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Gender, Nation, and Self-Fashioning in US Mexicana and Chicana Literature and Art
Rural Mexican Americans, Another America
Mexican Americans make up the largest minority in Idaho, yet they seemingly live in a different world from the dominant Anglo population, and because of pervasive stereotypes and exclusive policies, their participation in the community's social, economic, and political life is continually impeded.
This unique ethnographic study of a small Idaho community with a large Hispanic population examines many dimensions of the impact race relations have on everyday life for rural Mexican Americans.
Puerto Rican Culture and the Fictions of Independence
Over the past fifty years, Puerto Rican voters have roundly rejected any calls for national independence. Yet the rhetoric and iconography of independence have been defining features of Puerto Rican literature and culture. In the provocative new book Dream Nation, María Acosta Cruz investigates the roots and effects of this profound disconnect between cultural fantasy and political reality.Bringing together texts from Puerto Rican literature, history, and popular culture, Dream Nation shows how imaginings of national independence have served many competing purposes. They have given authority to the island’s literary and artistic establishment but have also been a badge of countercultural cool. These ideas have been fueled both by nostalgia for an imagined past and by yearning for a better future. They have fostered local communities on the island, and still helped define Puerto Rican identity within U.S. Latino culture.In clear, accessible prose, Acosta Cruz takes us on a journey from the 1898 annexation of Puerto Rico to the elections of 2012, stopping at many cultural touchstones along the way, from the canonical literature of the Generación del 30 to the rap music of Tego Calderón. Dream Nation thus serves both as a testament to how stories, symbols, and heroes of independence have inspired the Puerto Rican imagination and as an urgent warning about how this culture has become detached from the everyday concerns of the island’s people.A volume in the American Literature Initiatives series
Illness and Body Politics in Chicana Feminist Literature
Encarnacicn takes a new look at identity. Following the contemporary movement away from the fixed categories of identity politics toward a more fluid conception of the intersections between identities and communities, this book analyzes the ways in which literature and philosophy draw boundaries around identity.The works of Gloria AnzaldLa, Cherr!e Moraga, and Ana Castillo, in particular, enable us to examine how identities shift and intersect with others through processes of incarnation.Since the 1980s, critics have come to equate these writers with Chicana feminist identity politics. This critical trend, however, has been unable to account for these writers' increasing emphasis on bodies that are sick, disabled, permeable, and, oftentimes, mystical.Encarnacicn thus turns our attention to aspects of these writers' work that are usually ignored-AnzaldLa's autobiographical writings about diabetes, Moraga's narrative about her premature baby's medical treatments, and Castillo's figure of a polio-afflicted flamenco dancer-to explore the political and cultural dimensions of illness.Concerned equally with the medical-surgical interventions available in our postmodern age and with the ways of understanding bodies in the Native American and Catholic traditions these writers invoke, Encarnacicn develops a model for identity that expands beyond the boundaries of individual bodies. The book argues that this model has greater utility for feminism than identity politics because it values human variability, sensation, and openness to others. The methodology of the study is as permeable as the bodies and identities it analyzes. The book brings together discourses as disparate as Mesoamerican anthropology, art history, feminist spirituality, feminist biology, phenomenology, postmodern theory, disability studies, and autobiographical narrative in order to expand our thinking beyond what disciplinary boundaries allow.
The Role of Shared Ethnicity in Latino Political Participation
New theoretical propositions, original data, and rigorous empirical tests are what one looks for in cutting-edge social science. Fortunately, all three are apparent in Ethnic Cues. The author has pushed his thinking to develop new ways of understanding and explaining patterns of Latino voting behavior. ---Luis Ricardo Fraga, University of Washington, Seattle "Matt Barreto investigates some of the ramifications of two new related developments in American political life: the stunning growth of the Latino immigrant population in recent decades and the accompanying exponential explosion in the number of Latino candidates running for political office at the local, state, and national levels." ---Reuel R. Rogers, Northwestern University Until recently, much of the research on political participation has resisted the idea that Latino voters rely on ethnic cues. The discussion has become increasingly salient as political strategists have learned to define individual voting blocs and mobilize them in support of a candidate. Nourished by the debate over immigration, the search for the Latino voter has now blossomed into a national political obsession. Against this background, Matt A. Barreto assays the influence of ethnic identification on Latinos' voting behavior. Barreto asks whether the presence of co-ethnic candidates actually does mobilize Latino voters in support of these candidates. His analysis of in-depth candidate interviews, public opinion surveys, official election results, and statistics finds that it does. He goes on to describe the dynamic of voting in the Latino community and sharpens our appreciation of how ethnic considerations influence the electoral choices of Americans more generally. In a time of intensely focused campaign appeals, Barreto's work has much to tell us about the mechanics of public opinion and the role of race and ethnicity in voting behavior. Matt A. Barreto is Associate Professor of Political Science at the University of Washington and Director of the Washington Institute for the Study of Ethnicity, Race, and Sexuality (WISER). Cover art credit: © iStockphoto.com/P_Wei
Gender, Violence, and Disillusionment in Postwar El Salvador
Everyday Revolutionaries provides a longitudinal and rigorous analysis of the legacies of war in a community racked by political violence. By exploring political processes in one of El Salvador's former war zones-a region known for its peasant revolutionary participation-it offers a searing portrait of the entangled aftermaths of confrontation and displacement, aftermaths that have produced continued deception and marginalization. Beautifully written and offering rich stories of hope and despair, this book contributes to important debates in public anthropology and the ethics of engaged research practices.
Mexican Americans, African Americans, and the Struggle for Civil Rights in Texas
This book compares the African American and Mexican American civil rights movements in Texas. Between 1940 and 1970, both groups fought a number of battles in court, at the ballot box, in schools, and on the streets to eliminate segregation and state-imposed racism. African Americans and Mexican Americans both won many victories during the civil rights era in the Southwest, and yet the groups were rarely unified. Rather, two parallel civil rights movements were occurring simultaneously. Behnken argues that prejudice from both sides greatly diminished the potential of a united civil rights campaign. African American groups discounted Mexican Americans' initial attempts to argue for status as white people, a strategy that Chicanos later abandoned in the 1960s. African Americans interpreted this move from desiring white identity to propounding the radical Chicano movement as an attempt to join in on the success of the black freedom struggle of the 1960s. The work is essentially about race and racism and about the history of whiteness and brownness in America and the relationship of both to blackness. The legal victories, political campaigns, and protests shape and inform Behnken's story of these two movements.
Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives
Norma E. Cantú
C. Alejandra Elenes
Alicia Enciso Litschi
Oliva M. Espín
Inés Hernández- Avila
Rosa María Hernández Juárez
Sarahi Nuñez- Mejia
Laura E. Pérez
Poet, Priest, and Artist
New Mexico's first Franciscan priest, Fray Angélico Cheavez (1910-1996) is known as a prolific historian, a literary and artistic figure, and an intellectual who played a vital role in Santa Fe's community of writers. The original essays collected here explore his wide-ranging cultural production: fiction, poetry, architectural restoration, journalism, genealogy, translation, and painting and drawing. Several essays discuss his approach to history, his archival research, and the way in which he re-centers ethnic identity in the prevalent Anglo-American master historical narrative. Others examine how he used fiction to bring history alive and combined visual and verbal elements to enhance his narratives. Two essays explore Chávez's profession as a friar. The collection ends with recollections by Thomas E. Chávez, historian and Fray Angélico's nephew. <br /> <br />Readers familiar with Chávez's work as well as those learning about it for the first time will find much that surprises and informs in these essays.
Part of the Pasó por Aquí Series on the Nuevomexicano Literary Heritage
Gaspar "Indio" Ortega and the Golden Age of Television Boxing
Friday Night Fighter relives a lost moment in American postwar history, when boxing ruled as one of the nation's most widely televised sports. During the 1950s and 1960s, viewers tuned in weekly, sometimes even daily, to watch widely-recognized fighters engage in primordial battle, with the Gillette Cavalcade of Sports Friday Night Fights being the most popular fight show. Troy Rondinone follows the dual narratives of the Friday Night Fights show and the individual story of Gaspar "Indio" Ortega, a boxer who appeared on primetime network television more than almost any other boxer in history. From humble beginnings growing up poor in Tijuana, Mexico, Ortega personified the phenomenon of postwar boxing at its greatest, appearing before audiences of millions to battle the biggest names of the time, such as Carmen Basilio, Tony DeMarco, Chico Vejar, Benny "Kid" Paret, Emile Griffith, Kid Gavilan, Florentino Fernandez, and Luis Manuel Rodriguez. Rondinone explores the factors contributing to the success of televised boxing, including the rise of television entertainment, the role of a "reality" blood sport, Cold War masculinity, changing attitudes toward race in America, and the influence of organized crime. At times evoking the drama and spectacle of the Friday Night Fights themselves, this volume is a lively examination of a time in history when Americans crowded around their sets to watch the main event.