Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes

Contents

1 Contents Acknowledgements ix Notes on Contributors xi Note on Romanization xv Introduction 1 Jonathan D. Mackintosh, Chris Berry, and Nicola Liscutin I Reflections on Cultural Studies in/on Northeast Asia 23 1. Reconsidering East Asian Connectivity and the Usefulness 25 of Media and Cultural Studies Kōichi Iwabuchi 2. Asian Cultural Studies: Recapturing the Encounter with the 37 Heterogeneous in Cultural Studies Michael Dutton 3. How to Speak about Oneself: Theory and Identity in Taiwan 51 Mark Harrison vi Contents II Cultural Industries in Northeast Asia 71 4. Placing South Korean Cinema into the Pusan International Film 73 Festival: Programming Strategy in the Global/Local Context SooJeong Ahn 5. Global America? American-Japanese Film Co-productions 87 from Shogun (1980) to Lost in Translation (2003) Yoshi Tezuka 6. In between the Values of the Global and the National: 103 The Korean Animation Industry Ae-Ri Yoon III Discourse, Crossing Borders 117 7. The Transgression of Sharing and Copying: Pirating Japanese 119 Animation in China Laikwan Pang 8. The East Asian Brandscape: Distribution of Japanese Brands 135 in the Age of Globalization Shinji Oyama 9. Korean Pop Music in China: Nationalism, Authenticity, 151 and Gender Rowan Pease IV Nationalism and Transnationalism: The Case of Korea 169 and Japan 10. Surfing the Neo-Nationalist Wave: A Case Study of Manga 171 Kenkanryū Nicola Liscutin 11. Melodrama, Exorcism, Mimicry: Japan and the Colonial Past 195 in the New Korean Cinema Mark Morris 12. Reconsidering Cultural Hybridities: Transnational Exchanges 213 of Popular Music in between Korea and Japan Yoshitaka Mōri Notes 231 General Bibliography 281 Index 309 Contents vii ...