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The Indus River Basin in Modern History
The Indus basin was once an arid pastoral watershed, but by the second half of the twentieth century, it had become one of the world’s most heavily irrigated and populated river basins. Launched under British colonial rule in the nineteenth century, this irrigation project spurred political, social, and environmental transformations that continued after the 1947 creation of the new states of India and Pakistan. In this first large-scale environmental history of the region, David Gilmartin focuses on the changes that occurred in the basin as a result of the implementation of the world’s largest modern integrated irrigation system. This masterful work of scholarship explores how environmental transformation is tied to the creation of communities and nations, focusing on the intersection of politics, statecraft, and the environment.
Revolution and the End of Traditional Rule in Northern Sumatra
In northern Sumatra, as in Malaya, colonial rule embraced an extravagant array of sultans, rajas, datuks and ulèëbalangs. In Malaya the traditional Malay elite served as a barrier to revolutionary change and survived the transition to independence, but in Sumatra a wave of violence and killing wiped out the traditional elite in 1945‒46. Anthony Reid’s The Blood of the People, now available in a new edition, explores the circumstances of Sumatra’s sharp break with the past during what has been labelled its “social revolution”. The events in northern Sumatra were among the most dramatic episodes of Indonesia’s national revolution, and brought about more profound changes even than in Java, from where the revolution is normally viewed. Some ethnic groups saw the revolution as a popular, peasant-supported movement that liberated them from foreign rule. Others, though, felt victimised by a radical, levelling agenda imposed by outsiders. Java, with a relatively homogeneous population, passed through the revolution without significant social change. The ethnic complexity of Sumatra, in contrast, meant that the revolution demanded an altogether new “Indonesian” identity to override the competing ethnic categories of the past.
Japan against the West in Java and Luzon, 1942-1945
The Blue-Eyed Enemy is a comprehensive account of the interwoven histories of the three major archipelago-nations of the West Pacific during the years of the Second World War. Theodore Friend examines Japanese colonialism in Indonesia and the Philippines as an example of recurring patterns of domination and repression in that region. He depicts Japanese rule in Greater East Asia as expressive of the folly of the general who exhorted his troops "to annihilate the blue-eyed enemy and their black slaves." At the same time he clearly shows where the return of Western power aimed at new links between conqueror and conquered, or lords and bondsmen. Throughout the work one encounters an infectious sympathy for those afflicted by imperialism and racism from whatever source, at whatever time.
The book is based on documentary research in Japan, Indonesia, and the Philippines, as well as in the United States and the Netherlands, and on over one hundred interviews with major actors and key observers of the era. The analysis balances an eclectic use of social science perspectives with a humanistic concreteness, and leads to new understanding of leaders like Sukarno and Hatta, Jose P. Laurel and Benigno Aquino, Sr., and Generals Yamashita and MacArthur. As comparative tropical history, it elucidates the contrasting cultural traditions and political psychologies of Indonesia and the Philippines and explains why 1945 was a year of dramatic contrast: "reoccupation" and revolution for the first country, and "liberation" and restoration for the latter.
Originally published in 1988.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Women, Society, and Detective Fiction in 1990s Japan
The publication in 1992 of Miyabe Miyuke’s highly anticipated Kasha (translated into English as All She Was Worth) represents a watershed in the history of Japanese women’s detective fiction. Inspired by Miyabe’s success and the increasing number of Western mysteries in translation, women began writing mysteries of all types, employing the narrative and conceptual resources of the detective genre to depict and critique contemporary Japanese society—and the situation of women in it. Bodies of Evidence examines this recent boom and the ways in which five contemporary authors (Miyabe, Nonami Asa, Shibata Yoshiki, Kirino Natsuo, and Matsuo Yumi) critically engage with a variety of social issues and concerns: consumerism and the crisis of identity, discrimination and harassment in the workplace, sexual harassment and sexual violence, and motherhood. Bodies of Evidence moves beyond the borders of detective fiction scholarship by exploring the worlds constructed by these authors in their novels and showing how they intersect with other political, cultural, and economic discourses and with the lived experiences of contemporary Japanese women.
Narratives of War in Postwar Japanese Culture, 1945-1970
Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period.
Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.
Women's Indigenous Knowledge and Cosmopolitanism in South Asian Poetry
An engaging and informative exploration of four women poets writing in Hindi and Urdu over the course of the twentieth century in India and Pakistan. Anantharam follows the authors and their works, as both countries undergo profound political and social transformations. The book tells of how these women forge solidarities with women from different, castes, classes, and religions through their poetry.
The Culture of Illicit Liquor in Sri Lanka
"I'm going to break the ashes," yelled one daily drinker to another as their paths crossed early in the morning in the Sri Lankan village Michele Ruth Gamburd calls Naeaegama. The drinker's cryptic comment compared the warming power of alcohol-in the form of his first shot of kasippu, the local moonshine-with the rekindled heat of a kitchen fire. As the adverse effects of globalization have brought poverty to many areas of the world, more people, particularly men, have increased their use and abuse of alcohol. Despite Buddhist prohibitions against the consumption of mind-altering substances, men in Naeaegama are drinking more, at a younger age, and the number of problem drinkers has begun to grow.
In Breaking the Ashes, Gamburd explores the changing role of alcohol. Her account is populated with lively characters, many of whom Gamburd has known since visiting the village for the first time as a child. In wonderfully clear prose Gamburd offers readers an understanding of the cultural context for social and antisocial alcohol consumption, insight into everyday and ceremonial drinking in Naeaegama, and an overview of the production of illicit alcohol. Breaking the Ashes includes a discussion of the key economic aspects that fuel conflicts between husbands and wives, moonshine-makers and police. Addressing Western and indigenous ways to conceptualize and treat alcohol dependence, Gamburd explores the repercussions-at the family as well as the community level-of alcohol's abuse.
Music, Myth, and Cultural Politics at an Indonesian Festival
The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus of religious, political, artistic, and agrarian interests, the festival also serves to harmonize relations between indigenous Sasak Muslims and migrant Balinese Hindus. Ethnic tensions, however, lie beneath the surface of cooperative behavior, and struggles regularly erupt over which group--Balinese or Sasak--owns the past and dominates the present. Bridges to the Ancestors is a broad ethnographic study of the festival based on over two decades of research. The work addresses the festival's players, performing arts, rites, and histories, and considers its relationship to the island's sociocultural and political trends. Music, the most public icon of the festival, has been largely responsible for overcoming differences between the island's two ethnic groups. Through the intermingling of Balinese and Sasak musics at the festival, a profound union has been forged, which participants confirm has been the event's primary social role. Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as the author explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition."
For more than four centuries, Macau was the center of Portuguese trade and culture on the South China Coast. Until the founding of Hong Kong and the opening of other ports in the 1840s, it was also the main gateway to China for independent British merchants and their only place of permanent residence. Drawing extensively on Portuguese as well as British sources, The British Presence in Macau traces Anglo- Portuguese relations in South China from the first arrival of English trading ships in the 1630s to the establishment of factories at Canton, the beginnings of the opium trade, and the Macartney Embassy of 1793. Longstanding allies in the west, the British and Portuguese pursued more complex relations in the east, as trading interests clashed under a Chinese imperial system and as the British increasingly asserted their power