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JSmith_001-050.indd 21 11/28/11 9:52 AM 2 Art and Aesthetics In all the liberal and ingenious arts, in painting, in poetry, in music, in eloquence, in philosophy, the great artist feels always the real imperfection of his own best works, and is more sensible than any man how much they fall short of that ideal perfection of which he has formed some conception, which he imitates as well as he can, but which he despairs of ever equalling. It is the inferior artist only who is ever perfectly satisfied with his own performances. MS 248 It is the acute and delicate discernment of the man of taste, who distinguishes the minute, and scarce perceptible differences of beauty and deformity; it is the comprehensive accuracy of the experienced mathematician, who unravels with ease the most intricate and perplexed JSmith_001-050.indd 22 11/28/11 9:52 AM 22. The Wisdom ofAdam Smith proportions; it is the great leader in science and taste, the man who directs and conducts our own sentiments, the extent and superior justness of whose talents astonish us with wonder and surprise, who excites our admiration, and seems to deserve our applause; and upon this foundation is grounded the greater part of the praise which is bestowed upon what are called the intellectual virtues. MS 20 That utility is one of the principal sources of beauty, has been observed by every body who has considered with any attention what constitutes the nature of beauty. The conveniency of a house gives pleasure to the spectator as well as its regularity; and he is as much hurt when he observes the contrary defect, as when he sees the correspondent windows of different forms, or the door not placed exactly in the middle of the building. That the fitness of any system or machine to produce the end for which it was intended, bestows a certain propriety and beauty upon the whole, and renders the very thought and contemplation of it agreeable, is so very obvious, that nobody has overlooked it. MS 179 The loss of a leg may generally be regarded as a more real calamity than the loss of a mistress. It would be a ridiculous tragedy, however, of which the catastrophe was to tum upon a loss of that kind. A misfortune of the [18.191.240.243] Project MUSE (2024-04-25 13:27 GMT) JSmith_001-050.indd 23 11/28/11 9:52 AM Art and Aesthetics other kind, how frivolous soever it may appear to be, has given occasion to many a fine one. MS 29 When we are determining the degree of blame or applause which seems due to any action, we very frequently make use of two different standards. The first is the idea of complete propriety and perfection, which, in those difficult situations, no human conduct ever did, or ever can, come up to; and in comparison with which the actions of all men must for ever appear blameable and imperfect. The second is the idea of that degree of proximity or distance from this complete perfection, which the actions of the greater part of men commonly arrive at. Whatever goes beyond this degree, how far soever it may be removed from absolute perfection, seems to deserve applause ; and whatever falls short of it, to deserve blame. It is in the same manner that we judge of the productions of all the arts which address themselves to the imagination . When a critic examines the work of any of the great masters in poetry or painting, he may sometimes examine it by an idea of perfection, in his own mind, which neither that nor any other human work will ever come up to; and as long as he compares it with this standard, he can see nothing in it but faults and imperfections . But when he comes to consider the rank which it ought to hold among other works of the same kind, he necessarily compares it with a very different standard, the common degree of excellence which is usually JSmith_001-050.indd 24 11/28/11 9:52 AM 24. The Wisdom ofAdam Smith attained in this particular art; and when he judges of it by this new measure, it may often appear to deserve the highest applause, upon account of its approaching much nearer to perfection than the greater part of those works which can be brought into competition with it. MS 26 An eminent artist...

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