In this Book

summary

For Italian immigrants and their descendants, needlework represents a marker of identity, a cultural touchstone as powerful as pasta and Neapolitan music. Out of the artifacts of their memory and imagination, Italian immigrants and their descendants used embroidering, sewing, knitting, and crocheting to help define who they were and who they have become. This book is an interdisciplinary collection of creative work by authors of Italian origin and academic essays. The creative works from thirty-seven contributors include memoir, poetry, and visual arts while the collection as a whole explores a multitude of experiences about and approaches to needlework and immigration from a transnational perspective, spanning the late nineteenth century to the late twentieth century.

At the center of the book, over thirty illustrations represent Italian immigrant women's needlework. The text reveals the many processes by which a simple object, or even the memory of that object, becomes something else through literary, visual, performance, ethnographic, or critical reimagining. While primarily concerned with interpretations of needlework rather than the needlework itself, the editors and contributors to Embroidered Stories remain mindful of its history and its associated cultural values, which Italian immigrants brought with them to the United States, Canada, Australia, and Argentina and passed on to their descendants.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
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  1. Acknowledgments
  2. pp. xiii-2
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  1. Introduction
  2. Edvige Giunta and Joseph Sciorra
  3. pp. 3-24
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  1. Daguerreotype: Lace Maker
  2. Sandra M. Gilbert
  3. pp. 25-26
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  1. Threads of Women
  1. Donna Laura
  2. Maria Mazziotti Gillan
  3. pp. 29-30
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  1. White on Black
  2. Louise DeSalvo
  3. pp. 31-36
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  1. No ‘So
  2. Rosette Capotorto
  3. pp. 37-38
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  1. bedspread
  2. Giuliana Mammucari
  3. pp. 39-40
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  1. Precious Traditions: Biancheria in Italian Australian Women’s Lives
  2. Hwei-Fen Cheah
  3. pp. 41-61
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  1. The Tatted Handkerchief
  2. Maria Terrone
  3. p. 62
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  1. Hand Towel
  2. Maria Grillo and Lucia Grillo
  3. pp. 63-66
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  1. The Dressmaker’s Dummy
  2. Sandra M. Gilbert
  3. p. 67
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  1. Crocheting Time
  2. Lia Ottaviano
  3. pp. 68-73
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  1. Stitches in Air: Needlework as Spiritual Practice and Service in Batavia, New York
  2. Christine F. Zinni
  3. pp. 74-98
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  1. Canto for a Quilter
  2. Marisa Frasca
  3. pp. 99-100
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  1. Skills and Artistry
  1. Great-Grandmother’s Ocean
  2. B. Amore
  3. pp. 103-105
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  1. Filatrici: Stitching Our Voices Together
  2. Joanna Clapps Herman
  3. pp. 106-118
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  1. The lady in the hat
  2. Rosette Capotorto
  3. pp. 119-120
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  1. From Domestic Craft to Contemporary Arts: Needlework and Belonging in Two Generations of Italian Australian Artists
  2. Ilaria Vanni
  3. pp. 121-135
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  1. The Dressmaker
  2. Gianna Patriarca
  3. pp. 136-138
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  1. Junior High, Home Economics
  2. Barbara Crooker
  3. pp. 139-140
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  1. Knitting
  2. Barbara Crooker
  3. pp. 141-142
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  1. Spalancare (Wide Open)
  2. Peter Covino
  3. p. 143
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  1. “A Needle Better Fits?”: The Role of Defensive Sewing in Italian American Literature
  2. Mary Jo Bona
  3. pp. 144-164
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  1. Factory Girls
  1. Backbone/Colonna Vertebrale
  2. Lisa Venditelli
  3. pp. 167-168
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  1. How la Sartina Became a Labor Migrant
  2. Jennifer Guglielmo
  3. pp. 169-192
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  1. Domestic Textile Work among Italian Immigrant Women in Post–World War II Mar del Plata, Argentina
  2. Bettina Favero
  3. pp. 193-206
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  1. Factory Girls, Bangkok
  2. Phyllis Capello
  3. pp. 207-208
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  1. Girl Talk
  2. Paola Corso
  3. pp. 209-210
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  1. Environmental Sites
  1. Siate Felici: Garden Imagery in a Messinese Biancheria da Letto, c. 1900
  2. Joseph J. Inguanti
  3. pp. 213-238
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  1. Rebozos/K’uanindik’uecha
  2. Karen Guancione
  3. pp. 239-241
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  1. Above the Forests of Second Avenue
  2. Maria Terrone
  3. p. 242
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  1. Escape
  2. Paola Corso
  3. p. 243
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  1. Needle and Thread
  2. Anne Marie Macari
  3. p. 244
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  1. Imagining Grandmother on the Paso Robles Ranch, Year My Father Was Born
  2. Denise Calvetti Michaels
  3. pp. 245-246
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  1. Embroidery
  2. Phyllis Capello
  3. p. 247
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  1. The Embroidery Hoop of Mourning
  2. Tiziana Rinaldi Castro
  3. pp. 248-258
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  1. Lost, Discarded, Reclaimed
  1. Bachelor, Lace, Butch, Trousseau
  2. Annie Rachele Lanzillotto
  3. pp. 261-272
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  1. Ink Still Wet
  2. pp. 273-274
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  1. The Woman and the Tiger
  2. Angela Valeria
  3. pp. 275-277
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  1. Identified
  2. Paola Corso
  3. p. 278
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  1. My Lost Needle
  2. Anne Marie Macari
  3. pp. 279-280
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  1. Embroidery as Inscription in the Life of a Calabrian Immigrant Woman
  2. Joan L. Saverino
  3. pp. 281-312
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  1. Il corredo: Loss and Continuity in an Italian American Family
  2. Jo Ann Cavallo
  3. pp. 313-325
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  1. Bitter Trade: A Castle for a Trousseau
  2. Giovanna Miceli Jeffries
  3. pp. 326-335
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  1. Biancheria and My Mother
  2. Maria Mazziotti Gillan
  3. pp. 336-337
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  1. Medicine of Language
  2. Peter Covino
  3. p. 338
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  1. Lace
  2. Maria Terrone
  3. p. 339
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  1. Love how much do we know & when do we know it
  2. Rosette Capotorto
  3. p. 340
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  1. White Shadows (2)
  2. Elisa D’Arrigo
  3. pp. 341-344
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  1. Afterword
  1. Needling Scholars, Needling Scholarship
  2. Donna R. Gabaccia
  3. pp. 347-356
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  1. Notes on Contributors and Editors
  2. pp. 357-364
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  1. Credits
  2. pp. 365-366
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  1. Index
  2. pp. 367-380
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