The book is about the author’s personal experiences in China from 1949 to the present. She went through all the political movements, of which the most devastating were the Anti-Rightist Movement and the Cultural Revolution. At the end of the former，her husband was labelled a “Rightist” and the whole family suffered with him.

Every quarter, China Review International presents timely, English- language reviews of recently published China-related books and monographs from China, Taiwan, Hong Kong, Japan, Europe, the U.S., and elsewhere. Its multi-disciplinary scope and international coverage make it an indispensable tool for all those interested in Chinese culture and civilization, and enable the sinologist to keep abreast of cutting-edge scholarship in Chinese studies.

As the first comprehensive study of Chinese fiction of the Cultural Revolution, this pioneering work explores the position of the literature of this turbulent period in the context of contemporary China.The book covers the choice of subject matter, authorship and readership of Cultural Revolution fiction.

At the turn of the twentieth century, a wave of Chinese men made their way to the northern Mexican border state of Sonora to work and live. The ties--and families—these Mexicans and Chinese created during led to the formation of a new cultural identity: Chinese Mexican. During the tumult of the Mexican Revolution of 1910, however, anti-Chinese sentiment ultimately led to mass expulsion of these people. Julia María Schiavone Camacho follows the community through the mid-twentieth century, across borders and oceans, to show how they fought for their place as Mexicans, both in Mexico and abroad.

British imperialism profoundly influenced the development of the modern world order. This same imperialism created modern Singapore, shaping its colonial development, influencing its post-colonial reorientation. Winston Churchill was British imperialism's most significant 20th-century statesman. Churchill never visited Singapore, yet their two stories heavily influenced each other. Singapore became a symbol of British imperial power in Asia to Churchill, while Singaporeans later came to see him as symbolising that power. The fall of Singapore to Japanese conquest in 1942 was a low point in Churchill's war leadership, one he forever labelled by calling it "the worst disaster in British military history". It was also a tragedy for Singapore, ushering in three cruel years of occupation. But the interplay between these three historical forces -- Churchill, empire, and Singapore -- extended well beyond this most dramatic conjuncture. No single volume critically examines that longer interplay. This collection of essays does so by analysing Churchill's understanding of empire, his perceptions of Singapore and its imperial role, his direction of affairs regarding Singapore and the Empire, and his influence on the subsequent relationship between them.

City Stage is an anthology of recent Hong Kong English-language drama written for Hong Kong performers and audiences. All the plays were written in the last ten years and so capture and reflect the fast-developing multiculturalism of the Hong Kong scene – a somewhat paradoxical phenomenon in view of the 1997 return to China Mainland sovereignty.

City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'.

In Clothing Gandhi's Nation, Lisa Trivedi explores the making of one of modern India's most enduring political symbols, khadi: a homespun, home-woven cloth. The image of Mohandas K. Gandhi clothed simply in a loincloth and plying a spinning wheel is familiar around the world, as is the sight of Gandhi, Jawaharlal Nehru, and other political leaders dressed in "Gandhi caps" and khadi shirts. Less widely understood is how these images associate the wearers with the swadeshi movement -- which advocated the exclusive consumption of indigenous goods to establish India's autonomy from Great Britain -- or how khadi was used to create a visual expression of national identity after Independence. Trivedi brings together social history and the study of visual culture to account for khadi as both symbol and commodity. Written in a clear narrative style, the book provides a cultural history of important and distinctive aspects of modern Indian history.