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On May 3, 1975, Hong Kong received its first cohort of 3,743 Vietnamese boatpeople. The incident opened a 25-year history that belongs to a larger context of forced migration in modern social history. By researching all possible textual material available, the book provides a comprehensive review of the collective history of the Vietnamese boatpeople. Moreover, it intertwines historical archives with personal drawings created by the Vietnamese living in Hong Kong detention camps, recapping a collective memory with its human face. By interpreting and analyzing these drawings, the author demonstrates the expressive and communicative power of imagery as a form of language, and illustrates how art can tell a personal tragic story when language fails. She unfolds the stories and artworks throughout the whole book with the hope that new insights and meanings can be attained through the conscious review and re-interpretation of the past.

Table of Contents

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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgements
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xii
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  1. Introduction
  2. pp. xiii-xxii
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  1. 1. The Exodus
  2. pp. 1-18
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  1. 2. Arriving in Hong Kong
  2. pp. 19-72
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  1. 3. Life in the Camps
  2. pp. 73-104
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  1. 4. Art as a Language for Unspeakable Pain
  2. pp. 105-126
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  1. 5. Surviving Trauma
  2. pp. 127-168
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  1. 6. Hope and Transcendence
  2. pp. 169-186
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  1. Conclusion: From C.A.R.E. to this Book
  2. pp. 187-194
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  1. Bibliography
  2. pp. 195-212
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  1. Appendix I: General Statistics on Vietnamese Boatpeople in Hong Kong
  2. pp. 213-214
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  1. Appendix II: Summary of Damage of Major Typhoons and Floods: 1978–1992
  2. pp. 215-216
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  1. Appendix III: Major Events Relevant to Vietnamese Boatpeople in Hong Kong
  2. pp. 217-226
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  1. Appendix IV: Garden Streams & ‘Art in the Camp’ Project
  2. pp. 227-234
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