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Part Two: Between Global Flows and Carnal Flows: Walking in Tokyo
- Hong Kong University Press, HKU
- Chapter
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?miTwo BettwasoGtobalFlowsaodCarnalFi©w: WalkinginTokyo 58Betwee nGlobalFlowsandCarnalFlows Thepowerofalandscapedoesnotderivefromthefactthatitoffersitselfas aspectacle,butratherfromthefactthat,asmirrorandmirage,itpresents anysusceptibleviewerwithanimageatoncetrueandfalseofacreative capacitywhichthesubject(orEgo)isable,duringamomentofmarvellous self-deception,toclaimashisown. HenriLefebvre IwasbornandgrewupinTokyo,soIgrewupwiththosebuildings.Iwas small,andbuildingsweresmallatfirst.ThenbuildingsbecamebiggerasI grewup.Thatstrangeintimacywiththebuildingsandthecityisanalogous tothemixedfeelingsfortheparents:affectionsandfearsaretwosidesof thesamecoin. ShinyaTsukamoto 1 his part of the book looks at the relationships among walking, violence, and globalizatio n i n Tokyo. I will juxtapose th e representation o f space of Tokyo, the official accoun t of an efficient, affluen t informationa l cit y of the future, with representational space, the private account dramatizing walking in Tokyo in Shinya Tsukamoto's films Tetsuo: The Iron Man series and Tokyo Fist. In thi s social/urba n account , I will examin e som e significan t urba n restructuring projects during Tokyo's formation into a global city in the 1980s to demonstrate how the Tokyo metropolis invites its inhabitants to identif y with the city's new image and find their sense of self firmly anchored in it. In other words , th e globa l cit y prescribe s a model relationshi p betwee n th e inhabitants and the capitalist space to its best advantage. In this sense, Tokyo is Henri Lefebvre's capitalis t abstract space par excellence, which promote s flexible accumulatio n o f capital at the cost of the inhabitants' everyday-lif e space by means of mimesis. Following Plato's use of mimesis as a means of aesthetic education for the elite class, imposing models for the guardians to emulate so as to reproduce ideal social relations, Lefebvre employs the term to elucidat e th e predicamen t facin g th e occupant s o f th e abstrac t space . According to Lefebvre, the operative logic of abstract space is twofold: elevated subjectivity and civic consciousness shaped by the global city are inextricably bound u p with th e abstraction o f the bodily experiences o f the city-users . Deprived of the space of the body, the city-user becomes a body in an ever fragmentary space, a space that reduces the totality of life to the visual. With [3.17.162.247] Project MUSE (2024-04-19 09:46 GMT) WalkinginTokyo5 9 an emphasi s o n th e function an d effect s o f mimesis, my discussion o f th e urban plan s and assorte d buildin g project s o f Tokyo in th e 1980 s aims t o show the model subject position projected for Tokyoites to emulate by urban plans and the construction boom, both as instruments of abstract space Th e ideal inhabitants of the new Tokyo are defined a s proud users of the global city even if their concret e space o f everyday life becomes compresse d an d abstracted a t a galvanizing speed I n short, in abstract space the conceive d space overrides the concrete space of everyday life Ohkawabashi River City 21, a housing project built in 1986 by the Tokyo Metropolitan Housing Supply Corporation for thos e who gave up their nolonger -affordable livin g space in central Tokyo to make room for office space, shows how the violence of abstract space contains the conflicts it engenders Forced t o leave their homes under th e pressure of rising rent and propert y tax or the maneuver of land purchase agencies, a large number of downtown residents moved to Ohkawabashi River City 21 x A s the name of the project suggests, the composite o f two high-rise tower s and seven othe r medium scaled residential buildings builds a miniature city in itself, a city ready fo r the twenty-first centur y T o maintain the affinity betwee n th e residents and the city center psychologically and physically, a new bridge...