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Chapter 1 Clarke, David (2001). Hong Kong Art: Culture and Decolonization (Durham: Duke University Press). — (2008). Meaning and Place: Hong Kong Art in the 1990s, Chinese Cross Currents 5(1), January, pp. 94–101. DeGolyer, Michael E. (2004). How the Stunning Outbreak of Disease Led to a Stunning Outbreak of Dissent, in Christine Loh and Civic Exchange (eds), At the Epicentre: Hong Kong and the SARS Outbreak (Hong Kong: Hong Kong University Press), pp. 117–38. Goodstadt, Leo F. (2005). Uneasy Partners: The Conflict between Public Interest and Private Profit in Hong Kong (Hong Kong: Hong Kong University Press). Kleinman, Arthur and Sing Lee (2006). SARS and the Problem of Social Stigma, in Arthur Kleinman and James L. Watson (eds), SARS in China: Prelude to Pandemic? (Stanford: Stanford University Press), pp. 173–95. Knight, Alan (1999). Will the Chinese Be Kinder about British Rule? The BBC, in Alan Knight and Yoshiko Nakano (eds), Reporting Hong Kong: Foreign Media and the Handover (New York: St Martin’s Press). Lau, C. K. (1997). Hong Kong’s Colonial Legacy: A Hong Kong Chinese’s View of the British Heritage (Hong Kong: Chinese University Press). Lee, Dominic T. S. and Yun Kwok Wing (2006). Psychological Responses to SARS in Hong Kong — Report from the Front Line, in Arthur Kleinman and James L. Watson (eds), SARS in China: Prelude to Pandemic? (Stanford: Stanford University Press), pp. 133–47. Loh, Christine (2004). Lessons Learned, in Christine Loh and Civic Exchange (eds), At the Epicentre: Hong Kong and the SARS Outbreak (Hong Kong: Hong Kong University Press), pp. 235–50. MacNeil, William P. (1997). Enjoy Your Rights! Three Cases from the Postcolonial Commonwealth, Public Culture 23, pp. 377–93. Rafferty, Kevin (1989). City on the Rocks: Hong Kong’s Uncertain Future (London: Viking). Restall, Hugo (2005). Beijing Takes Control of Hong Kong, Far East Economic Review 168(3), March, p. 40. Seno, Alexandra A. and Alejandro Reyes (2004). Unmasking SARS: Voices from the Epicentre, in Christine Loh and Civic Exchange (eds), At the Epicentre: Hong Kong and the SARS Outbreak (Hong Kong: Hong Kong University Press), pp. 1–15. References ch15(263-282).indd 263 25/05/2010 3:06 PM South China Morning Post (2006). Thousands Take to Streets for Democracy, 1 July. — (2007a). NPC Warns on HK Autonomy, 7 June. — (2007b). Poll Shows Rise in Chinese Identity among Young, 13 June. — (2007c). HK People Can’t Be Counted on to Vote for Right Leader, 23 June. Vines, Stephen (1998). Hong Kong: China’s New Colony (London: Aurum). White, Lynn and Li Cheng (1993). China Coast Identities: Regional, National, and Global, in Lowell Dittmer and Samuel S. Kim (eds), China’s Quest for National Identity (Ithaca: Cornell University Press), pp. 154–93. Wong Siu-lun (1999). Deciding to Stay, Deciding to Move, Deciding Not to Decide, in Gary G. Hamilton (ed), Cosmopolitan Capitalists: Hong Kong and the Chinese Diaspora at the End of the Twentieth Century (Seattle: University of Washington Press), pp. 135–51. Chapter 2 Abbas, Ackbar (1997). Hong Kong: Culture and the Politics of Disappearance (Minneapolis, MN: University of Minnesota Press). Berger, Tobias (2005). Power Plays, curator’s commentary, Para/Site Art Space, http:// www.para-site.org.hk/events/20050909powerplays.htm (accessed 1 December 2007). Butler, Judith (1997). Excitable Speech: A Politics of the Performative (New York: Routledge). Cartier, Carolyn (2008). Hong Kong: Culture and the City, 1997–2007, The China Review 8(1), Spring, pp. 59–83. Cheng, Joseph Y. S. (ed) (2005). The July 1 Protest Rally: Interpreting a Historic Event (Hong Kong: City University of Hong Kong Press), pp. 33–69. Cheng, Yee-man Gum (2005). How Can Performance Art Play a Role in Political Movements, South China Morning Post, Sunday Morning Post edition, The Review, 17 July, p. 9. Chung, Gladys (2006). The Politics of Action Art — A Pre-reading before the “Power/ Plays” Exhibition, PS Visual Arts and Culture 27, Spring, pp. 26–30. Clarke, David (2002). Hong Kong Art: Culture and Decolonization (Durham, NC: Duke University Press). Critical Intermedia Laboratory (2006). Art Action to Conserve the Star Ferry Clock Tower, 8 October 2006, http://cilnews.wordpress.com/2006/10/ (accessed 1 January 2007). Deleuze, Gilles (1981). Francis Bacon: Logique de la Sensation (Paris: Editions de la Différence). — (1997). Essays: Critical and Clinical, trans. Daniel W. Smith and Michael A. Greco (Minneapolis: University of Minnesota Press). Esherick, Joseph W. and Jeffrey N. Wasserstrom (1990). Acting out Democracy: Political Theatre in Modern China, The Journal of Asian Studies...

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