Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Vol. 85 (2004) through current issue
The Canadian Historical Review offers an analysis of the ideas, people, and events that have molded Canadian society and institutions into their present state. Canada's past is examined from a vast and multicultural perspective to provide a thorough assessment of all influences.
As a source for penetrating, authoritative scholarship, giving the sort of in-depth background necessary for understanding the course of daily events both for Canadians themselves and for those with an interest in the nation s affairs the CHR is without rival. Indeed, there are good reasons for everyone to read the CHR everyone from business executives to bankers, from theorists to policy makers, scholars and laypeople, too.
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
A Scottish-Canadian Life
“Dour Scot” is the wrong description for David Caldow, who leads readers on a romp from the early twentieth century to the present, from an insular Scottish village to modern-day, multicultural British Columbia, from boyhood to old age. Throughout the tour he shares decades of laughter, tears, fears, and growth.
In 1910, the certain path of David’s life in Scotland is disrupted by the visit of an awe-inspiring comet. This brilliant visitor inspires the boy to dream of circling the world, like the comet, even though his life’s goal is to become a farm manager, like his father. As a young man seeking to fulfill his dreams, he travels to Canada and works his way from Quebec to British Columbia, guided by the lessons of his father and his memories of Scotland.
During his travels he grows in his understanding of himself, of the nature of love, of the ways of the world and its peoples, and of the poetry of Robert Burns. As a worker for the Farmer’s Institute and as farm manager for Colony Farm and Tranquille, two extensive BC government-owned farms, David contributes to raising the standards of Canadian agriculture. At seventy years old, he broadens the scope of his world even further, accepting a two-year Canadian federal-government position teaching farming in Tanzania.
Chasing the Comet is a true story that reads like fiction. David’s candour and his Scottish humour help him survive and thrive. In the book’s epilogue, David ponders the meaning of all his years of living, addressing questions such as: What is love? What is success? And how does one achieve them?
David Caldow lived an active life in Surrey, British Columbia until his death at the age of ninety-six.
First Governor of New France
In The Chevalier de Montmagny, Jean-Claude Dubé documents the extraordinary career of Charles Huault de Montmagny, first governor of the colony of New France. Born in Paris in 1601, and educated by the Jesuits, Montmagny studied law at the Université d'Orléans, joined the Order of Malta, and enjoyed a colourful career as a Hospitalier privateer in the Mediterranean, before arriving in New France in the spring of 1636.
While Montmagny wasted little time in applying the experience he gained fighting the Ottoman Turks to New France's disputes with the Iroquois, he has also been credited with playing a key role in both ensuring the survival of the colony and the entrenchment of a religious elite. His exploits caught the imagination of Cyrano de Bergerac, who later cast Montmagny as a character in his novel L'autre monde.
This well-documented study - which in its original French edition was shortlisted for the Governor General's Literary Award in 1999 - adds an important dimension to our understanding of the social, religious, and political history of New France.
Sino-Canadian Relations in the 21st Century
With the exception of Canada’s relationship with the United States, Canada’s relationship with China will likely be its most significant foreign connection in the twenty-first century. As China’s role in world politics becomes more central, understanding China becomes essential for Canadian policymakers and policy analysts in a variety of areas. Responding to this need, The China Challenge brings together perspectives from both Chinese and Canadian experts on the evolving Sino-Canadian relationship. It traces the history and looks into the future of Canada-China bilateral relations. It also examines how China has affected a number of Canadian foreign and domestic policy issues, including education, economics, immigration, labour and language.
Recently, Canada-China relations have suffered from inadequate policymaking and misunderstandings on the part of both governments. Establishing a good dialogue with China must be a Canadian priority in order to build and maintain mutually beneficial relations with this emerging power, which will last into the future.
The Life of Mary Austin Endicott
Mary Austin was a mayor’s daughter who expected to live an uneventful life in Canada. But when she said “I do” to Jim Endicott she found that she had “married China.”
Thrust into extraordinary circumstances, but undeterred by the political turmoil around her in China, Mary Austin Endicott determined she would achieve the goals she set for herself. She bore and raised four children, ran a one-room school and became the foster mother to three Chinese boys, despite the raised eyebrows of many of her fellow missionaries.
The family moved back to Canada, but it wasn’t long before Jim, who was becoming a well-known peace activist, returned to wartorn China. Mary, by then a school trustee, continued her fight for teachers’ rights and focussed her energy on increased activity in left-wing politics, all the while separated from Jim and grieving for a marriage she felt to be in jeopardy.
Mary and Jim were finally reunited in 1947 in the police state Shanghai had become. She used all her energy and faith in that time to help Jim regain his equilibrium. For thousands of readers her book Five Stars over China countered the common practice during the Cold War of vilifying the Chinese Revolution. Then her greatest crisis came: Jim was accused of treason.
Shirley Jane Endicott has presented us with a fascinating account of her mother’s life, based on Mary Austin Endicott’s private writings and flavoured with Shirley’s memories. She brings to life the story of an exceptional woman whose life was shaped by profound political and historical circumstances.
Control and Order in French Colonial Louisbourg, 1713-1758 is the culmination of nearly a quarter century of research and writing on 18th-century Louisbourg by A. J. B. Johnston. The author uses a multitude of primary archival sources-official correspondence, court records, parish registries, military records, and hundreds of maps and plans-to put together a detailed analysis of a distinctive colonial society. Located on Cape Breton Island (then known as Île Royale), the seaport and stronghold of Louisbourg emerged as one of the most populous and important settlements in all of New France. Its economy was based on fishing and trade, and the society that developed there had little or nothing to do with the fur trade, or the seigneurial regime that characterized the Canadian interior. Johnston traces the evolution of a broad range of controlling measures that were introduced and adapted to achieve an ordered civil and military society at Louisbourg. Town planning, public celebrations, diversity in the population, use of punishments, excessive alcohol consumption, the criminal justice system, and sexual abuse are some of the windows that reveal attempts to control and regulate society. A. J. B. Johnston's Control and Order in French Colonial Louisbourg offers both a broad overview of the colony's evolution across its half-century of existence, and insightful analyses of the ways in which control was integrated into the mechanisms of everyday life.
The Poetry of M. Travis Lane
The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of “home” in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane’s poems exhibit impressive range and variety—long poems, short lyrics, serial poems, poems inspired by visual art—and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination.
In her introduction “As Opportunity for Grace, This Life May Serve”, editor Jeanette Lynes discusses how Lane’s poetry integrates an ecopoetic vision with explorations of the artist’s task of mapping her world. Lane’s afterword reinforces her sense of the poet’s project as a form of mystical play, a search for patterns in the “unified disunities” of all things.