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Hong Kong Playwriting in English
City Stage is an anthology of recent Hong Kong English-language drama written for Hong Kong performers and audiences. All the plays were written in the last ten years and so capture and reflect the fast-developing multiculturalism of the Hong Kong scene – a somewhat paradoxical phenomenon in view of the 1997 return to China Mainland sovereignty.
Hong Kong Writing in English 1945 to the Present
City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'.
Homespun and Modern India
In Clothing Gandhi's Nation, Lisa Trivedi explores the making of one of modern India's most enduring political symbols, khadi: a homespun, home-woven cloth. The image of Mohandas K. Gandhi clothed simply in a loincloth and plying a spinning wheel is familiar around the world, as is the sight of Gandhi, Jawaharlal Nehru, and other political leaders dressed in "Gandhi caps" and khadi shirts. Less widely understood is how these images associate the wearers with the swadeshi movement -- which advocated the exclusive consumption of indigenous goods to establish India's autonomy from Great Britain -- or how khadi was used to create a visual expression of national identity after Independence. Trivedi brings together social history and the study of visual culture to account for khadi as both symbol and commodity. Written in a clear narrative style, the book provides a cultural history of important and distinctive aspects of modern Indian history.
The Making of the Hong Kong Chinese
This book offers an alternative perspective to look into Hong Kong’s colonial pasts, tracing how malleable forms of colonial power are underpinning institutions and cultural imaginaries across the social body. Such a collaborative colonial power formation gave shape to the Hong Kong Chinese and its impacts are still lingering after 1997.
Interaction and Reintegration
The evolution of Hong Kong, as a British colony and now a Special Administrative Region at China's door step, has always been inextricably intertwined with the situation in China. This relationship is examined through various perspectives in this volume.
The Transformation of Tamil Literature in Nineteenth-Century South India
Details the transformation of Tamil literary culture that came with colonialism and the encounter with Western modernity. A true tour de force, this book documents the transformation of one Indian literature, Tamil, under the impact of colonialism and Western modernity. While Tamil is a living language, it is also India’s second oldest classical language next to Sanskrit, and has a literary history that goes back over two thousand years. On the basis of extensive archival research, Sascha Ebeling tackles a host of issues pertinent to Tamil elite literary production and consumption during the nineteenth century. These include the functioning and decline of traditional systems in which poet-scholars were patronized by religious institutions, landowners, and local kings; the anatomy of changes in textual practices, genres, styles, poetics, themes, tastes, and audiences; and the role of literature in the politics of social reform, gender, and incipient nationalism. The work concludes with a discussion of the most striking literary development of the time—the emergence of the Tamil novel.
Not at Home in Singaporean and Malaysian Literature
The literature of Malaysia and Singapore, the multicultural epicenter of Asia, offers a rich body of source material for appreciating the intellectual heritage of colonial and postcolonial Southeast Asia. Focusing on themes of home and belong, Eddie Tay illuminates many aspects of identity anxiety experienced in the region, and helps construct a dialogue between postcolonial theory and the Anglophone literatures of Singapore and Malaysia. A chronologically ordered selection of texts is examined, including Swettenham, Bird, Maugham, Burgess, and Thumboo. The genealogy of works includes travel writings and sketches as well as contemporary diasporic novels by Malaysian and Singapore-born authors based outside their countries of origin. The premise is that home is a physical space as well as a symbolic terrain invested with social, political and cultural meanings. As discussions of politics and history argument close readings of literary works, the book should appeal not only to scholars of literature, but also to scholars of Southeast Asian politics and history.
Ethnic Revival in Southwest China
The communist Chinese state promotes the distinctiveness of the many minorities within its borders. At the same time, it is vigilant in suppressing groups that threaten the nation's unity or its modernizing goals. In Communist Multiculturalism, Susan K. McCarthy examines three minority groups in the province of Yunnan, focusing on the ways in which they have adapted to the government's nationbuilding and minority nationalities policies since the 1980s. She reveals that Chinese government policy is shaped by perceptions of what constitutes an authentic cultural group and of the threat ethnic minorities may constitute to national interests. These minority groups fit no clear categories but rather are practicing both their Chinese citizenship and the revival of their distinct cultural identities. For these groups, being minority is, or can be, one way of being national.
Buddhist Healing, Chinese Knowledge, Islamic Formulas, and Wounds of War
Confluences of Medicine is the first book-length exploration in English of issues of medicine and society in premodern Japan. This multifaceted study weaves a rich tapestry of Buddhist healing practices, Chinese medical knowledge, Asian pharmaceuticals, and Islamic formulas as it elucidates their appropriation and integration into medieval Japanese medicine. It expands the parameters of the study of medicine in East Asia, which to date has focused on the subject in individual countries, and introduces the dynamics of interaction and exchange that coursed through the East Asian macro-culture.
The book explores these themes primarily through the two extant works of the Buddhist priest and clinical physician Kajiwara Shozen (1265–1337), who was active at the medical facility housed at Gokurakuji temple in Kamakura, the capital of Japan’s first warrior government. With access to large numbers of printed Song medical texts and a wide range of materia medica from as far away as the Middle East, Shozen was a beneficiary of the efflorescence of trade and exchange across the East China Sea that typifies this era. His break with the restrictions of Japanese medicine is revealed in Ton’isho (Book of the simple physician) and Man’apo (Myriad relief formulas). Both of these texts are landmarks: the former being the first work written in Japanese for a popular audience; the latter, the most extensive Japanese medical work prior to the seventeenth century.
Confluences of Medicine brings to the fore the range of factors—networks of Buddhist priests, institutional support, availability of materials, relevance of overseas knowledge to local conditions of domestic strife, and serendipity—that influenced the Japanese acquisition of Chinese medical information. It offers the first substantive portrait of the impact of the Song printing revolution in medieval Japan and provides a rare glimpse of Chinese medicine as it was understood outside of China. It is further distinguished by its attention to materia medica and medicinal formulas and to the challenges of technical translation and technological transfer in the reception and incorporation of a new pharmaceutical regime.