Index
Index NB: In this index a continuous discussion over two or more pages is indicated by a span of page numbers, e.g. “57–59.” Passim is used for a cluster of references in close but not continuous sequence. Ba Jin, 19 baihua (vernacular literature), 71, 160 “Bara no hana” (The Rose), 71 Bashō (see Matsuo Bashō) Beidou (Big Dipper), 105 Beijing University, 105, 148 Berlin Film Festival, 159 Bing Xin, 110 bitan (see also “brushtalk”), 2 Blake, William, 118 brushtalk, 2, 9, 170n44 bufen, 6 Bukit Tinggi, 151–152 bundan (literary community) (see also wentan), 8, 117, 123; of the Meiji Period, 33 Bungaku hōkokukai (Literature Patriotic Association), 149 Bungei shunjū (Literary Quarterly), 31, 59, 61 Chang’an, 4–6 chankoro, 16 Chen Duxiu, 22, 33, 67, 89, 93 Chenbao (Morning News), 12, 114 Cheng Fangwu, 111 “Chenlun” (Sinking), relation to Satō Haruo’s Rural Melancholy, 118 passim “Chiisaki mono e” (To the Little Ones), 77, 172n18 “Adauchi kinshirei” (Proscription on Revenge), 12 “Aimaina Nihon no watashi” (Japan the Ambiguous and Myself), 158 “Ajia no ko” (Children of Asia), 117, 124– 127, 145, 150 Akahata (Red Flag), 113, 143 Akutagawa Ryūnosuke, 12, 14, 33, 35, 65, 72, 180n15 An Lushan, 7 Analects, 91 Arishima Ikuma, 76 Arishima Takeo, 66, 88, 175n12; relationship with Lu Xun, 76–83 Aru onna (A Certain Woman), 77 passim “Aru onna no gurinpusu” (A Glimpse of a Certain Woman), 77 Aru seinen no yume (A Certain Young Man’s Dream), 66, 74 passim, 136, 172n30 Asahi shimbun (Asahi News), 150 Ashikaga Shogunate, 7 Atarashiki mura (New Village), 21–22, 85 passim; impact on Chinese Communist Party, 93–95 “Atarashiki mura” (The New Village), 87, 92 “Atarashiki mura no dōki” (Motivation for the New Village), 88 “Atarashiki mura no taiwa” (A Dialogue about the New Village), 87 202 Index Chijin no ai, (A Fool’s Love), 58 Chinese Communist Party, 19, 67, 92–95, 130, 132 Choson Dynasty, 8 Chuangzaoshe (Creation Society), 53, 54, 111, 130, 138, 146, 167n33 Chūgoku bungaku kenkyūkai (Chinese Literary Research Society), 178n80 Chūgoku no shitai o kataru (Talking about the State of China), 135 Chūō Kōron (Central Review), 31, 48, 49, 88, 141 Confucius, 9, 91 “Cong wenxue geming dao geming wenxue” (From Literary Revolution to Revolutionary Literature), 111 “Daihyō shin Chūgoku no josei sakkagun” (Group of Representative New Women Writers in China), 113 Daitōa kyōeiken (Greater East Asian Coprosperity Sphere), 18, 62, 144 “Daitōa sensō shikan” (Private Views on the Great East Asian War), 145 Dalu wenxue congshu (Compendium of Continental Literature), 113 da wo (greater self), 95 Dazaifu, 6 Den’en no yū’utsu (Rural Melancholy), 22, relation to Yu Dafu’s “Sinking,” 118 Ding Ling, 22, 37, 99–100, 103 passim, 112, 131–133, 178n68; activities during the war, 147 dōbun dōshu (common script, common race), 16 dochakuha (native clique), 42 “Doll’s House,” 79, 108 Dongya dongwen shuyuan (East Asia Common Culture Academy), 160, 165n56 enpon (one yen books), 31 Enzan sosui (Mountains of North China and the Rivers of South China), 8 “Fang Riben xincunji” (Record of a Visit to the New Village), 93 Feng Xuewen, 132 Fogel, Joshua, 3, 46, 114 Fugen (Bodhisattva), 121 Fujin kōron (Ladies’ Review), 109 Fujin kurabu (Ladies’ Club), 109 Fukuoka Asian Literature Prize, 159 funū wenxue (women’s literature), 110 Futabatei Shimei, 33 Gakushūin, 76 Gankai (Vision), 71 Gao Xingjian, 159 “Geijutsu o umu tai wa ai nomi” (Only Love Can Give Birth to Art), 79 Genji monogatari (Tale of Genji), 47, 58, 62, 141–142 Gozan (five mountain) poetry, 7 Guandong Army, 18 Guo Moruo, 10, 31, 52, 53, 54, 61–62, 117; activities during the war, 146–147; as portrayed in Children of Asia, 124–127 Guomindang, 38, 130, 140 Guoqu (The Past), 124 Gyokuteki fu (Poems of the Jade Flute), 128 Hagita Ungai, 23 “Haikyōsha toshite no Arishima” (Arishima the Apostate), 54 “Haishang tongxin” (Correspondence from the Sea), 122 Han Dynasty, 3 “Hana” (The Nose), 12 Hana no machi (City of Flowers), 144 Hankou, 26, 167n16 Hara Kei, 1 Hatano Akiko, 7 Hayashi Fumiko, 22, 33, 151; activities during the war, 143–144, 149; biographical details, 97 passim; interactions with writers in Shanghai, 100–103 Hayashi Fusao, 127 Heian Period, 5 Heiankyō, 6 Heichao (Black Tide), 160 Hibino Teruhiro, 8 Higuchi Ichiyō, 109 Hinkyū mondō (Dialogue on Poverty), 121 Hiratsuka Raicho, 109 [3.149.243.32] Project MUSE (2024...
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