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The Anti-Japanese Movement in Hawaii, 1865-1945
Outstanding Book in History and Social Science Award, Association for Asian American Studies, 1992 "Okihiro's account is an important corrective to our understanding of the Japanese American Experience in World War II." --The Hawaiian Journal of History Challenging the prevailing view of Hawaii as a mythical "racial paradise," Gary Okihiro presents this history of a systematic anti-Japanese movement in the islands from the time migrant workers were brought to the sugar cane fields until the end of World War II. He demonstrates that the racial discrimination against Japanese Americans that occurred on the West Coast during the second World War closely paralleled the less familiar oppression of Hawaii's Japanese, which evolved from the production needs of the sugar planters to the military's concern over the "menace of alien domination." Okihiro convincingly argues that those concerns motivated the consolidation of the plantation owners, the Territorial government, and the U.S. military-Hawaii's elite-into a single force that propelled the anti-Japanese movement, while the military devised secret plans for martial law and the removal and detention of Japanese Americans in Hawaii two decades before World War II. Excerpt Read an excerpt from Chapter 1 (pdf). Reviews "Scholars of American race relations will want to read this book. So will anyone interested in Hawaii's history or in the experiences of Japanese or Asian Americans. It will go far in putting to rest any residual notion that the WWII experiences of the Japanese Americans represented 'aberration' or 'hysterical' reaction to wartime exigencies." --Franklin S. Odo, University of Hawaii at Manoa "A well-researched and well-written treatment of the subject." --Library Journal Contents Illustrations Preface Part I: Years of Migrant Labor, 1986-1909 1. So Much Charity, So Little Democracy 2. Hole Hole Bushi 3. With the Force of Wildfire Part II: Years of Dependency, 1910-1940 4. Cane Fires 5. In the National Defense 6. Race War 7. Extinguishing the Dawn 8. Dark Designs Part III: World War II, 1941-1945 9. Into the Cold Night Rain 10. Bivouac Song 11. In Morning Sunlight Notes Index About the Author(s) Gary Y. Okihiro is Associate Professor of History at Cornell University.
The Original Siamese Twins in American Culture
Conjoined twins Chang and Eng Bunker have fascinated the world since the nineteenth century. In her captivating book, Chang and Eng Reconnected, Cynthia Wu traces the “Original Siamese Twins” through the terrain of American culture, showing how their inseparability underscored tensions between individuality and collectivity in the American popular imagination.
Using letters, medical documents and exhibits, literature, art, film, and family lore, Wu provides a trans-historical analysis that presents the Bunkers as both a material presence and as metaphor. She also shows how the twins figure in representations of race, disability, and science in fictional narratives about nation building.
As astute entrepreneurs, the twins managed their own lives; nonetheless, as Chang and Eng Reconnected shows, American culture has always viewed them through the multiple lenses of difference.
The Silent Traveller from the East -- A Cultural Biography
This is the true story of Chiang Yee, a renowned writer, artist, and worldwide traveler, best known for the Silent Traveller seriesùstories of England, the United States, Ireland, France, Japan, and Australiaùall written in his humorous, delightfully refreshing, and enlightening literary style. This biography is more than a recounting of extraordinary accomplishments. Da Zheng uncovers Yee's encounters with racial exclusion and immigration laws, displacement, exile, and the pain and losses he endured hidden behind a popular public image.
Growing Up Chinese American in San Francisco, 1850-1920
Wendy Jorae challenges long-held notions of early Chinatown as a bachelor community by showing that families--and particularly children--played important roles in its daily life. She explores the wide-ranging images of Chinatown's youth created by competing interests with their own agendas--from anti-immigrant depictions of Chinese children as filthy and culturally inferior to exotic and Orientalized images that catered to the tourist's ideal of Chinatown. All of these representations, Jorae notes, tended to further isolate Chinatown at a time when American-born Chinese children were attempting to define themselves as Chinese American. Facing barriers of immigration exclusion, cultural dislocation, child labor, segregated schooling, crime, and violence, Chinese American children attempted to build a world for themselves on the margins of two cultures. Their story is part of the larger American story of the struggle to overcome racism and realize the ideal of equality.
Assia Djebar portrays Algeria’s protracted anti-colonial struggle against France through the interlocking lives of men and women in an Algerian mountain town. Written in 1961, one year before Algerian independence, the novel depicts the ways the war transforms the women’s lives and draws them from the private world of the home into the public world of revolution, fighting for their community’s liberation. The book describes a determined Arab insurgency against foreign occupation from the inside out.
Race, Sex, and Cinema
The Chinese Diaspora on American Screens looks at the way in which issues of race and sexuality have become central concerns in cinema generated by and about Chinese communities in America after the mid-1990s. This companion volume to Marchetti's From Tian'anmen to Times Square looks specifically at the Chinese diaspora in relation to ethnic, racial, gender, and sexual identity as depicted in the cinema.
Examining films from the United States and Canada, as well as transnational co-productions, The Chinese Diaspora on American Screens includes analyses of films such as The Wedding Banquet and Double Happiness in addition to interviews with celebrated filmmakers such as Wayne Wang.
Marchetti also reflects on how Chinese identity is presented in a multitude of media forms, including commercial cinema, documentaries, experimental films, and hybrid digital media to offer a textured look at representations of the Chinese diasporic experience after Tian'anmen.
Transpacific Migration and the Search for a Homeland, 1910-1960
At the turn of the twentieth century, a wave of Chinese men made their way to the northern Mexican border state of Sonora to work and live. The ties--and families—these Mexicans and Chinese created during led to the formation of a new cultural identity: Chinese Mexican. During the tumult of the Mexican Revolution of 1910, however, anti-Chinese sentiment ultimately led to mass expulsion of these people. Julia María Schiavone Camacho follows the community through the mid-twentieth century, across borders and oceans, to show how they fought for their place as Mexicans, both in Mexico and abroad.
Poised at the intersection of Asian American studies and dance studies, Choreographing Asian America is the first book-length examination of the role of Orientalist discourse in shaping Asian Americanist entanglements with U.S. modern dance history. Moving beyond the acknowledgement that modern dance has its roots in Orientalist appropriation, Yutian Wong considers the effect that invisible Orientalism has on the reception of work by Asian American choreographers and the conceptualization of Asian American performance as a category. Drawing on ethnographic and choreographic research methods, the author follows the work of Club O' Noodles--a Vietnamese American performance ensemble--to understand how Asian American artists respond to competing narratives of representation, aesthetics, and social activism that often frame the production of Asian American performance.