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In Winter Morning with Crow, it is Clare Rossini's consciousness (attentive, prescient, inspired) that makes her miraculous art, makes a poetry so pure and spare, so free of artifice or contrivance, that it seems to reinvent the page. This is poetry that restores to us something we have lost. It returns beauty, and faith in beauty, then reminds us (as the great painters remind us) that we are not meant to possess it-or the objects of our love. The wisdom of these poems is as ancient as Buson's crows painted against a stark landscape, the whiteness of winter morning. Clare Rossini is, with this extraordinary first book, already a master.

Table of Contents

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  1. cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. vii-viii
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  1. I. First Snow
  1. “Life Before Birth,” A Display
  2. p. 3
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  1. Half-Price Suite at the Park Central
  2. p. 4
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  1. Summering in the Midwest
  2. p. 5
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  1. The Painter Goes Fishing
  2. p. 6
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  1. You Left Me to This House
  2. p. 7
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  1. Vision and Prayer
  2. pp. 8-9
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  1. How to Tempt a Fish
  2. pp. 10-11
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  1. From Abstinence, N.H.
  2. pp. 12-13
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  1. Final Love Note
  2. p. 14
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  1. To Mount Monadnock in Fog
  2. pp. 15-16
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  1. First Snow
  2. pp. 17-18
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  1. Eve to Adam, in Retrospect
  2. p. 19
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  1. The Wood-Burning Stove
  2. pp. 20-21
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  1. Valediction
  2. p. 22
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  1. To the Curious Reader
  2. pp. 23-24
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  1. Mortal Thoughts
  2. pp. 25-26
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  1. II. Claudia Poems
  1. The Young Men of Division Street
  2. p. 29
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  1. Curriculum Vitae
  2. pp. 30-31
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  1. The Good Fortune of Others
  2. p. 32
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  1. Calla Lily Studies
  2. p. 33
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  1. Self-Portrait as Woman Posed on Flowered Couch
  2. pp. 34-35
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  1. En Route
  2. pp. 36-37
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  1. Red Light, Roma
  2. p. 38
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  1. Il Monte
  2. pp. 39-40
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  1. The Imperial Forum
  2. p. 41
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  1. The Sistine Chapel
  2. p. 42
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  1. Back to the Mega-Store
  2. p. 43
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  1. Nightmare
  2. p. 44
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  1. Meditation, Mid-December
  2. pp. 45-46
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  1. Still Life with Pear
  2. pp. 47-48
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  1. Out of Love
  2. p. 49
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  1. A Dialogue in the Park
  2. p. 50
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  1. Among Cows
  2. p. 51
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  1. The Pleasures of Perspective
  2. p. 52
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  1. III. Leave of Absence
  1. Preface to a Gesture
  2. pp. 55-56
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  1. Elegy in Four Parts
  2. pp. 57-60
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  1. To the Peony
  2. p. 61
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  1. To the Tiger in the Shriners’ Parade, Hanover, N.H.
  2. p. 62
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  1. A Mourning Dove in New York City
  2. p. 63
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  1. For a Friend Since Youth
  2. pp. 64-65
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  1. After the Stillbirth, Autumn
  2. p. 66
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  1. An Imaginary Tapestry
  2. p. 67
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  1. To Helen, from Moose Island, Maine
  2. p. 68
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  1. Fra Angelico’s Annunciation, Convent of San Marco
  2. p. 69
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  1. After the Old Testament Lecture,Taking the Shortcut Home
  2. pp. 70-71
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  1. The Lighthouses Are Automated
  2. p. 72
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  1. Winter Morning with Crow
  2. pp. 73-74
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  1. A Freighter in Eastport
  2. p. 75
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  1. Leave of Absence
  2. p. 76
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  1. Notes
  2. p. 77
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