Index
219 INDEX Abrams, Jerold J., 171 accelerated motion. See high-speed motion acting, 3, 51, 71, 73, 81, 93, 94, 96, 107, 203ch5n1 actor, 12, 17, 19–20, 25–30, 33, 54, 62, 64, 93, 107–8, 121–22, 124, 144–45, 147–49, 151, 155, 168, 175 Adagio. See Khatchaturian, Aram adaptation studies, 3–4, 6, 9, 12–13, 153, 185 Adoration of the Magi. See Leonardo aerial footage, 116, 167 alignment, 45–48, 50, 172 alien. See extraterrestrial “alien messiah,” 49 Altman, Robert, 162; The Long Goodbye, 155; MASH, 155 anaphora, 175–76 Anderson, Paul Thomas, Magnolia, 203ch4n1 Andrei Rublev. See Tarkovsky, Andrei Andrew, Dudley, 200–201n6 Anger, Kenneth, 159 Anger Management. See Segal, Peter angle: and straight-ahead, 69; and straight-on, 144 Antonioni, Michelangelo: La notte, 157; L’avventura, 156 Apocalypse Now. See Coppola, Francis Ford art-cinema (art-film), 13, 36, 154–59, 160–64, 177 “artefact emotions.” See Tan, Ed S. Arthur Schnitzler as Psychologist. See Reik, Theodor artifact. See monolith artificiality, 121, 142, 146–47, 149, 152, 167–69, 171, 180 As Good as It Gets. See Brooks, James L. assonance, 94, 96 Astaire, Fred, 90 asymmetry, 34, 70 asyndeton, 94, 96, 108 auteur, 10–12, 35, 68, 70, 76, 148, 154–55, 161, 163–64, 177, 184 autobiography, 30–32, 39, 124 avant-garde, 13, 17, 159–61, 163–64, 184 awareness, 11, 103, 121, 142, 145, 158, 165, 184 Babenco, Hector, Ironweed, 168 Bach, Johann Sebastian, William Tell Overture, 121 Back to the Future. See Zemeckis, Robert “Backwards Priests.” See Pook, Jocelyn Baker, Christopher, 29 Barry Lyndon. See Kubrick, Stanley Barthes, Roland: and contiguity and similarity, 35, 84, 114; distinctions between functions proper and indices, 7–8; and functions, 7–8 Batman. See Burton, Tim Baudelaire, Charles, 119–20, 128, 177; “The Painter of Modern Life,” 119; “The Salon of 1846,” 177 Baxter, John, 20, 119 Beata and Her Son. See Schnitzler, Arthur beautiful, the, 163 Beethoven, Ludwig van, 32, 52, 73, 88, 98, 102, 173; Fidelio, 52; Ninth Symphony, 32, 88, 92, 102, 120, 122, 147, 151, 173 Beja, Morris, 200–201n6 Index 220 Bellinger, Martha Fletcher, 27 Belson, Jordan, 159 Berenson, Marisa, 64 Berkoff, Steven, 66 Berlioz, Hector, Symphonie Fantastique, 116 Bhagavad Gita, 173–75 black comedy, 16, 20 Blue Danube. See Strauss, Johann Bluestone, George, 46, 201n7 Bonnie and Clyde. See Penn, Arthur Boozer, Jack, 12 Bordwell, David, 10, 13, 35, 84, 154, 156– 59, 161, 177, 201n9; and “boundarysituation ,” 157–58; and humbleness, 158, 161; Narration in the Fiction Film, 13, 154; and “objective” verisimilitude, 156, 158; and “over narrational commentary,” 156, 177, 180; and “subjective” verisimilitude, 156, 159 Bouquet, Carol, 54 Bowen, Elizabeth, 18 Brakhage, Stan, 159 Brecht, Bertolt, and distantiation, 160 Brooks, James L., As Good as It Gets, 168 Brown, Garrett, 167 Brown, John, 162 Buchan, Alastair, 20 Bukatman, Scott, 49, 86 Buñuel, Luis, Cet obscure object du désir, 54 Burgess, Anthony, 3, 20–22, 26, 30–32, 58–61, 89, 92, 101, 124, 184–85, 202ch1n2; A Clockwork Orange, 3, 20, 58–59, 89, 91–92, 102, 149, 184–85; A Clockwork Orange: A Play with Music, 21, 32; Enderby’s End or A Clockwork Testament, 31; and Pelagius, 21, 202ch1n2; and St. Augustine, 21, 202ch1n2 Burke, Edmund, 165 burlesque, 116 Burlyayev, Nikolai, 204ch6n3 Burns, Lisa and Louise, 80 Burton, Tim, Batman, 168 Butch Cassidy and the Sundance Kid. See Hill, George Roy Cage, Nicolas, 91 Cahiers du Cinéma, 155 Cahill, Tim, 17–18 Calley, John, 22 Cameron, James, The Terminator, 171 cannovaccio, 27 Canonero, Milena, 122 Capra, Frank, 117–18 Caras, Roger, 23 Carlos, Wendy, 92, 116 Carrie. See De Palma, Brian; King, Stephen Carroll, Noël, 137–40; and cinema of allusion, 155–56 cast and casting, 5–6, 12, 33, 150 Castle, Alison, 23, 134 Castle, Robert, 175–76 cause and effect, 10, 16, 35–36, 39, 46, 84, 116–17, 119, 121, 147, 154, 156 censorship, 5–6, 9 centrifuge, 87–88 Cet obscure object du désir. See Buñuel, Luis chaos. See disorder charade, 149 Chasen, Will, 15 Child’s Garden of Verses, A, 82 Chinatown. See Polanski, Roman Chion, Michel, 164 Christmas, 47, 52–53, 62, 77, 81, 97, 112, 116, 125, 149–50 Church, Frederic Edwin, 49, 98, 178 Ciment, Michel, 11, 22, 26–29, 58, 74, 121, 164 Clarke, Arthur C., 23, 26, 42, 46, 51–52, 96; “The Sentinel,” 23, 26, 41, 47, 68; [18.118.12.222...
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