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Contents Acknowledgments vii Introduction ix Mark P. Ott and Mark Cirino PART I: MEMORY AND COMPOSITION 1 Memory and Manhood: Troublesome Recollections in The Garden of Eden Marc Hewson 3 2 Reclaimed Experience: Trauma Theory and Hemingway’s Lost Paris Manuscripts Marc Seals 18 PART II: MEMORY AND ALLUSION 3 Memory and the Sharks Sergio Perosa, translated by Mark Cirino 31 4 Memory and Desire: Eliotic Consciousness in Early Hemingway Matthew J. Bolton 37 5 Lions on the Beach: Dream, Place, and Memory in The Old Man and the Sea Larry Grimes 57 PART III: MEMORY AND PLACE 6 Hemingway and Cultural Geography: The Landscape of Logging in “The End of Something” Laura Gruber Godfrey 69 7 Expatriate Lifestyle as Tourist Destination: The Sun Also Rises and Experiential Travelogues of the Twenties Allyson Nadia Field 83 8 Pursuit Remembered: Experience, Memory, and Invention in Green Hills of Africa Lawrence H. Martin 97 9 Alchemy, Memory, and Archetypes: Reading Hemingway’s Under Kilimanjaro as an African Fairy Tale Erik Nakjavani 107 10 “A Moveable Feast” or “a miserable time actually”? Ernest Hemingway, Kay Boyle, and Modernist Memoir Verna Kale 127 PART IV: MEMORY AND TRUTH 11 The Persistence of Memory and the Denial of Self in A Farewell to Arms Mark Cirino 149 12 The Currents of Memory: Hemingway’s “Big Two-Hearted River” as Metafiction Robert Paul Lamb 166 13 A Clean, Well-Lighted Place for Killing: Nostalgia in Hemingway’s Death in the Afternoon Emily O. Wittman 186 14 Memory in The Garden of Eden Barbara Lounsberry 204 Contributors 213 Index 216 vi contents ...

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