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A Brief History of Women in Quebec examines the historical experience of women of different social classes and origins (geographic, ethnic, and racial) from the period of contact between Europeans and Aboriginals to the twenty-first century to give a nuanced and complex account of the main transformations in their lives.
Themes explored include demography, such as marriage, fecundity, and immigration; women’s work outside and inside the home, including motherhood; education, from elementary school to post-secondary and access to the professions; the impact of religion and government policies; and social and political activism, including feminism and struggles to attain equality with men. Early chapters deal with New France and the first part of the nineteenth century, and the remaining are devoted to the period since 1880, an era in which women’s lives changed rapidly and dramatically.
The book concludes that transformation in the means of production, women’s social and political activism (including feminism), and Quebec nationalism are three main keys to understanding the history of Quebec women. Together, the three show that women’s history, far from being an adjunct to “general history,” is essential to a full understanding of the past. Originally published in French with the title Brève histoire des femmes au Québec.
Vol. 27 (2014) through current issue
Launched over thirty years ago, BJCS is broad-based, multidisciplinary, and international, welcoming contributions from all areas of the arts and humanities and the economic and social sciences. BJCS is committed to publishing research and scholarship on the analysis of Canadian issues, spanning wide-ranging historical and contemporary concerns and interests, as well as varied aspects of domestic, provincial, national, international and global significance.
A Short History of Vice since 1500
To invest in vice can be a sound financial decision, but despite the lure of healthy profits, individuals and mutual funds have been reluctant to invest in this type of stock. After all, who would take pride in supporting the tobacco industry, knowing it sells a deadly product? And what social responsibilities do investors bear with respect to compulsive gamblers who have lost so much money that suicide becomes an attractive option?
Canada the Good considers more than five hundred years of debates and regulation that have conditioned Canadians’ attitudes towards certain vices. Early European settlers implemented a Christian moral order that regulated sexual behaviour, gambling, and drinking. Later, some transgressions were diagnosed as health issues that required treatment. Those who refused the label of illness argued that behaviours formerly deemed as vices were within the range of normal human behaviour.
This historical synthesis demonstrates how moral regulation has changed over time, how it has shaped Canadians’ lives, why some debates have almost disappeared and others persist, and why some individuals and groups have felt empowered to tackle collective social issues. Against the background of the evolution of the state, the enlargement of the body politic, and mounting forays into court activism, the author illustrates the complexity over time of various forms of social regulation and the control of vice.
An Historical Introduction
With nine out of ten Canadians claiming a religious affiliation of some kind - Catholic, Protestant, Jewish, Islamic, Hindu, Buddhist, Aboriginal, or one of dozens of other religions - faith has huge impact on our personal and social lives. In this book, Robert Choquette offers a comprehensive history of religion in Canada and examines the ongoing tug-of-war between modernity and conservatism within the religious traditions themselves.
Vol. 39 (2007) through current issue
Founded in 1969, our fully refereed, interdisciplinary journal is devoted to the study of ethnicity, immigration, inter-group relations, and the history and cultural life of ethnic groups in Canada. Issues also include book and film reviews, opinions, immigrant memoirs, translations of primary sources, books received, an index, and an annual bibliography. The journal is published three times a year and is the official publication of the Canadian Ethnic Studies Association.
Vol. 85 (2004) through current issue
The Canadian Historical Review offers an analysis of the ideas, people, and events that have molded Canadian society and institutions into their present state. Canada's past is examined from a vast and multicultural perspective to provide a thorough assessment of all influences.
As a source for penetrating, authoritative scholarship, giving the sort of in-depth background necessary for understanding the course of daily events both for Canadians themselves and for those with an interest in the nation s affairs the CHR is without rival. Indeed, there are good reasons for everyone to read the CHR everyone from business executives to bankers, from theorists to policy makers, scholars and laypeople, too.
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
The Canadian Sioux are descendants of Santees, Yanktonais, and Tetons from the United States who sought refuge in Canada during the 1860s and 1870s. Living today on eight reserves in Manitoba and Saskatchewan, they are the least studied of all the Sioux groups. This book, originally published in 1984 by James H. Howard, helps fill that gap in the literature and remains relevant even in the twenty-first century.
Based on Howard’s fieldwork in the 1970s and supplemented by written sources, The Canadian Sioux, Second Edition descriptively reconstructs their traditional culture, many aspects of which are still practiced or remembered by Canadian Sioux although long forgotten by their relatives in the United States. Rich in detail, it presents an abundance of information on topics such as tribal divisions, documented history and traditional history, warfare, economy, social life, philosophy and religion, and ceremonialism. Nearly half the book is devoted to Canadian Sioux religion and describes such ceremonies as the Vision Quest, the Medicine Feast, the Medicine Dance, the Sun Dance, warrior society dances, and the Ghost Dance.
This second edition includes previously unpublished images, many of them photographed by Howard, and some of his original drawings.
Contemporary Canadian Literary Responses to World War I
Catching the Torch examines contemporary novels and plays written about Canada’s participation in World War I. Exploring such works as Jane Urquhart’s The Underpainter and The Stone Carvers, Jack Hodgins’s Broken Ground, Kevin Kerr’s Unity (1918), Stephen Massicotte’s Mary’s Wedding, and Frances Itani’s Deafening, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War.
In contrast to British and European remembrances of WWI, which tend to regard it as a cataclysmic destroyer of innocence, or Australian myths that promote an ideal of outsize masculinity, physical bravery, and white superiority, contemporary Canadian texts conjure up notions of distinctively Canadian values: tolerance of ethnic difference, the ability to do one’s duty without complaint or arrogance, and the inclination to show moral as well as physical courage. Paradoxically, Canadians are shown to decry the horrors of war while making use of its productive cultural effects.
Through a close analysis of the way sacrifice, service, and the commemoration of war are represented in these literary works, Catching the Torch argues that iterations of a secure mythic notion of national identity, one that is articulated via the representation of straightforward civic and military participation, work to counter current anxieties about the stability of the nation-state, in particular anxieties about the failure of the ideal of a national “character.”