Ecopoetics: The Language of Nature, the Nature of Language

Index

Index Abram, David, 3, 193 Ammons, A. R., 161, 193 Auden, W. H., 3, 130, 187, 193 Baraka, Amiri, 165 Bate, Jonathan, 5, 7, 75, 162, 193 Berger, John, 4, 193 Berkeley, George, 112 Bernstein, Charles, 2, 3, 7, 172, 193 Berryman, John, 64, 95 Bishop, Elizabeth, 56–83, 159, 182, 189, 193–99; “12 O’Clock News,” 79; “The Armadillo,” 76, 79–83; “At the Fish­ houses,” 68; “Brazil, January 1, 1502,” 76–79, 83; “The Fish,” 57, 70–75, 78, 82, 197; “The Imaginary Iceberg,” 65–66, 80; “The Monument,” 65–68, 75, 182; “The Moose,” 75; “Roosters,” 69–70; “The Sandpiper,” 63–64, 68; “The Sea and Its Shore,” 68 Black Aesthetic, 165, 195 Black Arts Movement, 164 Black Mountain poets, 8, 94, 97, 190 Bly, Robert, 9, 94, 194 Bogan, Louise, 91, 95 Borg, Marcus, 102, 194 Bryant, William Cullen, 103–4 Buell, Lawrence, 3, 6, 18, 89, 92, 188, 194 Burke, Kenneth, 4, 194 Carson, Rachel, 84, 126 Cézanne, Paul, 92 Clifton, Lucille, 163 Cronon, William, 32, 99, 190, 194 Cullen, Countee, 164 Darwin, Charles, 5, 16, 60–62, 74, 82, 127, 130, 181, 193, 195, 198 Davidson, Michael, 172 deconstruction, 6, 17, 27, 172, 175, 188, 195 Dickinson, Emily, ix, 9–14, 16, 17, 20, 72, 86, 118, 124, 159, 167, 169, 170, 195 Donne, John, 114 Dove, Rita, 165 Dunbar, Paul Lawrence, 166, 168, 195 ecocriticism, 2–4, 8–9, 27, 59, 84, 159, 195, 199, 202 ecopoetics, x, 4, 16, 18, 20, 24, 54, 56, 70, 85, 92, 122, 159, 162, 164 Eliot, T. S., 61, 63, 187, 190, 195–96, 198 Emerson, Ralph Waldo, 10, 20, 57, 60, 86, 103, 130, 140, 171–72, 189, 190, 195 201 202 s index Fabio, Sarah Webster, 163, 165, 195 Merwin, W. S., 64, 95 Finch, Annie, 160, 162, 172, 195, 197 Fitzgerald, F. Scott, 52, 195 Ford, Karen Jackson, ix, 124, 149, 153, 155, modernism, modernity, 8, 13, 16–17, 20, 24, 26, 35–36, 59, 61–64, 94–95, 97, 123, 127, 129, 130–32, 165, 18–89, 194, 166–67, 190, 195 196–97, 199 free verse, 39, 56–57, 94, 97–98, 160, 162, Moore, Marianne, 61, 92, 196–98 165, 176, 178, 196 Frost, Robert, 40, 59, 96, 104, 114, 136, 195, 198 Nelson, Marilyn, 162–72, 176, 190, 197 New Formalism, 159, 160, 162, 165, 172, 176, 197 Gioia, Dana, 160 Goldsworthy, Andy, 66 Harlem Renaissance, 164 Olson, Charles, 97, 197 organic formalism, x, 159, 175–76, 181–82, 190–91 Hecht, Anthony, 94, 196 Heidegger, Martin, 45, 162 Hejinian, Lyn, 172 Hopkins, Gerard Manley, 13–17, 33, 67, 69, 70–71, 105, 121, 129, 140, 159, 183, 193, 196 Palmer, Michael, 172 panentheism, 102–3 Phillips, Dana, 158, 190 Plath, Sylvia, x, 36, 57, 101, 106, 111, 116, 121, 123–59, 190, 193–95, 197–200, Horace, 4, 196 Ariel, 124; “The Arrival of the Bee Howe, Susan, 172–75, 190, 196 Box,” 145, 148, 151–52; “The Bee James, William, 104, 110 Jameson, Frederic, 37, 196 Jarman, Mark, 160 Jeffers, Robinson, 92 Meeting,” 145, 148–52, 156–58; “The Beekeeper’s Daughter,” 146, 152; “Black Rook in Rainy Weather,” 129– 32, 158; “Blackberrying,” 130; “Blue Moles,” 134; “Elm,” 106, 140–45, 150; Johnson, Mark, ix, 4, 108, 196 “Finisterre,” 130; “I Am Vertical,” Johnson, Samuel, 111–12 135–36, 142, 158; “Mushrooms,” Jordan, June, 165 134–35; “Ocean 1212­W,” 134, 136, 146; “Poems, Potatoes,” 139–40; Keats, John, 19, 33, 36–38, 66, 101–2, 160, “Pheasant,” 134; “Private Ground,” 196 127–28; “The Rabbit Catcher,” 134; Kuhn, Thomas, 61, 110, 196 Lakoff, George, 4, 24, 108, 196 Language Poetry, 17, 159, 172, 175, 193 Latour, Bruno, 9, 187–88, 196 “Stillborn,” 133; “Stings,” 145, 199; “The Swarm,” 145; “Two Campers in Cloud Country (Rock Lake, Canada),” 128–29; “Wintering,” 145, 152–58 Lawrence, D. H., 92, 97 Levertov, Denise, 190–91, 197 Poe, Edgar Allen, 91–92, 104–5, 117 Pollan, Michael, 146, 198 Lowell, Robert, 58, 64–65, 94–95, 126, 196–98 Pope, Alexander, 112, 181, 189, 198 postmodernism, 17, 59, 87 Pound, Ezra, 61, 86, 89, 97, 160–61, 178, Maclean, Norman, 18, 197 190, 194, 198 Martin, Charles, 160 McKay, Claude, 164 Merleau­Ponty, Maurice, 6, 197 Rich, Adrienne, 64–65, 95 Roethke, Theodore, 9, 95, 130 Romanticism, 8, 20, 33, 36–37, 52, 54, 57...