Contemporary Irish Film
Focusing on Irish-made films from 1960 to the 1990s, Scarlata considers the many ways in which filmmakers present the country as “occupied.” Exploring Ireland’s past in relation to its present, these films become a mode of postcolonial historiography, and, Scarlata argues, they are an important component in the re-evaluation of what constitutes political cinema and political resistance.
Beyond Rounders and Reelers
Studies of the Irish presence in America have tended to look to the main corridors of emigration, and hence outside the American South. Yet the Irish constituted a significant minority in the region. Indeed, the Irish fascination expresses itself in Southern context in powerful, but disparate, registers: music, literature, and often, a sense of shared heritage. Rethinking the Irish in the South aims to create a readable, thorough introduction to the subject, establishing new ground for areas of inquiry.These essays offer a revisionist critique of the Irish in the South, calling into question widely held understandings of how Irish culture was transmitted. The discussion ranges from Appalachian ballads, to Gone With the Wind, to the Irish rock band U2, to Atlantic-spanning literary friendships. Rather than seeing the Irish presence as "natural" or something completed in the past, these essays posit a shifting, evolving, and unstable influence. Taken collectively, they offer a new framework for interpreting the Irish in the region. The implications extend to the interpretation of migration patterns, to the understanding of Irish diaspora, and the assimilation of immigrants and their ideas
Stage Censorship in Twentieth-Century Ireland
Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience’s right to disagree.
Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O’Casey, as well as the works of less known playwrights such as George Birmingham. Dean’s original research meticulously analyzes Ireland’s great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century’s end as at its beginning, was pluralistic, heterogeneous, and complex.
James Joyce, the New Journalism, and the Home Rule Newspaper Wars
In Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars, Margot Gayle Backus charts the rise of the newspaper sex scandal across the fin de siècle British archipelago and explores its impact on the work of James Joyce, a towering figure of literary modernism. Based largely on archival research, the first three chapters trace the legal, social, and economic forces that fueled an upsurge in sex scandal over the course of the Irish Home Rule debates during James Joyce’s childhood. The remaining chapters examine Joyce’s use of scandal in his work throughout his career, beginning with his earliest known poem, “Et Tu, Healy,” written when he was nine years old to express outrage over the politically disastrous Parnell scandal.
Militant Fundamentalism and Ulster Politics
“The Second Coming of Paisley” examines the relationship between Rev. Ian Paisley and the leaders of the militant wing of evangelical fundamentalism in the United State in the period immediately preceding the outbreak of the Northern Ireland “Troubles” in the late 1960’s. The author convincingly demonstrates that it was exposure to the ideas and principles of leaders of the Christian right such as Carl McIntire and Billy James Hargis that enables Paisley to develop a militant brand of politicized religious fundamentalism which he used with remarkable success to block the advance of civil rights for N. Ireland’s Catholic population. The author provides a full analysis of this background and sets it up as a framework for understanding the extraordinary force with which the Rev. Paisley used a religious culture imported from the U.S. to affect a radical shakeup of religion and politics in Northern Ireland.
The 1641 Rebellion in Irish History and Memory
Vol. 20 (2000) through current issue
SHAW publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana -- the bibliography of Shaw studies. Every other issue is devoted to a special theme.
Vol. 5 (2009)
An Sionnach is a journal of Irish Studies featuring scholarly articles, creative work, and reviews that promote active discussion and provide in-depth analysis of developments in Irish writing and Irish Studies in the United States, Ireland, and Europe, from 1958 to the present.
An Sionnach is published by Creighton University Press and distributed by the University of Nebraska Press
Population Decline and Independent Ireland, 1920–1973
Today Ireland’s population is rising, immigration outpaces emigration, most families have two or at most three children, and full-time farmers are in steady decline. But the opposite was true for more than a century, from the great famine of the 1840s until the 1960s. Between 1922 and 1966—most of the first fifty years after independence—the population of Ireland was falling, in the 1950s as rapidly as in the 1880s. Mary Daly’s The Slow Failure examines not just the reasons for the decline, but the responses to it by politicians, academics, journalists, churchmen, and others who publicly agonized over their nation’s “slow failure.” Eager to reverse population decline but fearful that economic development would undermine Irish national identity, they fashioned statistical evidence to support ultimately fruitless policies to encourage large, rural farm families. Focusing on both Irish government and society, Daly places Ireland’s population history in the mainstream history of independent Ireland.
Daly’s research reveals how pastoral visions of an ideal Ireland made it virtually impossible to reverse the fall in population. Promoting large families, for example, contributed to late marriages, actually slowing population growth further. The crucial issue of emigration failed to attract serious government attention except during World War II; successive Irish governments refused to provide welfare services for emigrants, leaving that role to the Catholic Church. Daly takes these and other elements of an often-sad story, weaving them into essential reading for understanding modern Irish history