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A Short History of Vice since 1500
To invest in vice can be a sound financial decision, but despite the lure of healthy profits, individuals and mutual funds have been reluctant to invest in this type of stock. After all, who would take pride in supporting the tobacco industry, knowing it sells a deadly product? And what social responsibilities do investors bear with respect to compulsive gamblers who have lost so much money that suicide becomes an attractive option?
Canada the Good considers more than five hundred years of debates and regulation that have conditioned Canadians’ attitudes towards certain vices. Early European settlers implemented a Christian moral order that regulated sexual behaviour, gambling, and drinking. Later, some transgressions were diagnosed as health issues that required treatment. Those who refused the label of illness argued that behaviours formerly deemed as vices were within the range of normal human behaviour.
This historical synthesis demonstrates how moral regulation has changed over time, how it has shaped Canadians’ lives, why some debates have almost disappeared and others persist, and why some individuals and groups have felt empowered to tackle collective social issues. Against the background of the evolution of the state, the enlargement of the body politic, and mounting forays into court activism, the author illustrates the complexity over time of various forms of social regulation and the control of vice.
An Historical Introduction
With nine out of ten Canadians claiming a religious affiliation of some kind - Catholic, Protestant, Jewish, Islamic, Hindu, Buddhist, Aboriginal, or one of dozens of other religions - faith has huge impact on our personal and social lives. In this book, Robert Choquette offers a comprehensive history of religion in Canada and examines the ongoing tug-of-war between modernity and conservatism within the religious traditions themselves.
Vol. 39 (2007) through current issue
Founded in 1969, our fully refereed, interdisciplinary journal is devoted to the study of ethnicity, immigration, inter-group relations, and the history and cultural life of ethnic groups in Canada. Issues also include book and film reviews, opinions, immigrant memoirs, translations of primary sources, books received, an index, and an annual bibliography. The journal is published three times a year and is the official publication of the Canadian Ethnic Studies Association.
Vol. 85 (2004) through current issue
The Canadian Historical Review offers an analysis of the ideas, people, and events that have molded Canadian society and institutions into their present state. Canada's past is examined from a vast and multicultural perspective to provide a thorough assessment of all influences.
As a source for penetrating, authoritative scholarship, giving the sort of in-depth background necessary for understanding the course of daily events both for Canadians themselves and for those with an interest in the nation s affairs the CHR is without rival. Indeed, there are good reasons for everyone to read the CHR everyone from business executives to bankers, from theorists to policy makers, scholars and laypeople, too.
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
The Canadian Sioux are descendants of Santees, Yanktonais, and Tetons from the United States who sought refuge in Canada during the 1860s and 1870s. Living today on eight reserves in Manitoba and Saskatchewan, they are the least studied of all the Sioux groups. This book, originally published in 1984 by James H. Howard, helps fill that gap in the literature and remains relevant even in the twenty-first century.
Based on Howard’s fieldwork in the 1970s and supplemented by written sources, The Canadian Sioux, Second Edition descriptively reconstructs their traditional culture, many aspects of which are still practiced or remembered by Canadian Sioux although long forgotten by their relatives in the United States. Rich in detail, it presents an abundance of information on topics such as tribal divisions, documented history and traditional history, warfare, economy, social life, philosophy and religion, and ceremonialism. Nearly half the book is devoted to Canadian Sioux religion and describes such ceremonies as the Vision Quest, the Medicine Feast, the Medicine Dance, the Sun Dance, warrior society dances, and the Ghost Dance.
This second edition includes previously unpublished images, many of them photographed by Howard, and some of his original drawings.
Contemporary Canadian Literary Responses to World War I
Catching the Torch examines contemporary novels and plays written about Canada’s participation in World War I. Exploring such works as Jane Urquhart’s The Underpainter and The Stone Carvers, Jack Hodgins’s Broken Ground, Kevin Kerr’s Unity (1918), Stephen Massicotte’s Mary’s Wedding, and Frances Itani’s Deafening, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War.
In contrast to British and European remembrances of WWI, which tend to regard it as a cataclysmic destroyer of innocence, or Australian myths that promote an ideal of outsize masculinity, physical bravery, and white superiority, contemporary Canadian texts conjure up notions of distinctively Canadian values: tolerance of ethnic difference, the ability to do one’s duty without complaint or arrogance, and the inclination to show moral as well as physical courage. Paradoxically, Canadians are shown to decry the horrors of war while making use of its productive cultural effects.
Through a close analysis of the way sacrifice, service, and the commemoration of war are represented in these literary works, Catching the Torch argues that iterations of a secure mythic notion of national identity, one that is articulated via the representation of straightforward civic and military participation, work to counter current anxieties about the stability of the nation-state, in particular anxieties about the failure of the ideal of a national “character.”
A Scottish-Canadian Life
“Dour Scot” is the wrong description for David Caldow, who leads readers on a romp from the early twentieth century to the present, from an insular Scottish village to modern-day, multicultural British Columbia, from boyhood to old age. Throughout the tour he shares decades of laughter, tears, fears, and growth.
In 1910, the certain path of David’s life in Scotland is disrupted by the visit of an awe-inspiring comet. This brilliant visitor inspires the boy to dream of circling the world, like the comet, even though his life’s goal is to become a farm manager, like his father. As a young man seeking to fulfill his dreams, he travels to Canada and works his way from Quebec to British Columbia, guided by the lessons of his father and his memories of Scotland.
During his travels he grows in his understanding of himself, of the nature of love, of the ways of the world and its peoples, and of the poetry of Robert Burns. As a worker for the Farmer’s Institute and as farm manager for Colony Farm and Tranquille, two extensive BC government-owned farms, David contributes to raising the standards of Canadian agriculture. At seventy years old, he broadens the scope of his world even further, accepting a two-year Canadian federal-government position teaching farming in Tanzania.
Chasing the Comet is a true story that reads like fiction. David’s candour and his Scottish humour help him survive and thrive. In the book’s epilogue, David ponders the meaning of all his years of living, addressing questions such as: What is love? What is success? And how does one achieve them?
David Caldow lived an active life in Surrey, British Columbia until his death at the age of ninety-six.
First Governor of New France
In The Chevalier de Montmagny, Jean-Claude Dubé documents the extraordinary career of Charles Huault de Montmagny, first governor of the colony of New France. Born in Paris in 1601, and educated by the Jesuits, Montmagny studied law at the Université d'Orléans, joined the Order of Malta, and enjoyed a colourful career as a Hospitalier privateer in the Mediterranean, before arriving in New France in the spring of 1636.
While Montmagny wasted little time in applying the experience he gained fighting the Ottoman Turks to New France's disputes with the Iroquois, he has also been credited with playing a key role in both ensuring the survival of the colony and the entrenchment of a religious elite. His exploits caught the imagination of Cyrano de Bergerac, who later cast Montmagny as a character in his novel L'autre monde.
This well-documented study - which in its original French edition was shortlisted for the Governor General's Literary Award in 1999 - adds an important dimension to our understanding of the social, religious, and political history of New France.