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Ce dixième volume des Cahiers Charlevoix regroupe cinq études sur l’Ontario français, qui traitent du diocèse de Sault-Sainte-Marie dans le conflit franco-irlandais entre 1904 et 1934; des perspectives amoureuses et conjugales des jeunes du nord-est de l’Ontario; des aspects de l’histoire des Franco-Ontariens du Centre et du Sud-Ouest de 1970 à 2000; de l’art perdu de « faire des chansons » de la région du Détroit ainsi que des propos et confidences du jésuite ethnologue Germain Lemieux.
“In this book, Professor D.N. Sprague tells why the Métis did not receive the land that was supposed to be theirs under the Manitoba Act.... Sprague offers many examples of the methods used, such as legislation justifying the sale of the land allotted to Métis children without any of the safeguards ordinarily required in connection with transactions with infants. Then there were powers of attorny, tax sales—any number of stratgems could be used, and were—to see that the land intended for the Métis and their families went to others. All branches of the government participated. It is a shameful tale, but one that must be told.”
— from the foreword by Thomas R. Berger
An Historical Introduction
With nine out of ten Canadians claiming a religious affiliation of some kind - Catholic, Protestant, Jewish, Islamic, Hindu, Buddhist, Aboriginal, or one of dozens of other religions - faith has huge impact on our personal and social lives. In this book, Robert Choquette offers a comprehensive history of religion in Canada and examines the ongoing tug-of-war between modernity and conservatism within the religious traditions themselves.
A Short History of Vice since 1500
To invest in vice can be a sound financial decision, but despite the lure of healthy profits, individuals and mutual funds have been reluctant to invest in this type of stock. After all, who would take pride in supporting the tobacco industry, knowing it sells a deadly product? And what social responsibilities do investors bear with respect to compulsive gamblers who have lost so much money that suicide becomes an attractive option?
Canada the Good considers more than five hundred years of debates and regulation that have conditioned Canadians’ attitudes towards certain vices. Early European settlers implemented a Christian moral order that regulated sexual behaviour, gambling, and drinking. Later, some transgressions were diagnosed as health issues that required treatment. Those who refused the label of illness argued that behaviours formerly deemed as vices were within the range of normal human behaviour.
This historical synthesis demonstrates how moral regulation has changed over time, how it has shaped Canadians’ lives, why some debates have almost disappeared and others persist, and why some individuals and groups have felt empowered to tackle collective social issues. Against the background of the evolution of the state, the enlargement of the body politic, and mounting forays into court activism, the author illustrates the complexity over time of various forms of social regulation and the control of vice.
Vol. 39 (2007) through current issue
Founded in 1969, our fully refereed, interdisciplinary journal is devoted to the study of ethnicity, immigration, inter-group relations, and the history and cultural life of ethnic groups in Canada. Issues also include book and film reviews, opinions, immigrant memoirs, translations of primary sources, books received, an index, and an annual bibliography. The journal is published three times a year and is the official publication of the Canadian Ethnic Studies Association.
Picturing Life Narratives
Canadian Graphic: Picturing Life Narratives presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences. The essays explore the visual styles and storytelling techniques of Canadian cartoonists, as well as their shared concern with the spectacular vulnerability of the self. Canadian Graphic also considers the role of graphic life narratives in reimagining the national past, including Indigenous–settler relations, both world wars, and Quebec’s Quiet Revolution.
Vol. 41 (1960) through current issue (with gap in vol. 59)
The Canadian Historical Review offers an analysis of the ideas, people, and events that have molded Canadian society and institutions into their present state. Canada's past is examined from a vast and multicultural perspective to provide a thorough assessment of all influences.
As a source for penetrating, authoritative scholarship, giving the sort of in-depth background necessary for understanding the course of daily events both for Canadians themselves and for those with an interest in the nation s affairs the CHR is without rival. Indeed, there are good reasons for everyone to read the CHR everyone from business executives to bankers, from theorists to policy makers, scholars and laypeople, too.
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.