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The Christmas Truce

Myth, Memory, and the First World War

Terri Blom Crocker. foreword by Peter Grant

In late December 1914, German and British soldiers on the western front initiated a series of impromptu, unofficial ceasefires. Enlisted men across No Man's Land abandoned their trenches and crossed enemy lines to sing carols, share food and cigarettes, and even play a little soccer. Collectively known as the Christmas Truce, these fleeting moments of peace occupy a mythical place in remembrances of World War I. Yet new accounts suggest that the heartwarming tale ingrained in the popular imagination bears little resemblance to the truth.

In this detailed study, Terri Blom Crocker provides the first comprehensive analysis of both scholarly and popular portrayals of the Christmas Truce from 1914 to present. From books by influential historians to the Oscar-nominated French film Joyeux Noel (2006), this new examination shows how a variety of works have both explored and enshrined this outbreak of peace amid overwhelming violence. The vast majority of these accounts depict the soldiers as acting in defiance of their superiors. Crocker, however, analyzes official accounts as well as private letters that reveal widespread support among officers for the détentes. Furthermore, she finds that truce participants describe the temporary ceasefires not as rebellions by disaffected troops but as acts of humanity and survival by professional soldiers deeply committed to their respective causes.

The Christmas Truce studies these ceasefires within the wider war, demonstrating how generations of scholars have promoted interpretations that ignored the nuanced perspectives of the many soldiers who fought. Crocker's groundbreaking, meticulously researched work challenges conventional analyses and sheds new light on the history and popular mythology of the War to End All Wars.

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Cinema in an Age of Terror

North Africa, Victimization, and Colonial History

Michael F. O'Riley

Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O’Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim’s position is a dangerous and blinding drive that frequently plays into the vision of terrorism. Films such as The Battle of Algiers, Days of Glory, Caché, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective—one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory—cultural, spatial, and ideological—and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word. Michael F. O’Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar’s New Novels.

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Cinepoetry

Imaginary Cinemas in French Poetry

Christophe Wall-Romana

Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

restricted access This search result is for a Book

Cinepoetry

Imaginary Cinemas in French Poetry

Christophe Wall-Romana

Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

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Citizens without Sovereignty

Equality and Sociability in French Thought, 1670-1789

Daniel Gordon

In a wide-ranging interpretation of French thought in the years 1670-1789, Daniel Gordon takes us through the literature of manners and moral philosophy, theology and political theory, universal history and economics to show how French thinkers sustained a sense of liberty and dignity within an authoritarian regime. A penetrating critique of those who exaggerate either the radicalism of the Enlightenment or the hegemony of the absolutist state, his book documents the invention of an ethos that was neither democratic nor absolutist, an ethos that idealized communication and private life. The key to this ethos was "sociability," and Gordon offers the first detailed study of the language and ideas that gave this concept its meaning in the Old Regime. Citizens without Sovereignty provides a wealth of information about the origins and usage of key words, such as société and sociabilité, in French thought. From semantic fields of meaning, Gordon goes on to consider institutional fields of action. Focusing on the ubiquitous idea of "society" as a depoliticized sphere of equality, virtue, and aesthetic cultivation, he marks out the philosophical space that lies between the idea of democracy and the idea of the royal police state. Within this space, Gordon reveals the channels of creative action that are open to citizens without sovereignty--citizens who have no right to self-government. His work is thus a contribution to general historical sociology as well as French intellectual history.

Originally published in .

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Citizenship between Empire and Nation

Remaking France and French Africa, 1945-1960

Frederick Cooper

As the French public debates its present diversity and its colonial past, few remember that between 1946 and 1960 the inhabitants of French colonies possessed the rights of French citizens. Moreover, they did not have to conform to the French civil code that regulated marriage and inheritance. One could, in principle, be a citizen and different too. Citizenship between Empire and Nation examines momentous changes in notions of citizenship, sovereignty, nation, state, and empire in a time of acute uncertainty about the future of a world that had earlier been divided into colonial empires.

Frederick Cooper explains how African political leaders at the end of World War II strove to abolish the entrenched distinction between colonial “subject” and “citizen.” They then used their new status to claim social, economic, and political equality with other French citizens, in the face of resistance from defenders of a colonial order. Africans balanced their quest for equality with a desire to express an African political personality. They hoped to combine a degree of autonomy with participation in a larger, Franco-African ensemble. French leaders, trying to hold on to a large French polity, debated how much autonomy and how much equality they could concede. Both sides looked to versions of federalism as alternatives to empire and the nation-state. The French government had to confront the high costs of an empire of citizens, while Africans could not agree with French leaders or among themselves on how to balance their contradictory imperatives. Cooper shows how both France and its former colonies backed into more “national” conceptions of the state than either had sought.

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Clandestine Encounters

Philosophy in the Narratives of Maurice Blanchot

edited by Kevin Hart

Maurice Blanchot is perhaps best known as a major French intellectual of the twentieth century: the man who countered Sartre’s views on literature, who affirmed the work of Sade and Lautréamont, who gave eloquent voice to the generation of ’68, and whose philosophical and literary work influenced the writing of, among others, Jacques Derrida, Gilles Deleuze, and Michel Foucault. He is also regarded as one of the most acute narrative writers in France since Marcel Proust. In Clandestine Encounters, Kevin Hart has gathered together major literary critics in Britain, France, and the United States to engage with Blanchot’s immense, fascinating, and difficult body of creative work. Hart’s substantial introduction usefully places Blanchot as a significant contributor to the tradition of the French philosophical novel, beginning with Voltaire’s Candide in 1759, and best known through the works of Sartre. Clandestine Encounters considers a selection of Blanchot’s narrative writings over the course of almost sixty years, from stories written in the mid-1930s to L’instant de ma mort (1994). Collectively, the contributors’ close readings of Blanchot’s novels, récits, and stories illuminate the close relationship between philosophy and narrative in his work while underscoring the variety and complexity of these narratives.

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Collected Works of Paul Valery, Volume 8

Paul Valéry

Valéry's essays on Leonardo, Poe, Mallarmé, and with these the "Teste Cycle," were that part of his work most central to his thought. The extensive selection included from his Notebooks is evidence of his enduring interest in these figures. The essays are, in fact, the only work with marginal glosses, Valéry's notations showing how he went back, amending and amplifying his original ideas.

Originally published in 1972.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A Colonial Affair

Commerce, Conversion, and Scandal in French India

Danna Agmon

A Colonial Affair traces the 1716 conviction of Nayiniyappa, a Tamil commercial agent employed by the French East India Company, for tyranny and sedition, and his subsequent public torture, the loss of his wealth, the exile of his family, and his ultimate exoneration. Danna Agmon’s gripping microhistory is a vivid guide to the "Nayiniyappa Affair" in the French colony of Pondicherry, India. The surprising and shifting fates of Nayiniyappa and his family form the basis of this story of global mobilization, which is replete with merchants, missionaries, local brokers, government administrators, and even the French royal family.

Agmon’s compelling account draws readers into the social, economic, religious, and political interactions that defined the European colonial experience in India and elsewhere. Her portrayal of imperial sovereignty in France’s colonies as it played out in the life of one beleaguered family allows readers to witness interactions between colonial officials and locals. Students and scholars of the history of colonialism, religion, capitalism, and law will find Agmon’s narrative of European imperialism of great interest.

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Colonial Culture in France since the Revolution

Translated by Alexis Pernsteiner. Edited by Pascal Blanchard, Sandrine Lemaire, Nicolas Bancel, and Dominic Thomas

This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This reexamination of French colonial culture, provides the basis for a revised understanding of its cultural, political, and social legacy and its lasting impact on postcolonial immigration, the treatment of ethnic minorities, and national identity.

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