The Harbour of all this Sea and Realm: Crusader to Venetian Famagusta

Figures

SECTION 2, CHAPTER 1, RITZERFELD Figure 1. Vessel for Sultan al-Malik an-Nās ․ir Muh ․ammad, Anonymous, Late 1320s or 1330s, British Museum, London: OA 1851.1-4,1 (© Trustees of the British Museum) SECTION 2, CHAPTER 1, RITZERFELD Figure 2. Vessel for Hugh IV of Lusignan, Anonymous, 1324–59 (1344?), Louvre, Paris, MAO 101 (© Louvre) SECTION 2, CHAPTER 1, RITZERFELD Figure 3. Tray with Coat of Arms of the Lusignan, Anonymous, 1324–59, Louvre, Paris, MAO 1227 (© Louvre) SECTION 2, CHAPTER 1, RITZERFELD Figure 4. Vessel for Elisabeth of Carinthia, Anonymous, 1343 (?), Rijksmuseum, Amsterdam N.M. 7474 (© Rijksmuseum Amsterdam) SECTION 2, CHAPTER 1, RITZERFELD Figure 5. Sitting Ruler on a Throne, Detail of the Vessel for Elisabeth of Carinthia, Anonymous, 1343 (?), Rijksmuseum, Amsterdam: N.M. 7474 (© Rijksmuseum Amsterdam) SECTION 2, CHAPTER 1, RITZERFELD Figure 6. Vessel Called “Baptistere de Saint Louis”, Muhammad ibn al-Zayn, Mid-14th Century, Louvre, Paris, L.P.16 (© Louvre) SECTION 2, CHAPTER 1, RITZERFELD Figure 7. Courtiers, Detail of the Vessel Called “Baptistere de Saint Louis”, Muhammad ibn al-Zayn, Mid-14th century, Louvre, Paris, L.P.16 (© Louvre) SECTION 2, CHAPTER 1, RITZERFELD Figure 8. Donor Portrait of Michael Katzouroubis and His Wife, Fresco Dated 1317, Church of Demetrianus, Dali on Cyprus – Ulrike Ritzerfeld SECTION 2, CHAPTER 1, RITZERFELD Figure 9. Bowl from the Vasselot Bequest, Muhammad ibn al-Zayn, Mid-14th Century, Louvre, Paris, MAO 331 (© Louvre) SECTION 2, CHAPTER 1, RITZERFELD Figure 10. Vessel, Muhammad ibn al-Zayn (?), Mid-14th Century, L.A. Mayer Memorial Institut, Jerusalem, M. 58 – Jonathan M. Bloom SECTION 2, CHAPTER 2, PASCHALI Figure 1. Famagusta, Carmelite Church, General View of the Exterior towards the North-east – Maria Paschali SECTION 2, CHAPTER 2, PASCHALI Figure 2. Famagusta, Carmelite Church, General View of the Interior towards the East – Maria Paschali SECTION 2, CHAPTER 2, PASCHALI Figure 4. Famagusta, Carmelite Church, Enlart’s Drawing of Wall Painting Imitating Tapestry, Northernmost Bay of the Apse. (Enlart, Gothic Art and the Renaissance in Cyprus, ed. and trans. D. Hunt, 272, fig. 229) Figure 3. Famagusta, Carmelite Church, Saint Helena, Southernmost Bay of the Apse – Maria Paschali SECTION 2, CHAPTER 2, PASCHALI Figure 5. Famagusta, Carmelite Church, Church Fathers, Northernmost Bay of the Apse – Maria Paschali SECTION 2, CHAPTER 2, PASCHALI Figure 6. Famagusta, Carmelite Church, Coats of Arms, Central Bay of the Apse – Maria Paschali SECTION 2, CHAPTER 2, PASCHALI Figure 7. Famagusta, Carmelite Church, Figures of Supplicants, Southeast Bay of the Apse – Maria Paschali Section 2, chapter 3, Bacci Figure 1. Remnants of Murals in the South Aisle – Michele Bacci Section 2, chapter 3, Bacci Figure 2. Mary Magdalene – Michele Bacci Section 2, chapter 3, Bacci Figure 3. Angel Holding the Edge of a Mantle – Michele Bacci Section 2, chapter 3, Bacci Figure 4. Frame with Foliate Motifs, Quadrilobes and Coats of Arms of the Embriaco-Gibelet Family – Michele Bacci Figure 5. Flagellator, Remnant of a Flagellation Scene – Michele Bacci Section 2, chapter 3, Bacci Figure 6. Saint Menas and a Holy Monk – Michele Bacci Section 2, chapter 3, Bacci Figure 7. Two Unidentified Female Saints, Saints Nuhra, Paraskeve, and an Unidentified Holy Monk – Michele Bacci Figure 8. St Anne Selbdritt and Scenes of the Virgin’s Infancy – Michele Bacci Section 2, chapter 3, Bacci Figure 9. The Gothic Arcosolium in the Church Narthex, c. 1360–80 – Michele Bacci Figure 10. Holy King (David?), Mural Painting in the Intrados of the Arcosolium – Michele Bacci Section 2, chapter 3, Bacci Figure 11. The Archangel Gabriel, Remnant of an Annunciation – Michele Bacci Figure 12. Virgin Orans – Michele Bacci SECTION 2, CHAPTER 4, LANGDALE Figure 1. The Triple-arched Gateway of the Palazzo del Proveditore, Famagusta, with Four Granite Spolia Columns from the Greco-Roman City of Salamis – Allan Langdale Figure 2. The Two Granite Columns from Salamis with Doric-style Pedestals and Capitals, Set up in Front of the Ottoman Period Medrese in Famagusta’s Cathedral Square – Allan Langdale SECTION 2, CHAPTER 4, LANGDALE Figure 3. Detail from Stephano Gibellino’s Print of the Siege of Famagusta, 1571. Figure 4. The So-called Tomb of Venus in Famagusta – Allan Langdale SECTION 2, CHAPTER 4, LANGDALE Figure 5. Relief of Animals in Vine...