In this Book

  • Like Clouds or Mists: Studies and Translations of No Plays of the Genpei War
  • Book
  • edited by Elizabeth A. Oyler and Michael Watson
  • 2014
  • Published by: Cornell University Press
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summary

This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays.

Table of Contents

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  1. Title Page, Copyright, Series Page, In Memoriam
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  1. Contents
  2. pp. ix-xii
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  1. Foreward
  2. Elizabeth Oyler, Michael G. Watson
  3. pp. xiii-xvi
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  1. 1. Introduction
  2. Elizabeth Oyler
  3. pp. 1-22
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  1. 2. Zeami, A Wandering Ghost, and the Lotus Sutra: The Story of Giō and Hotoke from the Heike Monogatari to Nō 23
  2. Roberta Strippoli
  3. pp. 23-40
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  1. 3.Giō
  2. Susan Matisoff
  3. pp. 41-52
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  1. 4. Hotoke no hara (Buddha Field)
  2. David T. Bialock
  3. pp. 53-66
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  1. 5. How Giō Saves Her Father's Life: Innovations to the Giō Legend in Bangai Nō 67
  2. Michael Watson
  3. pp. 67-82
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  1. 6. Rō-Giō (Giō at the Prison)
  2. Michael Watson
  3. pp. 83-96
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  1. 7. The Battle of Tonamiyama in Bangai Nō 97
  2. Elizabeth Oyler
  3. pp. 97-112
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  1. 8. Kiso
  2. Ivan Grail
  3. pp. 113-122
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  1. 9. Kurikara otoshi (The Fall from Kurikara)
  2. Michael Watson
  3. pp. 123-136
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  1. 10. Sanemori: Departure from Oral Narrative
  2. Akiko Takeuchi
  3. pp. 137-144
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  1. 11. Sanemori
  2. Mae J. Smethurst
  3. pp. 145-162
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  1. 12. Genzai Sanemori
  2. Mae J. Smethurst
  3. pp. 163-168
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  1. 13. Shunzei Tadanori: Its Background and Related Plays
  2. Michael Watson
  3. pp. 169-182
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  1. 14. Shunzei Tadanori
  2. Michael Watson
  3. pp. 183-194
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  1. 15. Kiyotsune
  2. Carolyn Morley
  3. pp. 195-210
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  1. 16. Preachers and Playwrights: Ikuta Atsumori and the Roots of Nō
  2. R. Keller Kimbrough
  3. pp. 211-230
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  1. 17. Ikuta Atsumori
  2. Lim Beng Choo
  3. pp. 231-246
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  1. 18. Ko Atsumori
  2. R. Keller Kimbrough
  3. pp. 247-260
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  1. 19. The Heiki, the Nō,, and Kyōgen Zatō Plays
  2. Carolyn Morley
  3. pp. 261-280
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  1. 20. Nasu (Kyōgen)
  2. Carolyn Morley
  3. pp. 281-284
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  1. 21. The Nō Play Shigehira
  2. Paul S. Atkins
  3. pp. 285-292
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  1. 22. Shigehira
  2. Paul S. Atkins
  3. pp. 293-308
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  1. 23. Morihisa and the Cult of Kannon at Kiyomizudera
  2. Naoko Gunji
  3. pp. 309-328
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  1. 24. Performing Kannon's Grace: The Nō Morihisa
  2. Shelley Fenno Quinn
  3. pp. 329-348
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  1. 25. Morihisa
  2. Shelley Fenno Quinn
  3. pp. 349-378
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  1. 26. Genre and the Heike Plays in Zeami's Go on
  2. Tom Hare
  3. pp. 379-390
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  1. 27. Rokudai no utai (The Song about Rokudai)
  2. Tom Hare
  3. pp. 391-398
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  1. 28. Nō as Political Allegory: The Case of Haku Rakuten
  2. Susan Blakeley Klein
  3. pp. 399-442
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  1. 29. Haku Rakuten
  2. Susan Blakeley Klein
  3. pp. 443-462
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  1. 30. Epilogue The Tale of the Heike in the Theater of the Twentieth Century: Three Examples
  2. J. Thomas Rimer
  3. pp. 463-484
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  1. Appendix: Nō Plays of the Genpei War, A Finding List
  2. pp. 485-518
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  1. Works Cited
  2. pp. 519-535
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  1. Contributors
  2. pp. 536-539
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