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Nation, Time, Language, and Space in Hispanic Literatures
The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co exist within the same literary works.
The Registered Charters of Its Conqueror, Jaume I, 1257-1276. II: Documents 1-500. Foundations of Crusader Valencia: Revolt and Recovery, 1257-1263
This work presents the first five hundred of the over 2,000 documents that Robert I. Burns will make available from the registers of Jaume the Conqueror at the Crown Archives in Barcelona--the most impressive archives of this kind outside the papal series, and the first extensive use of paper by a European government. Volume II begins the four planned volumes of documents, which, along with the introduction that makes up Volume I, will constitute a unique corpus of material on Valencia, its place in an expanding Europe, and its status, after its conquest by Jaume of Aragon-Catalonia, as a colonialist world of Christian settlers ruling a Muslim majority and a large Jewish population. Volume II provides a wealth of information on this frontier society during the six years of its final pacification and incipient Europeanization (1257-1263). Affording numerous insights into the military, religious, economic, legal, bureaucratic, and social evolution of the area, the documents are made accessible to a wide readership by extended paraphrases that
Originally published in 1991.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Counter-Epic Literature in Early Modern Spain
The counter-epic is a literary style that developed in reaction to imperialist epic conventions as a means of scrutinizing the consequences of foreign conquest of dominated peoples. It also functioned as a transitional literary form, a bridge between epic narratives of military heroics and novelistic narratives of commercial success. In Discourses of Empire, Barbara Simerka examines the representation of militant Christian imperialism in early modern Spanish literature by focusing on this counter-epic discourse.Simerka is drawn to literary texts that questioned or challenged the imperial project of the Hapsburg monarchy in northern Europe and the New World. She notes the variety of critical ideas across the spectrum of diplomatic, juridical, economic, theological, philosophical, and literary writings, and she argues that the presence of such competing discourses challenges the frequent assumption of a univocal, hegemonic culture in Spain during the imperial period. Simerka is especially alert to the ways in which different discourses-hegemonic, residual, emergent-coexist and compete simultaneously in the mediation of power. Discourses of Empire offers fresh insight into the political and intellectual conditions of Hapsburg imperialism, illuminating some rarely examined literary genres, such as burlesque epics, history plays, and indiano drama. Indeed, a special feature of the book is a chapter devoted specifically to indiano literature. Simerka's thorough working knowledge of contemporary literary theory and her inclusion of American, English, and French texts as points of comparison contribute much to current studies of Spanish Golden Age literature.
Traditional Natural Law and Its Encounter with Modernity
The central argument of this book is that the traditional notion of Natural Law has almost disappeared from the ethical and moral discourse of our time. For Thomas Aquinas, the author whose conception of Natural Law forms the foundation for the book, the ontological and ethical orders are not autonomous but inseparable-in effect, his ethical system is an ontological morality.For Thomas, the ethical (practical wisdom) must be understood as an extension of the metaphysical (speculative wisdom). Most modern philosophers, by contrast, consider these two orders to be entirely separate. Here Luis Cortest shows how traditional Natural Law (the form Thomas Aquinas developed from classical and medieval sources) was transformed by thinkers like John Locke and Kant into a doctrine compatible with early modern and modern notions of nature and morality. In early Modern Europe one of the first of the great debates about moral philosophy took place in sixteenth-century Spain, as a philosophical dispute concerning the humanity of the Native Americans. This foreshadowed debates in later centuries, which the author reevaluates in light of these earlier sources. The book also includes a close examination of the recent work of scholars like John Finnis and Brian Tierney, who argue that traditional Natural Law theorists were defenders of a doctrine of positive rights. Rather than attempt to make the traditional doctrine compatible with modern rights theory, however, the author argues that traditional Natural Law must be understood as a form of pre-Enlightenment ontological morality that has survived the onslaught of modernity.
Markets, Power, and Backwardness in Spain, 1650-1800
Spain's development from a premodern society into a modern unified nation-state with an integrated economy was painfully slow and varied widely by region. Economic historians have long argued that high internal transportation costs limited domestic market integration, while at the same time the Castilian capital city of Madrid drew resources from surrounding Spanish regions as it pursued its quest for centralization. According to this view, powerful Madrid thwarted trade over large geographic distances by destroying an integrated network of manufacturing towns in the Spanish interior.
Challenging this long-held view, Regina Grafe argues that decentralization, not a strong and powerful Madrid, is to blame for Spain's slow march to modernity. Through a groundbreaking analysis of the market for bacalao--dried and salted codfish that was a transatlantic commodity and staple food during this period--Grafe shows how peripheral historic territories and powerful interior towns obstructed Spain's economic development through jurisdictional obstacles to trade, which exacerbated already high transport costs. She reveals how the early phases of globalization made these regions much more externally focused, and how coastal elites that were engaged in trade outside Spain sought to sustain their positions of power in relation to Madrid.
Distant Tyranny offers a needed reassessment of the haphazard and regionally diverse process of state formation and market integration in early modern Spain, showing how local and regional agency paradoxically led to legitimate governance but economic backwardness.
Natural-Law Ethics in Spanish Golden Age Theater
Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art's-sake and utilitarianism. According to Spanish literary critics of the 16th and 17th centuries, drama imitated reality, the subject and domain of philosophy. The integration of drama and scholastic moral philosophy was an important aspect of the critical theory of this era, which held that art should both teach and delight.
Through close textual analysis of representative plays, this book examines the artistic fusion of natural-law philosophy and drama. It demonstrates the relationship between ethics and the central ideological themes of these works, illustrating that an awareness of the doctrines of natural law ethics is crucial to an enriched comprehension of the drama of Golden Age Spain.
Female Spiritualities, Contested Orthodoxies, and English Religious Cultures, 1350-1700
In The Embodied Word: Female Spiritualities, Contested Orthodoxies, and English Religious Cultures, 1350–1700, Nancy Bradley Warren expands on the topic of female spirituality, first explored in her book Women of God and Arms, to encompass broad issues of religion, gender, and historical periodization. Through her analyses of the variety of ways in which medieval spirituality was deliberately and actively carried forward to the early modern period, Warren underscores both continuities and revisions that challenge conventional distinctions between medieval and early modern culture. The early modern writings of Julian of Norwich are an illustrative starting point for Warren’s challenge to established views of English religious cultures. In a single chapter, Warren follows the textual and devotional practices of Julian as they influence two English Benedictine nuns in exile, and then Grace Mildmay, a seventeenth-century Protestant gentry woman, “to shed light on the ways in which individual encounters of the divine, especially gendered bodily encounters expressed textually, signify for others both personally and socio-historically.” In subsequent chapters, Warren discusses St. Birgitta of Sweden’s imitatio Christi in the context of the importance of Spain and Spanish women in shaping a distinctive form of early modern Englishness strongly aligned with medieval religious culture; juxtaposes the fifteenth-century mystic Margery Kempe with the life and writings of Anna Trapnel, a seventeenth-century Baptist; and treats Catherine of Siena together with the Protestant Anne Askew and Lollard and Recusant women. In the final chapters she focuses on the interplay of gender and textuality in women’s textual representations of themselves and in works written by men who used the traditions of female spirituality in the service of competing orthodoxies.
Spain's Retreat, Europe's Eclipse, America's Decline
Throughout four millennia of recorded history there has been no end to empire, but instead an endless succession of empires. After five centuries of sustained expansion, the half-dozen European powers that ruled half of humanity collapsed with stunning speed after World War II, creating a hundred emerging nations in Asia and Africa. Amid this imperial transition, the United States became the new global hegemon, dominating this world order with an array of power that closely resembled that of its European predecessors. As Brazil, Russia, India, China, and the European Union now rise in global influence, twenty leading historians from four continents take a timely look backward and forward to discover patterns of eclipse in past empires that are already shaping a decline in U.S. global power, including:• erosion of economic and fiscal strength needed for military power on a global scale• misuse of military power through micro-military misadventures• breakdown of alliances among major powers• weakened controls over the subordinate elites critical for any empire’s exercise of global power• insufficient technological innovation to sustain global force projection.