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The Famine and the Troubles
Volume 3 focuses on the impact of the Famine and the Troubles on the formation and study of Irish cultural memory. Topics considered include hunger strikes, monuments to the Famine, trauma and the politics of memory in the Irish peace process, and Ulster Loyalist battles in the twenty-first century. Gathering the work of leading scholars such as Margaret Kelleher, Joseph Lennon, David Lloyd, Joseph Valente, and Gerald Dawe, this collection is an essential contribution to the field of Irish studies.
James Joyce and Cultural Memory
In the fourth and final volume of the Memory Ireland series, Frawley and O’Callaghan explore the manifestations and values of cultural memory in Joyce’s Ireland, both real and imagined. An exemplary author to consider in relation to questions of how it is that history is remembered and recycled, Joyce creates characters that confront particularly the fraught relationship between the individual and the historical past; the crisis of colonial history in relation to the colonized state; and the relationship between the individual’s memory of his or her own past and the past of the broader culture. The collection includes leading Joyce scholars including Luke Gibbons, Vincent Cheng, and Declan Kiberd and considers such topics as Jewish memory in Ulysses, history and memory in Finnegans Wake, and Joyce and the Bible.
Irish Women’s Emigration to America
Models for Movers is a unique collection of Irish migrant women's oral histories spanning three waves of twentieth-century emigration, 1920s, 1950s, 1980s. Each woman describes how she created a new life in America, often in the face of multiple challenges there. The women inspire us to have the courage to act.The women's voices speak to and against the regulated silences surrounding both emigration and the reality of Irish women's lives. They also provide a multigenerational tapestry of experience into which women leaving Ireland today can weave their stories.
W. B. Yeats to Marina Carr, Second Edition
Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough introduction to the recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading.
An early modern domestic and spiritual memoir, My First Booke of My Life depicts the life of Alice Thornton (1626–1707), a complex, contradictory woman caught in the changing fortunes and social realities of the seventeenth century. Her memoir documents her perspective on the Irish rebellion and English civil war as well as on a plethora of domestic dangers and difficulties: from her reluctant marriage, which sought to rescue the sequestered family estate and clear her brother’s name, to financial crises, to the illnesses and deaths of several family members and six children, to slanderous criticisms of her fidelity and her parenting.
This first complete edition of an autobiographical apologia begins with recollections of Thornton’s childhood and ends with the death of her husband, restoring almost half of the original text omitted from the nineteenth-century edition. The image she fashions of a woman devoted to God and family evolves from the conventional format of the deliverance memoir into a rhetorically sophisticated defense of her life in response to rumored scandal. Inseparable from the praise of God and family is the distinctive sense of identity that emerges from the introduction, text, and annotations, all of which provide a significant contribution to early modern woman’s writing.
Gender, Patriotism, and Political Culture in Late Eighteenth-Century Ireland
Vol. 5 (2001) through current issue
New Hibernia Review/ Iris Éireannach Nua: A Quarterly Record of Irish Studies presents plainly argued scholarship on all aspects of Irish civilization. It seeks to address a readership of both professional scholars and educated readers as it examines, without political agenda, the cultures of the whole of Ireland. All disciplines are represented in the pages of New Hibernia Review; literary studies and history predominate. In additional to fully annotated scholarly articles, the journal also presents new Irish poetry and book reviews, as well as occasional memoirs and informal essays.
Negotiating Race in Contemporary Irish and Irish-American Culture
With the economic rise of the “Celtic Tiger” in the 1990s, Irish culture was deeply impacted by a concurrent rise in immigration. A nation tending to see itself as a land of emigrants now saw waves of newcomers. Moynihan takes as her central question a formulation by sociologist Steve Garner: “What happens when other people’s diasporas converge on the homeland of a diasporic people?” Moynihan’s approach to Ireland’s changing demographics is, however, cultural rather than sociological; she delves into fiction, drama, comedy, and cinema since 1998 for its representations of and insights into race relations. She is particularly interested in how contemporary Irish culture looks to history of Irish-American and African-American race relations as a way to understand its own immigrant communities, arguing that “one of the most palpable trends in contemporary Irish culture is the juxtaposition, literal or implied, of narratives of Irish emigration to the U.S. with those of immigration to Ireland.” Individual chapters treat of bestselling novelists Joseph O’Connor (brother of singer-songwriter Sinéad O’Connor) and Roddy Doyle, and the comedian Des Bishop. A chapter each is devoted to Irish/Irish American drama and cinema.
Electoral Politics in Ireland
“My attention was drawn to Ireland by footnotes,” writes the author. “Over and over again the literature of comparative politics noted simply ‘except in Ireland’.... The question that puzzled me was, Why should this be so?”
Professor Carty’s answers to the question appear in this detailed study that sheds new light on the question of establishing democratic politics after a war of independence, on the impact of electoral laws on party competition, on the social bases of political competition, and on the way political machines work in modern democracies. As a case study the book also analyzes the peculiarly conservative syndrome into which Irish politics has fallen. Carty concludes that political institutions and the activities of politicians make a considerable difference to the organization and conduct of public life.
The book will interest students of comparative politics, history, and political sociology, as well as those concerned with the shape and direction of society and politics in contemporary Ireland.
Paul Cullen (1803–78) was the outstanding figure in Irish history between the death of Daniel O’Connell and the rise of Charles Stewart Parnell. Yet this powerful prelate remains an enigmatic figure. This new study of his career sets out to reveal the real nature of his achievements in putting his stamp so indelibly on the Irish Catholic Church.
After several years spent in Rome, at a time when the papal states were under constant attack, Cullen was sent back to Ireland as Archbishop of Armagh and subsequently of Dublin. He had been charged with reorganizing the Catholic Church in his native country—a task which brought him into conflict with the authorities, many of his fellow-bishops and frequently nationalist opinion. The first Irishman to be made a cardinal, he played a leading part in securing the declaration of papal infallibility from the First Vatican Council (1870).
Cardinal Cullen has not generally been well treated by historians. A brilliant scholar, whose intelligence was never underestimated by contemporaries, he has been dismissed as an ‘industrious mediocrity.’ A tough-minded, indefatigable political tactician, he has nevertheless been described as a world-denying spiritual leader. Cullen was the most devoted of papal servants, yet he was accused of ‘preferring the ... principles of Irish nationalism to the opinions of his friend Pius IX.’ Generations of Irish nationalist historians, however, have taken a different view, seeing the leading Irish churchman of the nineteenth century as a tool of the British government.
In Paul Cardinal Cullen and the Shaping of Modern Irish Catholicism, Desmond Bowen shows the true purpose of Cullen’s mission. An Ultramontanist of the most uncompromising type—‘a Roman of the Romans’—neither the aspirations of the Irish nationalists nor the concerns of British governments were of primary importance to him. The mind and accomplishments of this most reserved and complex of men can be understood only in his total dedication to the mission of the papacy as he interpreted it during a time of crisis for the Catholic Church throughout Europe.