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Metamorphic Dance and Global Alchemy
Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its midcentury founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications. Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008.
Life and Enterprise on the China Coast, 1700-1845
This study utilizes a wide range of new source materials to reconstruct the day-to-day operations of the port of Canton during the eighteenth and first half of the nineteenth centuries. Using a bottom-up approach, it provides a fresh look at the successes and failures of the trade by focusing on the practices and procedures rather than on the official policies and protocols.
The Life, Times, and Adventures of an American in Shanghai
Carl Crow arrived in Shanghai in 1911 and made the city his home for the next quarter of a century, working there as a journalist, newspaper proprietor, and groundbreaking adman. He also did stints as a hostage negotiator, emergency police sergeant, gentleman farmer, go-between for the American government, and propagandist.
New Religions, Media, and Authority in Occupied Japan
Celebrity Gods explores the interaction of new religions and the media in postwar Japan. It focuses on the leaders and founders (kyōsō) of Jiu and Tenshō Kōtai Jingū Kyō, two new religions of Japan’s immediate postwar period that received substantial press attention. Jiu was linked to the popular prewar group Ōmotokyō, and its activities were based on the millennial visions of its leader, a woman called Jikōson. When Jiu attracted the legendary sumo champion Futabayama to its cause, Jikōson and her activities became a widely-covered cause célèbre in the press. Tenshō Kōtai Jingū Kyō (labeled odoru shūkyō, “the dancing religion,” by the press) was led by a farmer’s wife, Kitamura Sayo. Her uncompromising vision and actions toward creating a new society—one that was far removed from what she described as the “maggot world” of postwar Japan—drew harsh and often mocking criticism from the print media.
Looking back for precursors to the postwar relationship of new religions and media, Benjamin Dorman explores the significant role that the Japanese media traditionally played in defining appropriate and acceptable social behavior, acting at times as mouthpieces for government and religious authorities. Using the cases of Renmonkyō in the Meiji era and Ōmotokyō in the Taishō and Shōwa eras, Dorman shows how accumulated images of new religions in pre-1945 Japan became absorbed into those of the immediate postwar period. Given the lack of formal religious education in Japan, the media played an important role in transmitting notions of acceptable behavior to the public. He goes on to characterize the leaders of these groups as “celebrity gods,” demonstrating that the media, which were generally untrained in religious history or ideas, chose to fashion them as “celebrities” whose antics deserved derision. While the prewar media had presented other kyōsō as the antithesis of decent, moral citizens who stood in opposition to the aims of the state, postwar media reports presented them primarily as unfit for democratic society.
Celebrity Gods delves into an under-studied era of religious history: the Allied Occupation and the postwar period up to the early 1950s. It is an important interdisciplinary work that considers relations between Japanese and Occupation bureaucracies and the groups in question, and uses primary source documents from Occupation archives and interviews with media workers and members of religious groups. For observers of postwar Japan, this research provides a roadmap to help understand issues relating to the Aum Shinrikyō affair of the 1990s.
Cultural Regulation from Sedition to Seduction
Censorship in South Asia offers an expansive and comparative exploration of cultural regulation in contemporary and colonial South Asia. These provocative essays by leading scholars broaden our understanding of what censorship might mean -- beyond the simple restriction and silencing of public communication -- by considering censorship's productive potential and its intimate relation to its apparent opposite, "publicity." The contributors investigate a wide range of public cultural phenomena, from the cinema to advertising, from street politics to political communication, and from the adjudication of blasphemy to the management of obscenity.
Transformations of Cultural Traditions in Oceania
This book sheds new light on processes of cultural transformation at work in Oceania and analyzes them as products of interrelationships between culturally created meanings and specific contexts. In a series of inspiring essays, noted scholars of the region examine these interrelationships for insight into how cultural traditions are shaped on an ongoing basis.
The collection marks a turning point in the debate on the conceptualization of tradition. Following a critique of how tradition has been viewed in terms of dichotomies like authenticity vs. inauthenticity, contributors stake out a novel perspective in which tradition figures as context-bound articulation. This makes it possible to view cultural traditions as resulting from interactions between people—their ideas, actions, and objects—and the ambient contexts. Such interactions are analyzed from the past down to the Oceanian present—with indigenous agency being highlighted. The work focuses first on early encounters, initially between Pacific Islanders themselves and later with the European navigators of the late eighteenth and early nineteenth centuries, to clarify how meaningful actions and contexts interrelated in the past. The present-day memories of Pacific Islanders are examined to ask how such memories represent encounters that occurred long ago and how they influenced the social, political, economic, and religious changes that ensued. Next, contributors address ongoing social and structural interactions that social actors enlist to shape their traditions within the context of globalization and then the repercussions that these intersections and intercultural exchanges of discourses and practices are having on active identity formation as practiced by Pacific Islanders. Finally, two authorities on Oceania—who themselves move in the intersecting space between anthropology and history—discuss the essays and add their own valuable reflections.
With its wealth of illuminating analyses and illustrations, Changing Contexts, Shifting Meanings will appeal to students and scholars in the fields of cultural and social anthropology, history, art history, museology, Pacific studies, gender studies, cultural studies, and literary criticism.
Contributors: Aletta Biersack, Françoise Douaire-Marsaudon, Bronwen Douglas, David Hanlon, Brigitta Hauser-Schäublin, Peter Hempenstall, Margaret Jolly, Miriam Kahn, Martha Kaplan, John D. Kelly, Wolfgang Kempf, Gundolf Krüger, Jacquelyn Lewis-Harris, Lamont Lindstrom, Karen Nero, Ton Otto, Anne Salmond, Serge Tcherkézoff, Paul van der Grijp, Toon van Meijl.
Contemporary Political, Economic, and International Affairs
China’s dramatic transformation over the past fifteen years has drawn its share of attention and fear from the global community and world leaders. Far from the inward-looking days of the Cultural Revolution, modern China today is the world’s fourth largest economy, with a net product larger than that of France and the United Kingdom. And China’s dynamism is by no means limited to its economy: enrollments in secondary and higher education are rapidly expanding, and new means of communication are vastly increasing information available to the Chinese public. In two decades, the Chinese government has also transformed its foreign relations—Beijing is now consulted on virtually every key development within the region. However, the Communist Party of China still dominates all aspects of political life. The Politburo is still self-selecting, Beijing chooses province governors, censorship is widespread, and treatment of dissidents remains harsh.
In China, leading experts provide an overview of the region, highlighting key issues as they developed in the People’s Republic of China, Hong Kong, and Taiwan. Edited with an introduction by David B. H. Denoon, an authority on China, this volume of articles covers recent events and key issues in understanding this growing superpower. Organized into three thematic sections—foreign policy and national security, economic policy and social issues, and domestic politics and governance—the essays cover salient topics such as China's military power, de-communization, growing economic strength, nationalism, and the possibility for democracy. The volume also contains current maps as well as a “Recent Chronology of Events” which provides a decade's worth of information on the region, organized by year and by country.
Contributors: Liu Binyan, David B.H. Denoon, Bruce J. Dickson, June Teufel Dreyer, Michael Dutton, Elizabeth Economy, Barry Eichengreen, Edward Friedman, Dru C. Gladney, Paul H. B. Godwin, Merle Goldman, Richard Madsen, Barry Naughton, Lucian W. Pye, Tony Saich, David Shambaugh, Robert Sutter, Michael D. Swaine, and Tyrene White.
Vol. 1 (2003) through current issue
Published thrice yearly in April, August, and November by Singapore's East Asian Institute, China: An International Journal focuses on contemporary China, including Hong Kong, Macau and Taiwan, covering the fields of politics, economics, society, geography, law, culture and international relations.
The interactions and mutual perceptions of China and Indonesia were a significant element in Asia's postcolonial transformation, but as result of the prevailing emphasis on diplomatic and political relations within a Cold War and nation-state framework, their multi-dimensional interrelationship and its complex domestic ramifications have escaped scholarly scrutiny. China and the Shaping of Indonesia provides a meticulous account of versatile interplay between knowledge, power, ethnicity, and diplomacy in the context of Sino-Indonesian interactions between 1949 and 1965. Taking a transnational approach that views Asia as a flexible geographical and political construct, this book addresses three central questions. First, what images of China were prevalent in Indonesia, and how were narratives about China construed and reconstructed? Second, why did the China Metaphor -- the projection of an imagined foreign land onto the local intellectural and political milieu -- become central to Indonesians' conception of themselves and a cause for self criticism and rediscovery? Third, how was the China Metaphor incorporated into Indonesia's domestic politics and culture, and how did it affect the postcolonial transformation, the fate of the ethnic Chinese minority, and Sino-Indonesian diplomacy? Employing a wide range of hitherto untapped primary materials in Indonesian and Chinese as well as his own interviews, Hong Liu presents a compelling argument that many influential politicians and intellectuals, among them Sukarno, Hatta, and Pramoedya, utilized China as an alternative model of modernity in conceiving and developing projects of social engineering, cultural regeneration and political restructuring that helped shape the trajectory of modern Indonesia. The multiplicity of China thus constituted a site of political contestations and intellectual imaginations. The study is a major contribution both to the intellectual and political history of Indonesia and to the reconceptualization of Asian studies, it also serves as a timely reminder of the importance of historicizing China's rising soft power in a transnational Asia.