In this Book
- Upstaging the Cold War: American Dissent and Cultural Diplomacy, 1940-1960
- Book
- 2010
- Published by: University of Massachusetts Press
summary
Traditional interpretations of the 1950s have emphasized how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet those efforts at
repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of televi-sion,
on the Broadway stage, and from behind the scenes.
By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in repre-senting America to the world.
Ironically, the dissidents’ international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for “hearts and minds,” and their artistic work an effective means to sell Ameri-can values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.
Table of Contents
Download Full Book
- Acknowledgments
- pp. xiii-xv
- Chapter 3: Casting the Iron Curtain
- pp. 63-85
- Afterword: The Cold War Epic
- pp. 212-214
Additional Information
ISBN
9781613760208
Related ISBN(s)
9781558497283
MARC Record
OCLC
794700519
Pages
264
Launched on MUSE
2012-01-01
Language
English
Open Access
No