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Madame Guyon, Fénelon, and Their Readers
In this study of Madame Guyon and, her defender, Francois de Fénelon, the Archbishop of Cambray, Patricia Ward demonstrates how the ideas of these seventeenth-century Catholics were transmitted into an ongoing tradition of Protestant devotional literature—one that continues to influence American evangelicals and charismatic Christians today. Down a winding (and fascinating) historical path, Ward traces how the lives and writings of these two somewhat obscure Catholic believers in Quietism came to such prominence in American spirituality—offering, in part, a fascinating glance at the role of women in the history of devotional writing.
Unmasking the Truth in La Rochefoucauld
Falsehood Disguised analyzes La Rochefoucauld's ideas on truth and falsehood in the context of his views on self-love, on the passions, and on vice and virtue. It also explores his views on the subject in relation to what he sees as the extremely fragile foundations of the social contract.
Consumption and Design in Seventeenth-Century France
As the epicenters of style and innovation, the cities of Paris and Versailles dominate studies of consumerism in seventeenth-century France, but little scholarship exists on the material culture, fashion, and consumption patterns in the provinces. Donna J. Bohanan’s Fashion beyond Versailles fills this historiographical gap by examining the household inventories of French nobles and elites in the southern province of Dauphiné. Much more than a simple study of the decorative arts, Fashion beyond Versailles investigates the meaning of material ownership. By examining postmortem registries and archival publications, Bohanan reveals the social imperatives, local politics, and high fashion trends that spurred the consumption patterns of provincial communities. In doing so, she reveals a closer relationship between consumer behavior of Versailles and the provinces than most historians have maintained. Far-reaching in its sociological and psychological implications, Fashion beyond Versailles both makes use of and contributes to the burgeoning literature on material culture, fashion, and consumption.
Corps féminin et réalisme romanesque au dix-neuvième siècle
According to Rogers, the nineteenth century was incapable of managing the feminine question and preferred to mythicize it. Everything that was related to it, especially feminine sexuality, was transformed into fiction. Thus women were saddled with the role of scapegoat.
The Curious Life of Gisèle d'Estoc
Gisèle d’Estoc was the pseudonym of a nineteenth-century French woman writer and, it turns out, artist who, among other things, was accused of being a bomb-planting anarchist, the cross-dressing lover of writer Guy de Maupassant, and the fighter of at least one duel with another woman, inspiring Bayard’s famous painting on the subject. The true identity of this enigmatic woman remained unknown and was even considered fictional until recently, when Melanie C. Hawthorne resurrected d’Estoc’s discarded story from the annals of forgotten history.
Finding the Woman Who Didn’t Exist begins with the claim by expert literary historians of France on the eve of World War II that the woman then known only as Gisèle d’Estoc was merely a hoax. More than fifty years later, Hawthorne not only proves that she did exist but also uncovers details about her fascinating life and career, along the way adding to our understanding of nineteenth-century France, literary culture, and gender identity. Hawthorne explores the intriguing life of the real d’Estoc, explaining why others came to doubt the “experts” and following the threads of evidence that the latter overlooked. In focusing on how narratives are shaped for particular audiences at particular times, Hawthorne also tells “the story of the story,” which reveals how the habits of thought fostered by the humanities continue to matter beyond the halls of academe.
Biographical Sketches of Bébian, Sicard, Massieu, and Clerc
In 1811, deaf student Ferdinand Berthier commenced his education at the National Institute for the Deaf in Paris under its director Abbé Sicard and his teachers Auguste Bébian, Jean Massieu, and Laurent Clerc. Their tutelage eventually led Berthier to join the faculty at the Institute and become a life-long proponent of sign language and Deaf culture. Berthier earned fame for instituting the famous silent banquets in Paris in 1834. He also learned to advance his agenda by writing biographies of important figures who advocated sign over oralism to educate deaf French students. Forging Deaf Education in Nineteenth-Century France offers the first translation of Berthier’s biographical sketches of the four men above who influenced him most. Berthier wrote first about Bébian in 1839, timed to advocate sign language for teaching deaf students after the departure of the pro-oralism Institute Director Désiré Ordinaire. Berthier extolled Bébian’s linguistic acumen and his educational philosophy. In later sketches, however, he described Sicard and Massieu in positive terms but also criticized them for supporting “methodical” signing, which conformed to spoken language conventions. In contrast, he lauded Clerc in his portrayal for using “natural” signing to teach deaf students. The incisiveness of Freeman G. Henry’s introduction and the clarity of his translations will enthrall readers now able to read Berthier’s biographies in English for the first time.
No. 17 (2004) - no. 18 (2004)
The international learned journal Francophonies d'AmÃ©rique publishes articles produced by academics working on North America's francophone minority populations throughout the continent. As stated clearly by Jules Tessier from the University of Ottawa in the foreword of the first issue published in 1991, the journal serves as "a meeting place for sharing the results of research and studies dealing with different aspects of French life in North America outside of QuÃ©bec, and looked at from multiple perspectives offered under the umbrella of the Humanities and Social Sciences' academic disciplines. The journal also provides information concerning research and publication projects in the field, along with a list of the latest publications and related events of academic life".
Vol. 1 (2002) through current issue
Sponsored by the French Colonial Historical Society (FCHS), French Colonial History is an annual volume of refereed, scholarly articles selected from the society's annual meetings. The journal covers all aspects of French colonization and the history of all French colonies, reflecting the temporal span, geographical breadth, and diversity of subject matter that characterize the scholarly interests of the Societyâs members.
French Colonial History is an outgrowth of the Society's ongoing relationship with Michigan State University Press, which began with the Press's publication of the 1995 FCHS Proceedings.
For more information about the French Colonial Historical Society, see the FCHS website at www.frenchcolonial.org.
Mental Maps of Empire and Colonial Encounters
Violence, Military Encounters, and Colonialism