Education of the Deprived: Anglophone Cameroon Literary Drama

Works Cited

121 Works Cited Abety, Peter. ‘Literary Podium and the Political Pulpit: Medium and Message in Anglophone Cameroon Drama.’ Epasa Moto. 1.3. (1996): 250 – 264. Ako, Edward O. ‘Nationalism in Recent Cameroon Anglophone Literature.’ Epasa Moto. 1.4. (2001): 3 – 28. Alembong, Nol. ‘Oral Traditions in Literary Imagination: The Case of Spirit Possession in Bole Butake’s And Palm Wine Will Flow.’ Anglophone Cameroon Writing. Eds. Nalova Lyonga, Eckhard Breitinger and Bole Butake. Bayreuth: Bayreuth University, 1993. 130 – 139. Ambanasom, Shadrach A. ‘Pedagogy of the Deprived: A study of the Plays of Victor Epie Ngome, Bole Butake and Bate Besong’ Epasa Moto 1.3. (1996): 218 – 227. Atatah, Clovis. ‘May 20, 1972 – 2002:30 Years of Anglophone Frustration.’ The Post 0374. (Monday, May 20, 2002):1 Besong, Bate. The Most Cruel Death of the Talkative Zombie. (n.p.): Nooremac Press, 1986. ________. Beasts of No Nation. Limbe: Nooremac Press, 1990 ________. ‘Literature in the Season of the Diaspora: Notes to the Anglophone Cameroonian Writer.’ Keynote Address. Anglophone Cameroon Writing. Eds. Nalova Lyonga, Eckhard Breitinger and Bole Butake. Bayreuth: Bayreuth University, 1993. 15 – 18. _________. Requiem for the Last Kaiser. rev. ed. Limbe: Presbook, 1998 _________. Change Waka & His Man Sawa Boy. Yaoundé: Edition CLE, 2001 _________. Once Upon Great Lepers. (n.p.): ts. _________. The Banquet. (n.p): ts. Biatcha, Jean Stéphane. ‘A la haute attention de Monsieur le Chancelier de l’Université de Yaoundé relative à la représentation de la pièce intitulée Beach of (sic) Nation de Bate Besong…’ (Challenge Hebdo 0045. (31 Oct au 06 Nov. 1991): 11 122 Education of the Deprived: Anglophone Cameroon Literary Drama Biya, Paul. Communal Liberalism. London and Basingstoke: Macmillan Publishers Ltd, 1987. Breitinger, Eckhard. ‘Bole Butake’s Strategies as a Political Playwright.’African Theatre Playwrights & Politics. Eds. Banham, Gibbs and Osofisan. Oxford: James Curry, 2001. 7 – 17. Butake, Bole. ‘The Writer as Visionary.’ Keynote Address. Epasa Moto 1.3 (1996): 19 – 27. ______. Lake God and Other Plays. Yaoundé: Editions CLE, 1999. Che, Tumasang Alfred. Preface. Ndeh Ntumazah: A Conversational Autobiography. Eds. L.T. Asong and Simon N. Chi. Bamenda: Patron Publishing House, 2001. xii – xiii. Doh, Emmanuel Fru. ‘Anglophone Cameroon Literature: Is there any such thing?’ Anglophone Cameroon Writing. Eds. Nalova Lyonga, Eckhard Breitinger and Bole Butake. Bayreuth: Bayreuth University, 1993. 76 – 83. Doho, Gilbert. ‘Théâtre et Minorités: Le cas du Cameroun.’ Anglophone Cameroon Writing. Eds. Nalova Lyonga, Eckhard Breitinger and Bole Butake. Bayreuth: Bayreuth University, 1993. 91 – 100. Dunton, Chris. Nigerian Theatre in English: A Critical Bibliography. London: Hans Zell Publishers, 1998. Eagleton, Terry. Marxism and Literary Criticism. Berkeley and Los Angeles: University of California, 1976. Esslin, Martin. The Theatre of the Absurd. 3rd ed. rev. & enlarged. Harrisonburg: R.R. Donnelley & Sons Company, 1983. Eyoh,HanselNdumbe. ‘HistoricityandNewAnglophoneCameroonDrama.’ Anglophone Cameroon Writing. Eds. Nalova Lyonga, Eckhard Breitinger and Bole Butake. Bayreuth: Bayreuth University, 1993. 101 – 108. ______. A comment on And Palm Wine Will Flow by Bole Butake (n.d.) (n.p.). Fonlon, Bernard. ‘Will We Make or Mar,’ ABBIA: Cameroon Cultural Review. 5.(1964): 9 – 33. Freire, Paulo. Pedagogy of the Oppressed. Translated by Myra Bergman Ramos. New York: Continuum, 1983. Gittings, Robert, ed. Selected Poems and Letters of Keats. London: Heinemann, 1966. 123 Works Cited Holman, C. Hugh, ed. A Handbook to Literature. 4th ed. Indianapolis: The Bobb’s Morill Company, 1980. Hugh, Douglas A. ed. ‘Introduction.’ Studies in Short Fiction. 2nd ed. New York, Chicago,SanFrancisco,Atlanta,Dallas: Holt,RinehartandWinston, Inc., 1974. 142 – 145. Irele, Abiola. The African Experience in Literature and Ideology. London: Heinemann, 1981. Le Vine and Nye, R.P. Historical Dictionary of Cameroon. Metuchen: The Scarecrow Press. Inc. N.J, 1974. Lyonga, Nalova, Breitinger, E. and Butake, B; eds. (1993) ‘Foreword’ Anglophone Cameroon Writing. Bayreuth: Bayreuth University, 1993. 9 – 12. Lyonga, Nalova. Rev. of And Palm Wine Will Flow by Bole Butake (n.d.) (n.p.). Marx, Karl and Engels, Friedrich. The Communist Manifesto. Ed. S.H. Beer Arlington Heights: AHM Publishing Corporation. Matumamboh, Alfred. ‘The Supremacy of Bate Besong’s Dramatic Art.’ in Bate Besong’s Requiem for the Last Kaiser, rev. ed. Limbe: Presbook, 1998. i – iv. Mbuh, Mbuh Tennu. ‘Rev. of Black Caps and Red Feathers by John N. Nkengasong. The Post 0309. (Friday, Sept. 21, 2001): 9. Mbunwe Chris. ‘SCNC, SCAPO Ready to Dialogue with Government.’ The Post. 01111. (Fri. December 18, 2009): 2. Mbuy, Tatah H. ‘The Moral Responsibility of the Writer in a Pluralist Society...