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Northern Nigeria in the Great Depression
Criminal Justice in Nigeria
A pioneering book on prisons in West Africa, Colonial Systems of Control: Criminal Justice in Nigeria is the first comprehensive presentation of life inside a West African prison. Chapters by prisoners inside Kirikiri maximum security prison in Lagos, Nigeria are published alongside chapters by scholars and activists. While prisoners document the daily realities and struggles of life inside a Nigerian prison, scholar and human rights activist Viviane Saleh-Hanna provides historical, political, and academic contexts and analyses of the penal system in Nigeria. The European penal models and institutions imported to Nigeria during colonialism are exposed as intrinsically incoherent with the community-based conflict-resolution principles of most African social structures and justice models. This book presents the realities of imprisonment in Nigeria while contextualizing the colonial legacies that have resulted in the inhumane brutalities that are endured on a daily basis.
Colonialism and Violence in Nigeria looks closely at the conditions that created a legacy of violence in Nigeria. Toyin Falola examines violence as a tool of domination and resistance, however unequally applied, to get to the heart of why Nigeria has not built a successful democracy. Falola's analysis centers on two phases of Nigerian history: the last quarter of the 19th century, when linkages between violence and domination were part of the British conquest; and the first half of the 20th century, which was characterized by violent rebellion and the development of a national political consciousness. This important book emphasizes the patterns that have been formed and focuses on how violence and instability have influenced Nigeria today.
Hausa Imperial Agents and Middle Belt Consciousness in Nigeria
Moses E. Ochonu explores a rare system of colonialism in Middle Belt Nigeria, where the British outsourced the business of the empire to Hausa-Fulani subcolonials because they considered the area too uncivilized for Indirect Rule. Ochonu reveals that the outsiders ruled with an iron fist and imagined themselves as bearers of Muslim civilization rather than carriers of the white man's burden. Stressing that this type of Indirect Rule violated its primary rationale, Colonialism by Proxy traces contemporary violent struggles to the legacy of the dynamics of power and the charged atmosphere of religious difference.
Challenges for the New South Africa
When the past is painful, as riddled with violence and injustice as it is in postapartheid South Africa, remembrance presents a problem at once practical and ethical: how much of the past to preserve and recollect and how much to erase and forget if the new nation is to ever unify and move forward? The new South Africa’s confrontation of this dilemma is Martin J. Murray’s subject in Commemorating and Forgetting. More broadly, this book explores how collective memory works—how framing events, persons, and places worthy of recognition and honor entails a selective appropriation of the past, not a mastery of history.
How is the historical past made to appear in the present? In addressing these questions, Murray reveals how collective memory is stored and disseminated in architecture, statuary, monuments and memorials, literature, and art—“landscapes of remembrance” that selectively recall and even fabricate history in the service of nation-building. He examines such vehicles of memory in postapartheid South Africa and parses the stories they tell—stories by turn sanitized, distorted, embellished, and compressed. In this analysis, Commemorating and Forgetting marks a critical move toward recognizing how the legacies and impositions of white minority rule, far from being truly past, remain embedded in, intertwined with, and imprinted on the new nation’s here and now.
Vol. 20 (2000) through current issue
Moving beyond the paradigmatic divides of area studies, Comparative Studies of South Asia, Africa and the Middle East explores the shared concerns and histories of these regions, offers stimulating perspectives on interdisciplinary debates, and challenges established analytic models. CSSAAME publishes articles from around the world, providing a distinctive link between scholars living and working in Africa, the Middle East, and Asia and their counterparts in Europe and the Americas.
Hitherto the human rights debate in Africa has concentrated on the legal and philosophical. The author, Professor of Law at the University of Dar es Salaam, here moves the debate to the social and political planes. He attempts to reconceptualise human rights ideology from the standpoint of the working people in Africa. He defines the approach as avoiding the pitfalls of the liberal perspective as being absolutist in viewing human rights as a central question and the rights struggle as the backbone of democratic struggles. The author maintains that such a study cannot be politically neutral or intellectually uncommitted. Both the critique of dominant discourse and the reconceptualisation are located within the current social science and jurisprudential debates.
Koloniale cultuur in de metropool
België schiep Congo, maar schiep Congo ook België? In hoeverre werd het 20ste-eeuwse België voor een stuk gevormd door zijn kolonie? Die vraag stelde de toonaangevende Congolese historicus Isidore Ndaywel enige jaren geleden. Deze interdisciplinaire bundel biedt een antwoord. Hij belicht de invloed van de kolonie op de Belgische cultuur en samenleving, van hoog tot laag. Want kolonialisme is geen eenrichtingsverkeer. In Tervuren, bij nationale optochten en in klaslokalen zie je hoe Congo België mee inkleurde. Maar ook in de politiek, de media en de kunsten. Het gaat evengoed om de nesteling van Congo in de massacultuur van missieverhalen en speelfims, in de samenstelling van Belgische gezinnen of in de herinneringen van gewone mensen aan de voormalige kolonie. Het boek vormt zo een kaleidoscoop van het verschil dat Congo – en de Congolezen – maakten in de Belgische geschiedenis.
African fashion is as diverse and dynamic as the continent and the people who live there. While experts have long recognized the importance of clothing as a marker of ethnic identity, life stages, political affiliation, and social class, they have only just begun to discover African fashion. Contemporary African Fashion puts Africa at the intersection of world cultures and globalized identities, displaying the powerful creative force and impact of newly emerging styles. Richly illustrated with color photographs, this book showcases haute couture for the African continent. The visual impact of fashion created and worn today in Africa comes to life here, beautifully and brilliantly.