Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP): A Report from the HERA Joint Research Project

Appendix A: All Peer-Review Publications Emerging from the ELMCIP Project

357 CREATIVITY AND INNOVATION IN PRACTICE APPENDIX A ALL PEER-REVIEW PUBLICATIONS EMERGING FROM THE ELMCIP PROJECT The following is a list of peer-reviewed and scientific and creative publications that resulted from the ELMCIP project June 2010–August 2013, along with a few video documentaries. The project has thus far resulted in peer-reviewed publications including four special issues of journals and two books, as well as a digital anthology of electronic literature edited by members of the research consortium that has been published on the web and on USB drives. Additionally, the PIs and post-docs involved with the project published articles and book chapters in a number of peer-reviewed journals. In this list, we provide information about the ELMCIP-directed publications first, followed by the publications by individual PIs, followed by video documentaries. I. PUBLICATIONS DEVELOPED DIRECTLY BY THE ELMCIP PROJECT 1) Simon Biggs, ed., Remediating the Social (ELMCIP, Bergen, 2012). Print ISBN: 978-82-999089-0-0, E-book ISBN: 978-82-999089-1-7. Permanent identifier: http://elmcip.net/node/4635. Open access. CONTENTS OF REMEDIATING THE SOCIAL 2) Scott Rettberg, “Bootstrapping Electronic Literature: An Introduction to the ELMCIP Project” pp. 9–10. Permanent identifier: http://elmcip.net/node/4702. Open access. 3) Simon Biggs, “Remediating the Social” pp. 11–14. Permanent identifier: http:// elmcip.net/node/4703. Open access. 4) Nick Montfort, “Programming for Fun, Together” pp. 15–19. Permanent identifier: http://elmcip.net/node/4631. Open access. 358 ELMCIP REPORT 5) Roberto Simanowski, “The Compelling Charm of Numbers: Writing for and thru the Network of Data” pp. 20–27. Permanent identifier: http://elmcip.net/ node/4705. Open access. 6) James Leach, “Creativity as a Social Relation” pp. 28–31. Permanent identifier: http://elmcip.net/node/4706. Open access. 7) Annie Abrahams, Artists’ pages: “Huis Clos/No Exit - Beyond Spectacle” pp. 32–33. Permanent identifier: http://elmcip.net/node/4640. Open access. 8) Romy Achituv, Artists’ pages: “The Garden Library” pp. 34–35. Permanent identifier: http://elmcip.net/node/4675. Open access. 9) Johannes Auer, Rene Bauer, and Beat Suter, Artists’ pages: “Search Trilogy” pp. 36–37. Permanent identifier: http://elmcip.net/node/4641. Open access. 10) Philippe Bootz, Artists’ pages: “Small Uncomfortable Reading Poems” pp. 38–39. Permanent identifier: http://elmcip.net/node/4672. Open access. 11) Mez Breeze, Artists’ pages: “_The_Tem(Cor)p(oral)_Body_” pp. 40–41. Permanent identifier: http://elmcip.net/node/4699. Open access. 12) Andy Campbell and Kate Pullinger, Artists’ pages: “Duel” pp. 42–43. Permanent identifier: http://elmcip.net/node/2196. Open access. 13) J.R. Carpenter, Artists’ pages: “The Broadside of a Yarn” pp. 44–45. Permanent identifier: http://elmcip.net/node/4671. Open access. 14) John Cayley and Daniel C. Howe, Artists’ pages: “Common Tongues” pp. 46–47. Permanent identifier: http://elmcip.net/node/4677. Open access. 15) Shu Lea Cheang, Artists’ pages: “Baby Work” pp. 48–49. Permanent identifier: http://elmcip.net/node/4648. Open access. 359 CREATIVITY AND INNOVATION IN PRACTICE 16) cris cheek, Artists’ pages: “B A C K L I T” pp. 50–51. Permanent identifier: http://elmcip.net/node/4673. Open access. 17) Johannes Heldén, Artists’ pages: “Natural History” pp. 52–53. Permanent identifier: http://elmcip.net/node/4551. Open access. 18) Brendan Howell, Artists’ pages: “Exquisite Code” pp. 54–55. Permanent identifier: http://elmcip.net/node/941. Open access. 19) Aya Karpinska, Artists’ pages: “Absurd in Public” pp. 56–57. Permanent identifier: http://elmcip.net/node/4700. Open access. 20) Donna Leishman, Artists’ pages: “Borderline” pp. 58–59. Permanent identifier : http://elmcip.net/node/4679. Open access. 21) Judd Morrissey and Mark Jeffery, Artists’ pages: “The Final Problem” pp. 60–61. Permanent identifier: http://elmcip.net/node/4676. Open access. 22) Jason Nelson, Artists’ pages: “Textual Skyline” pp. 62–63. Permanent identifier : http://elmcip.net/node/4678. Open access. 23) Penny Travlou, “Rhizomes, Lines and Nomads: Doing Fieldwork with Creative Networked Communities” pp. 65–69. Permanent identifier: http:// elmcip.net/node/4704. Open access. 24) Ruth Catlow, Marc Garrett, “DIWO: Do It With Others—No Ecology without Social Ecology” pp. 69–74. Permanent identifier: http://elmcip.net/node/4708. Open access. 25) Daphne Dragona, “The New Gameified Social” pp. 75–79. Permanent identifier : http://elmcip.net/node/4712. Open access. 26) Janez Strehovec, “Derivative Writing: E-literature in the World of New Social and Economic Paradigms” pp. 79–83. Permanent identifier: http://elmcip.net/ node...