"This crisply-written, well-designed treasure is a haunting tale every Coloradan should know."— Tom Noel, Rocky Mountain News & Denver Post

"Hosokawa's century-long account is measured and even handed: concentration camps are one of many events in the community's continuum of experiences. . . . a lively presentation . . . and an excellent choice for the inaugural work of this series."—Stefanie Beninato, Journal of the West

"Bill Hosokawa, a master writer, has drawn together thousands of strands of Japanese history in Colorado to make a rich historical cloth." — Stephen J. Leonard

"Using his knack for storytelling, Bill Hosakawa brings the life of the Colorado Issei and Nisei to life." — Colorado Endowment for the Humanities 2005 Publication Prize Committee

"... [A]n easy reading book that is quite interesting, humorous, insightful and inspirational that everyone, even non-Coloradoans would enjoy reading."— Ted Namba, past president of the Arizona JACL

In Colorado's Japanese Americans, renowned journalist and author Bill Hosokawa pens the first history of this significant minority in the Centennial State. From 1886, when the young aristocrat Matsudaira Tadaatsu settled in Denver, to today, when Colorado boasts a population of more than 11,000 people of Japanese ancestry, Japanese Americans have worked to build homes, businesses, families, and friendships in the state. Hosokawa traces personal histories, such as Bob Sakata's journey from internment in a relocation camp to his founding of a prosperous truck farm; the conviction of three sisters for assisting the escape of German POWs; and the years of initiative and determination behind Toshihiro Kizaki's ownership of Sushi Den, a beloved Denver eatery. The author relates personal stories, and the larger history of interweaving of cultures in Colorado.

"As this collection clearly demonstrates, the Japanese American National Museum rejected the notion of the museum as a fortress of elite culture... [T]he JANM hopes to act as an agent of social change, to both educate and act as a catalyst for community building. Common Ground offers an insider's look at how the [JANM] researches, funds, and creates its exhibits. Unlike other museum studies anthologies . . . this collection does not emphasize academic authors or theoretical framing of issues. . . . The resulting book is written in a highly accessible and, at times, almost journalistic style."— Amerasia Journal

Angeles's Japanese American National Museum, established in 1992, remains the only museum in the United States expressly dedicated to sharing the story of Americans of Japanese ancestry. The National Museum is a unique institution that operates in collaboration with other institutions, museums, researchers, audiences, and funders. In this collection of seventeen essays, anthropologists, art historians, museum curators, writers, designers, and historians provide case studies exploring collaboration with community-oriented partners in order to document, interpret, and present their histories and experiences and provide a new understanding of what museums can and should be in the United States. Current scholarship in museum studies is generally limited to interpretations by scholars and curators. Common Ground brings descriptive data to the intellectual canon and illustrates how museum institutions must be transformed and recreated to suit the needs of the twenty-first century.

Based on archival research, field visits, and interviews with former residents, this remarkable volume documents in unprecedented detail the various facilities in which persons of Japanese descent living in the western U.S. were confined during World War II. It provides an overview of the architectural remnants, archeological features, artifacts from the various sites, and both historic and present-day photographs.

Cosmopolitan Publics focuses on China's "cosmopolitans"-Western-educated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.

In this 1950 memoir, The Crucible: An Autobiography by Colonel Yay, Filipina American Guerrilla, Panlilio narrates her experience as a journalist, triple agent, leader in the Philippine resistance against the Japanese, and lover of the guerrilla general Marcos V. Augustin, from the war-torn streets of Japanese-occupied Manila, to battlegrounds in the countryside, and the rural farmlands of central California. Denise Cruz's introduction imparts key biographical, historical, and cultural contexts.

Korean adoptees have a difficult time relating to any of the racial identity models because they are people of color who often grew up in white homes and communities. Biracial and nonadopted people of color typically have at least one parent whom they can racially identify with, which may also allow them access to certain racialized groups. When Korean adoptees attempt to immerse into the Korean community, they feel uncomfortable and unwelcome because they are unfamiliar with Korean customs and language. The Dance of Identities looks at how Korean adoptees "dance," or engage, with their various identities (white, Korean, Korean adoptee, and those in between and beyond) and begin the journey toward self-discovery and empowerment. Throughout the author draws closely on his own experiences and those of thirty-eight other Korean adoptees, mainly from the U.S. Chapters are organized according to major themes that emerged from interviews with adoptees. "Wanting to be like White" examines assimilation into a White middle-class identity during childhood. Although their White identity may be challenged at times, for the most part adoptees feel accepted as "honorary" Whites among their families and friends. "Opening Pandora’s Box" discusses the shattering of adoptees’ early views on race and racism and the problems of being raised colorblind in a race-conscious society. "Engaging and Reflecting" is filled with adoptee voices as they discover their racial and transracial identities as young adults. During this stage many engage in activities that they believe make more culturally Korean, such as joining Korean churches and Korean student associations in college. "Questioning What I Have Done" delves into the issues that arise when Korean adoptees explore their multiple identities and the possible effects on relationships with parents and spouses. In "Empowering Identities" the author explores how adoptees are able to take control of their racial and transracial identities by reaching out to parents, prospective parents, and adoption agencies and by educating Korean and Korean Americans about their lives. The final chapter, "Linking the Dance of Identities Theory to Life Experiences," reiterates for adoptees, parents, adoption agencies, and social justice activists and educators the need for identity journeys and the empowered identities that can result. The Dance of Identities is an honest look at the complex nature of race and how we can begin to address race and racism from a fresh perspective. It will be well received by not only members of the Korean adoption community and transracial parents, but also Asian American scholars, educators, and social workers.

Does "Asian American" denote an ethnic or racial identification? Is a person of mixed ancestry, the child of Euro- and Asian American parents, Asian American? What does it mean to refer to first generation Hmong refugees and fifth generation Chinese Americans both as Asian American?

In Disoriented: Asian Americans, Law, and the Nation State, Robert Chang examines the current discourse on race and law and the implications of postmodern theory and affirmative action-all of which have largely excluded Asian Americans-in order to develop a theory of critical Asian American legal studies.

Demonstrating that the ongoing debate surrounding multiculturalism and immigration in the U.S. is really a struggle over the meaning of "America," Chang reveals how the construction of Asian American-ness has become a necessary component in stabilizing a national American identity-- a fact Chang criticizes as harmful to Asian Americans. Defining the many "borders" that operate in positive and negative ways to construct America as we know it, Chang analyzes the position of Asian Americans within America's black/white racial paradigm, how "the family" operates as a stand-in for race and nation, and how the figure of the immigrant embodies a central contradiction in allegories of America.

"Has profound political implications for race relations in the new century"
—Michigan Law Review, May 2001