With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro

How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?

AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.

A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

This study of African-based dance in Mexico explores the influence of African people and their cultural productions on Mexican society, showing how dance can embody social histories and relationships.

This is the first book to offer a thoroughgoing assessment of South Africa from its epochal transition to democracy two decades ago, up through the 2009 elections. Examining politics, the economy, public health, the rule of law, language, literature, and the media, the book will interest students not only of South Africa but of democratic consolidation, middle-income economies, highly unequal societies, multi-ethnic societies, and the AIDS pandemic.

Martin Luther King’s 1965 address from Montgomery, Alabama, the center of much racial conflict at the time and the location of the well-publicized bus boycott a decade earlier, is often considered by historians to be the culmination of the civil rights era in American history. In his momentous speech, King declared that segregation was “on its deathbed” and that the movement had already achieved significant milestones. Although the civil rights movement had won many battles in the struggle for racial equality by the mid-1960s, including legislation to guarantee black voting rights and to desegregate public accommodations, the fight to implement the new laws was just starting. In reality, King’s speech in Montgomery represented a new beginning rather than a conclusion to the movement, a fact that King acknowledged in the address. After the Dream: Black and White Southerners since 1965 begins where many histories of the civil rights movement end, with King’s triumphant march from the iconic battleground of Selma to Montgomery. Timothy J. Minchin and John Salmond focus on events in the South following the passage of the 1964 Civil Rights Act and the 1965 Voting Rights Act. After the Dream examines the social, economic, and political implications of these laws in the decades following their passage, discussing the empowerment of black southerners, white resistance, accommodation and acceptance, and the nation’s political will. The book also provides a fascinating history of the often-overlooked period of race relations during the presidential administrations of Ford, Carter, Reagan, and both George H. W. and George W. Bush. Ending with the election of President Barack Obama, this study will influence contemporary historiography on the civil rights movement.

Though the activities of the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC) were unified in their common idea of resistance to oppression, these groups fought their battles on multiple fronts. The NAACP filed lawsuits and aggressively lobbied Congress and state legislatures, while Martin Luther King Jr. and SCLC challenged the racial status quo through nonviolent mass action, and the SNCC focused on community empowerment activities. In Agitations, Kevin Anderson studies these various activities in order to trace the ideological foundations of these groups and to understand how diversity among African Americans created multiple political strategies. Agitations goes beyond the traditionally acknowledged divide between integrationist and accommodationist wings of African American politics to explore the diverse fundamental ideologies and strategic outcomes among African American activists that still define, influence, and complicate political life today.

Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for the exceptional scope and richness of their oral performance traditions. Yet despite this cultural wealth, nothing has appeared in English on the subject in over thirty years. Sarah Strong’s Ainu Spirits Singing breaks this decades-long silence with a nuanced study and English translation of Chiri Yukie’s Ainu Shin’yoshu, the first written transcription of Ainu oral narratives by an ethnic Ainu.

The thirteen narratives in Chiri’s collection belong to the genre known as kamui yukar, said to be the most ancient performance form in the vast Ainu repertoire. In it, animals (and sometimes plants or other natural phenomena)—all regarded as spiritual beings (kamui) within the animate Ainu world—assume the role of narrator and tell stories about themselves. The first-person speakers include imposing animals such as the revered orca, the Hokkaido wolf, and Blakiston’s fish owl, as well as the more “humble” Hokkaido brown frog, snowshoe hare, and pearl mussel. Each has its own story and own signature refrain.

Strong provides readers with an intimate and perceptive view of this extraordinary text. Along with critical contextual information about traditional Ainu society and its cultural assumptions, she brings forward pertinent information on the geography and natural history of the coastal southwestern Hokkaido region where the stories were originally performed. The result is a rich fusion of knowledge that allows the reader to feel at home within the animistic frame of reference of the narratives.

Strong’s study also offers the first extended biography of Chiri Yukie (1903-1922) in English. The story of her life, and her untimely death at age nineteen, makes clear the harsh consequences for Chiri and her fellow Ainu of the Japanese colonization of Hokkaido and the Meiji and Taisho governments’ policies of assimilation. Chiri’s receipt of the narratives in the Horobetsu dialect from her grandmother and aunt (both traditional performers) and the fact that no native speakers of that dialect survive today make her work all the more significant. The book concludes with a full, integral translation of the text.

On December 4, 1906, on Cornell University’s campus, seven black men founded one of the greatest and most enduring organizations in American history. Alpha Phi Alpha Fraternity Inc. has brought together and shaped such esteemed men as Martin Luther King Jr., Cornel West, Thurgood Marshall, Wes Moore, W. E. B. DuBois, Roland Martin, and Paul Robeson. “Born in the shadow of slavery and on the lap of disenfranchisement,” Alpha Phi Alpha—like other black Greek-letter organizations—was founded to instill a spirit of high academic achievement and intellectualism, foster meaningful and lifelong ties, and racially uplift those brothers who would be initiated into its ranks. In Alpha Phi Alpha, Gregory S. Parks, Stefan M. Bradley, and other contributing authors analyze the fraternity and its members’ fidelity to the founding precepts set forth in 1906. They discuss the identity established by the fraternity at its inception, the challenges of protecting the image and brand, and how the organization can identify and train future Alpha men to uphold the standards of an outstanding African American fraternity. Drawing on organizational identity theory and a diverse array of methodologies, the authors raise and answer questions that are relevant not only to Alpha Phi Alpha but to all black Greek-letter organizations.

In this ms Whitley works to defamiliarize and so explore in a fresh way the literary landscape of the mid-19th century into which Whitman emerged. He explores how the idea of a national poet resonated at that time as well as how Whitman stepped into that role. To accomplish this, Whitley traces the histories and literary achievements of three other antebellum poets whose names are not nearly so well-known but whose work paralleled Whitman’s in unexpected ways: James M. Whitfield, Eliza Snow, and John Rollin Ridge. He puts their work in dialogue with Whitman’s poetry--both as it functions now and as it reflected and affected the literary landscape of 19th-c. America. Each of these American poets adopted a posture similar to that of Whitman’s antebellum persona of a social outsider who audaciously claims to be a representative national bard. Rereading Whitman’s place in the nationalist literary milieu of the 1850s through Whitfield, Snow, and Ridge suggests cultural alternatives to the nation-centered discourse that has come to characterize received notions of the antebellum period.

Compiled by a prominent abolitionist Theodore Dwight Weld, ###American Slavery As It Is# combines information taken from witnesses, and from active and former slave owners, to generate a condemnation of slavery from both those who observed it and those who perpetuated it. The narrative describes the appalling day-to-day conditions of the over 2,700,000 men, women and children in slavery in the United States. Weld demonstrates how even prisoners--in the United States and in other countries--were significantly better fed than American slaves. Readers will find one of the most meticulous records of slave life available in this text. Unlike personal slave narratives, which focus on a single man or woman's experience, ###American Slavery# details the overall conditions of slaves across multiple states and several years.