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Poet, Priest, and Artist
New Mexico's first Franciscan priest, Fray Angélico Cheavez (1910-1996) is known as a prolific historian, a literary and artistic figure, and an intellectual who played a vital role in Santa Fe's community of writers. The original essays collected here explore his wide-ranging cultural production: fiction, poetry, architectural restoration, journalism, genealogy, translation, and painting and drawing. Several essays discuss his approach to history, his archival research, and the way in which he re-centers ethnic identity in the prevalent Anglo-American master historical narrative. Others examine how he used fiction to bring history alive and combined visual and verbal elements to enhance his narratives. Two essays explore Chávez's profession as a friar. The collection ends with recollections by Thomas E. Chávez, historian and Fray Angélico's nephew. <br /> <br />Readers familiar with Chávez's work as well as those learning about it for the first time will find much that surprises and informs in these essays.
Part of the Pasó por Aquí Series on the Nuevomexicano Literary Heritage
Gaspar "Indio" Ortega and the Golden Age of Television Boxing
Friday Night Fighter relives a lost moment in American postwar history, when boxing ruled as one of the nation's most widely televised sports. During the 1950s and 1960s, viewers tuned in weekly, sometimes even daily, to watch widely-recognized fighters engage in primordial battle, with the Gillette Cavalcade of Sports Friday Night Fights being the most popular fight show. Troy Rondinone follows the dual narratives of the Friday Night Fights show and the individual story of Gaspar "Indio" Ortega, a boxer who appeared on primetime network television more than almost any other boxer in history. From humble beginnings growing up poor in Tijuana, Mexico, Ortega personified the phenomenon of postwar boxing at its greatest, appearing before audiences of millions to battle the biggest names of the time, such as Carmen Basilio, Tony DeMarco, Chico Vejar, Benny "Kid" Paret, Emile Griffith, Kid Gavilan, Florentino Fernandez, and Luis Manuel Rodriguez. Rondinone explores the factors contributing to the success of televised boxing, including the rise of television entertainment, the role of a "reality" blood sport, Cold War masculinity, changing attitudes toward race in America, and the influence of organized crime. At times evoking the drama and spectacle of the Friday Night Fights themselves, this volume is a lively examination of a time in history when Americans crowded around their sets to watch the main event.
An Educator's Journey
Rodriguez recalls his inspirational journey from a short child who was so dark he was nicknamed "Shadow" to being influential in shaping education on district, state, and national levels. Some still call him Shadow, though it is now spoken with respect and admiration for an immigrant who overcame many obstacles to become an instrument of change for his country.
Volume I, The Making of a Dictator, vol. 1
Pawn of the U.S. government. Right-hand man to the mob. Iron-fisted dictator. For decades, public understanding of the pre-Revolutionary Cuban dictator Fulgencio Batista has been limited to these stereotypes, which barely scratch the surface of the complex and compelling career of this important political figure.
Second only to Fidel Castro, Batista is the most controversial leader in modern Cuban history. And yet, until now, there has been no objective biography written about him. Existing biographical literature either borders on hero worship or launches a series of attacks aimed at rejecting his entire legacy.
In this book, the first of two volumes, Frank Argote-Freyre provides a full and balanced portrait of this historically shadowed figure. Drawing on an extensive review of Cuban newspapers, government records, memos, oral history interviews, and a selection of Batista’s personal documents, Argote-Freyre moves beyond simplistic caricatures to uncover the real man—one with strengths and weaknesses and with a career marked by accomplishments as well as failures.
This volume focuses on Batista’s role as a revolutionary leader and his image as a “strongman” in the years between 1933 and 1939. Through his study of Batista, the author is able to review an entire era that is frequently ignored by scholars—the Republican period of Cuban history. Bringing together global and local events, he considers the significance and relationship of the worldwide economic depression, the beginnings of World War II, the Cuban Revolution of 1933, the expansion of the Cuban middle class, and the nation’s gradual development of democratic institutions.
Fulgencio Batista and most of Cuba’s past prior to the Revolution of 1959 has been lost in the historical mists. Cuba had a rich and fascinating history before the Marxist Revolution and the reign of Fidel Castro. This captivating and long-overdue book uncovers it.
The U.S.–Mexico border is frequently presented by contemporary media as a violent and dangerous place. But that is not a new perception. For decades the border has been constructed as a topographic metaphor for all forms of illegality, in which an ineffable link between space and violence is somehow assumed. The sociological and cultural implications of violence have recently emerged at the forefront of academic discussions about the border. And yet few studies have been devoted to one of its most disturbing manifestations: gender violence. This book analyzes this pervasive phenomenon, including the femicides in Ciudad Juárez that have come to exemplify, at least for the media, its most extreme manifestation.
Contributors to this volume propose that the study of gender-motivated violence requires interpretive and analytical strategies that draw on methods reaching across the divide between the social sciences and the humanities. Through such an interdisciplinary conversation, the book examines how such violence is (re)presented in oral narratives, newspaper reports, films and documentaries, novels, TV series, and legal discourse. It also examines the role that the media have played in this process, as well as the legal initiatives that might address this pressing social problem.
Together these essays offer a new perspective on the implications of, and connections between, gendered forms of violence and topics such as mechanisms of social violence, the micro-social effects of economic models, the asymmetries of power in local, national, and transnational configurations, and the particular rhetoric, aesthetics, and ethics of discourses that represent violence.
The Military Memoirs of the Ward Schrantz, 1912-1917
Ward Loren Schrantz, of Carthage, Missouri, entered the U.S. Army in 1912, at a time when military leaders were still seriously debating the future of the horse cavalry. He left active military service in 1946, after the United States dropped the atomic bomb on Japan. Schrantz served capably at a time when the U.S. military was undergoing rapid technological and strategic transformation and, as a journalist and attentive observer, left a vivid personal account of his time in the Army and Missouri National Guard. Editor Jeff Patrick has woven three undated versions of Schrantz's memoir into a single narrative focused on the sparsely documented pre–World War I period from 1912 to 1917, thus helping to fill a significant gap in the existing literature. Schrantz's memoir is notable not only for the period it covers, but also for its lively evocation of a soldier's life during the U.S.-Mexico border disturbances of the early twentieth century. Schrantz's account demonstrates the perennial contrast between how soldiers were expected to behave and how they actually behaved; it offers colorful and authentic details not usually available from official histories. Patrick also has added an appendix consisting of the letters that Schrantz wrote for publication in his hometown newspaper, the Carthage Evening Press. These documents yield interesting insights into the attitudes and dispositions of U.S. soldiers during this time, as well as the perceptions and opinions of the "folks back home." Students, scholars, and others interested in military and borderlands history will find much to enjoy in Guarding the Border: The Military Memoirs of Ward Schrantz, 1912–1917.
El Salvador's Popular Struggle for Health Rights from Civil war to Neoliberal Peace
Healing the Body Politic examines the contested place of health and development in El Salvador over the last two decades. It recounts the dramatic story of radical health activism from its origins in liberation theology and guerrilla medicine during the third-world country's twelve-year civil war, through development of a remarkable "popular health system," administered by lay providers in a former war zone controlled by leftist rebels. The ethnography contributes to the integration of medical and political anthropology by bringing the semiotics of health and the body to bear on cultural understandings of warfare, the state, and globalization.
the new wave of immigrants and the challenge to America
As other teens returned home from school, thirteen-year-old José Silva headed for work at a restaurant, where he would remain until 2:00 a.m. Francisca Herrera, a tomato picker, was exposed to pesticides while she was pregnant and gave birth to a baby without arms or legs. Silva and Herrera immigrated illegally to the United States, and their experiences are far from unique. In this comprehensive, balanced overview of the immigration crisis, Nancy Brown Diggs examines the abusive, unethical conditions under which many immigrants work, and explores how what was once a border problem now extends throughout the country. Drawing from a wide spectrum of sources, Hidden in the Heartland demonstrates how the current situation is untenable for both illegal immigrants and American citizens. A vivid portrait of the immigration crisis, the book makes a passionate case for confronting this major human rights issue — a threat to the very unity of the country.
"Home Girls makes an original, bold, and significant contribution to feminist studies, Chicana/o studies, and literature. Quintana accomplishes what few critics in Chicana/o studies have done: she applies different interpretive paradigms to her reading of Chicana texts, blending ethnography with literary criticism, ideological analysis with semiotics. Her reading of literary texts is rich in texture and detail." â€”Rosa Linda Fregoso, author of Bronze Screen: Chicana and Chicano Film Culture Chicana writers in the United States write to inspire social change, to challenge a patriarchal and homophobic culture, to redefine traditional gender roles, to influence the future. Alvina E. Quintana examines how Chicana writers engage literary convention through fiction, poetry, drama, and autobiography as a means of addressing these motives. Her analysis of the writings of Gloria Anzaldua, Ana Castillo, Denise Chavez, Sandra Cisneros, and Cherrie Moraga addresses a multitude of issues: the social and political forces that influenced the Chicana aesthetic; Chicana efforts to open a dialogue about the limitation of both Anglo-American feminism and Chicano nationalism; experimentations with content and form; the relationship between imaginative writing and self-reflexive ethnography; and performance, domesticity, and sexuality. Employing anthropological, feminist, historical, and literary sources, Quintana explores the continuity found among Chicanas writing across varied genresâ€”a drive to write themselves into being.