Japanese Cinema Goes Global: Filmworkers' Journeys

Index

192 References —. 1992. Cinema, Censorship, and the State: The Writing of Oshima Nagisa. Cambridge, MA: MIT Press. —. 1993. Oshina Nagisa 1960. Tokyo: Seidosha. Otaka, Hiroo and Mariko Inaba. 1989. Mini-Theatre o yoroshiku (All the Best to Mini-Theatre). Tokyo: Jicc shuppankyoku. Pollock, Sheldon, Homi K. Bhabha, Carol A. Breckenridge, and Dipesh Chakrabarty (eds). 2002. Cosmopolitanism. Durham, NC and London: Duke University Press. Pratt, Mary Louise. 1991. “Arts of the Contact Zone”, Profession, 91: 33–40. —. 1992. Imperial Eyes: Travel Writing and Transculturation. London and New York: Routledge. Rayns, Tony. 1984. Eiga: 25 Years of Japanese Cinema. Edinburgh: Edinburgh International Film Festival Catalogue. Richie, Donald. 1972. Japanese Cinema: Film Style and National Character. London: Secker and Warburg. Robbins, Bruce. 1998. “Actually Existing Cosmopolitanism” in Cosmopolitics: Thinking and Feeling Beyond the Nation, edited by P. Cheah and B. Robbins. Minneapolis: University of Minnesota Press, 1-19. —. 1999. Feeling Global: Internationalism in Distress. New York and London: New York University Press. Robins, Kevin. 1997. “What in the world’s going on?” in Production of Culture/ Culture of Production, edited by P. du Gay. London: Sage Publications, 11–66. Rose, Nikolas S. 1999. Powers of Freedom: Reframing Political Thought. Cambridge: Cambridge University Press. Rouch, Jean. 2003. Cine-Ethnography, edited and translated by S. Field. Minneapolis and London: University of Minnesota Press. Rushdie, Salman. 1991. Imaginary Homelands. London: Granta/Penguin. Ryo, Ginshitsu. 2003. “Sengo Nihon eiga ni okeru ‘zainichi’ zo o meguru gensetsu kuhkan (The Post-war Discursive Space Concerning ‘Koreans in Japan’ in Japanese Cinema)”, Zainichi Chosenjin kenkyu, 33: 77–95. Said, Edward. 1978. Orientalism. London: Routledge and Kegan Paul. Sakai, Chie. 2003. “The Japanese community in Hong Kong in the 1990s: The diversity of strategies and intentions” in Global Japan: The Experience of Japan’s New Immigrant and Overseas Community, edited by R. Goodman, C. Peach, and A. Takenaka. London: Routledge, 131–46. Sakai, Naoki. 1989. “Modernity and its Critique” in Postmodernism and Japan, edited by M. Miyoshi and H. D. Harootunian. Durham, NC and London: Duke University Press, 93–122. —. 2007. Nihon/ Eizou/ Beikoku — Kyoukan no Kyoudoutai to Teikokutekikokuminshugi (Japan/ Image/ America — Community of Sympathy and Imperialistic Nationalism). Tokyo: Seidosha. References 193 Sakurai, Teiji. 2004. “Jetro no boheki”, lecture delivered at the Aladi-Jetro Seminar, December. Brazil: Japan External Trade Organization. Sato, Makoto. 1999. “Wasurerareta kogun” in Filmmakers: Oshima Nagisa, edited by C. Tanaka. Tokyo: Kinema Junpo sha, 23–8. Sato, Tadao. 1995a. Nihon Eigashi 1, 1896–1940 (History of Japanese Cinema 1, 1896–1940). Tokyo: Iwanami Shoten. —. 1995b. Nihon Eigashi 2, 1941–1959 (History of Japanese Cinema 2, 1941– 1959). Tokyo: Iwanami Shoten. —. 1995c. Nihon Eigashi 3, 1960–1995 (History of Japanese Cinema 3, 1960– 1955). Tokyo: Iwanami Shoten. —. 1995d. Nihon Eigashi 4 (History of Japanese Cinema 4, Index). Tokyo: Iwanami Shoten. Schiller, Herbert. 1990. “Sayonara MCA”, The Nation, 31 December, —. 1992 [1969]. Mass Communication and American Empire. Colorado: Westview Press. —. 2000. Living in the Number One Country. New York: Seven Stories Press. Schilling, Mark. 1999. Contemporary Japanese Film. New York and Tokyo: Weatherhill. Screen International. 1995. “The Power 100: UK Top 30”, December. Screen International. 1996. “Top 100 in UK Film Industry”, December. Segrave, Kerry. 1997. American Films Abroad: Hollywood’s Domination of the World’s Movie Screens from the 1890s to the Present. Jefferson, NC: McFarland and Company. Shiraishi, Goro. 1954. “Tounan Asia no eiga (The Southeast Asian Cinema)” , Eiga hyoron, July: 16–23. Shogun DVD Booklet. 2004. James Clavell’s Shogun DVD Box Set, Paramount Pictures. Silverman, Kaja. 1999. “Subject” in Visual Culture: The Reader, edited by S. Hall and J. Evans. London: Sage Publications, 340–55. Sklair, Leslie. 2000. “The transnational capitalist class and the discourse of globalization”,Cambridge Review of International Affairs, 14: 67–85. —. 2002. The Transnational Capitalist Class. London: Blackwell. Skrbis, Zlatko, Gavin Kendell, and Ian Woodward. 2004. “Locating Cosmopolitanism: Between Humanist Ideal and Grounded Social Category”, Theory, Culture and Society, 21: 115–36. Smith, Anthony D. 1995. Nations and Nationalism in a Global Era. Cambridge: Polity Press. Standish, Isolde. 2005. A New History of Japanese Cinema. London and New York: Continuum. Street, Sarah. 1997. British National Cinema. London: Routledge. Sugimoto, Yoshio. 1999. “Making sense of NIHONJINRON”, Thesis Eleven 57: 81–96. 194 References Suzuki, Akinari. 1990. Rappa to yobareta otoko: eiga producer Nagata Masaichi (The Man who was Called ‘Trumpet’: The Film Producer Masaichi Nagata). Tokyo: Kinema Junpo sha. Swain, Don. 1986. “Audio interview with James Clavell”, Wired for Books...