In this Book
- Mary Wickes: I Know I've Seen That Face Before
- Book
- 2013
- Published by: University Press of Mississippi
summary
Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage.
Wickes was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 that Orson Welles recorded his earth-shattering "War of the Worlds" radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made her first TV appearance anywhere, Wickes appeared with her--and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, it asked Wickes to pose for animators trying to capture the evil of Cruella de Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.Table of Contents
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- Acknowledgments
- pp. xiii-xvii
- 3. On Stage and On Air
- pp. 49-70
- 4. Anatomy Is Destiny
- pp. 71-82
- 5. Miss Bedpan
- pp. 83-96
- 6. Los Angeles, Mother in Tow
- pp. 97-107
- 7. Lucille Ball’s Best Friend
- pp. 108-133
- 8. Cookies and Milk with Mother
- pp. 134-145
- 9. She Kept It to Herself
- pp. 146-158
- 10. Mary’s Secret Cousin
- pp. 159-168
- 11. “Not an Ounce” of Romance
- pp. 169-192
- 12. Nurses, Nuns, and Housekeepers
- pp. 193-220
- 13. When Acting Is Everything . . .
- pp. 221-242
- 14. Becoming the Characters She Played
- pp. 243-255
- 15. Success Returns
- pp. 256-277
- 16. Physical Deterioration
- pp. 278-284
- 17. Fade Out
- pp. 285-299
- The Roles of Mary Wickes
- pp. 300-315
Additional Information
ISBN
9781621039570
Related ISBN(s)
9781604739053
MARC Record
OCLC
857916658
Pages
432
Launched on MUSE
2013-08-13
Language
English
Open Access
No