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Race, History, and Memory in Western Kentucky
###Behind the Scenes# is the life story of Elizabeth Keckley, a shrewd entrepreneur who, while enslaved, raised enough money to purchase freedom for herself and her son. Keckley moved to Washington, D.C., where she worked as a seamstress and dressmaker for the wives of influential politicians. She eventually became a close confidante of Mary Todd Lincoln. Several years after President Lincoln's assassination, when Mrs. Lincoln's financial situation had worsened, Keckley helped organize an auction of the former first lady's dresses, eliciting strong criticism from members of the Washington elite. ###Behind the Scenes# is, therefore, both a slave narrative and Keckley's attempt to defend the motives behind the auction. However, the book's publication prompted an even greater public outcry, with the added racial subtext of white society's disdain for Keckley's audacity in publishing details of the Lincolns' private lives. Keckley's dressmaking business failed, the Lincoln family cut all ties with her, and she lived out her final days in a home for the indigent. Scholars have acknowledged the book's valuable account of slave life as well as its intimate view into the Lincoln White House. Biographers of the Lincolns have quoted extensively from Keckley's text.
Power and Privilege in a Multiethnic Neighborhood
The link between residential segregation and racial inequality is well established, so it would seem that greater equality would prevail in integrated neighborhoods. But as Mayorga-Gallo argues, multiethnic and mixed-income neighborhoods still harbor the signs of continued, systemic racial inequalities. Drawing on deep ethnographic and other innovative research from "Creekside Park," a pseudonymous suburban community in Durham, North Carolina, Mayorga-Gallo demonstrates that the proximity of white, African American, and Latino neighbors does not ensure equity; rather, proximity and equity are in fact subject to structural-level processes of stratification.
Best remembered as Martin Luther King's mentor, Benjamin Mays was an African American church scholar, dean of the Howard University School of Religion, long-time president of Morehouse College, and the author of six books on religion. A critical figure in the civil rights movement, Mays also made important contributions to African American higher education and to the study of African American Protestantism. Jelks’s biography shows Mays’s role in articulating the ideology of the modern African American Protestant church and then training the generation that brought that theology to bear on the civil rights movement.
Black Athletes Speak, 1920-2007 (V Ethel Willis White Books)
These engaging and forthright interviews bring together the life stories of thirteen black athletes who have risen to the top rank of their sport. In revealing and fascinating detail, these athletes describe how they succeeded in the face of often daunting odds, often the result of economic barriers and racist attitudes and practices.
Philosophy and American Slavery
Using the writings of slaves and former slaves, as well as commentaries on slavery, Between Slavery and Freedom explores the American slave experience to gain a better understanding of six moral and political concepts—oppression, paternalism, resistance, political obligation, citizenship, and forgiveness. The authors use analytical philosophy as well as other disciplines to gain insight into the thinking of a group of people prevented from participating in the social/political discourse of their times.
Between Slavery and Freedom rejects the notion that philosophers need not consider individual experience because philosophy is "impartial" and "universal." A philosopher should also take account of matters that are essentially perspectival, such as the slave experience. McGary and Lawson demonstrate the contribution of all human experience, including slave experiences, to the quest for human knowledge and understanding.
Contemporary Afro-Asian Cultural Production
In Beyond The Chinese Connection, Crystal S. Anderson explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, Anderson examines such cultural productions as novels (Frank Chin's Gunga Din Highway , Ishmael Reed's Japanese By Spring , and Paul Beatty's The White Boy Shuffle ); films (Rush Hour 2 , Unleashed , and The Matrix trilogy [1999-2003],) and Japanese animation (Samurai Champloo ), all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferral, Anderson traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange.Ultimately, this book reads contemporary black/Asian cultural fusions through the recurrent themes established by the films of Bruce Lee, which were among the first--and certainly most popular--works to use this exchange explicitly. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972), and The Big Boss (1971), Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American and Asian youth in the 1970s. Lee's films and iconic imagery prefigure themes that reflect cross-cultural negotiations with global culture in post-1990 Afro-Asian cultural production.
African Americans and the Creation of American Popular Culture, 1890-1930
This manuscript is a collection of thirteen essays looking at the formative decades in the history of modern American mass culture. Bringing together original work from sixteen distinguished scholars in various disciplines, ranging from theater and literature to history and music, this manuscript addresses the complex roles of black performers, entrepreneurs, and consumers in American mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture and with topics spanning the end of the nineteenth century to the Great Depression, these essays expand the discussion of both black culture and American popular culture during the early twentieth century. This anthology presents a fresh and multidisciplinary look at the history of African Americans and mass culture.