Character and Meaning in the Novels of Victor Hugo
Publication Year: 2007
Published by: Purdue University Press
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I would like to express my gratitude to Claudie Bernard of New York University, who, as my dissertation director, was tireless in her commentary and served as a model for sound practices.Charles Affron and Nancy Regaldo, also of New York University, were wonderful resources, and the gift of their time was much appreciated....
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As the overwhelming success of the 2002 bicentennial of Victor Hugoâs birth conï¬rms, none of the distinct personae that Hugo has come to be known by, whether it be the young royalist and romantic poet, the exiled republican, or the genteel, white-haired grandfather, shows any signs of fading away. Indeed, after two hundred tumultuous years characterized by a vacillation ...
Part 1. Appearance
Chapter One. The Archetype Transformed
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In his review of Walter Scottâs Quentin Durward, which appeared in the ï¬rst edition of La Muse franÃ§aise in July of1823 and was later reworked and republished in LittÃ©rature etphilosophie mÃªlÃ©es (1834), Hugo provides us with his earliest musings on the novel as a genre. In the review, he both praises Scottâs epic and colorful conception of the form and proposes ...
Chapter Two. Hugo Novelist
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The unraveling of the archetypal romance model is mirrored and magnified by the transfer and subversion of codes and elements of another mode into Victor Hugoâs novels, that of melodrama, which took root in France at the beginning of the nineteenth century as a stage form in which moral imperatives were emphasized and reinforced through the polarized ...
Part 2. Reappearance
Chapter Three. Hugo and Type Character
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From Flaubertâs sharp judgment that Les MisÃ©rables put into place âdes types tout dâune piÃ¨ce comme dans les tragÃ©dies [...] des mannequins, des bonshommes en sucre,â 1 to ThÃ©ophile Gautierâs observation that âHugo ne prend de lâhistoire que les noms des temps, que les couleurs gÃ©nÃ©rales [...] Peut-Ãªtre ferait-il mieux encore de ne pas mettre de nom du tout et...
Chapter Four. Character as Template
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From Phoebus in Notre-Dame de Paris, to M. Myriel in Les MisÃ©rables, to Ebenezer and DÃ©ruchette in Les Travailleurs de la mer, to Dea in LâHomme qui rit, to Michelle FlÃ©chard in Quatrevingt-treize, the characters in the ï¬rst grouping of the Hugolian type are all continuously and consistently ï¬gured on the narrative level through a central composing element that...
Chapter Five. Reconfigurations
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Unlike Balzac, who linked his past and future novels together in the 1842 âAvant-Proposâ to the ComÃ©die humaine, or Zola,who structured in advance from outlines and a ï¬ctional family tree a uniï¬ed series of novels to be called Les Rougon-Macquart, Hugo never formally connected his ï¬ctional works. Indeed, Hugo seemingly never sought to ofï¬cially relate his ...
Part 3. Disappearance
Chapter Six. The Poetics of Death
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The phenomenon of effacement in Victor Hugoâs novels has generated a great deal of attention from scholars. Indeed, from Suzanne Nash, who remarks that âtime [in Hugoâs novels] repeatedly and persistently wipes away the original messageâ (âLes Contemplationsâ of Victor Hugo: An Allegory of the Creative Process 26), to Brombert, who asserts that âeffacement ...
Chapter Seven. Decoding Social Exclusion
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If the effacement of character in Hugoâs novels serves on a ï¬rst level to highlight the marginality and exclusion of the heroes in a world that has lost its moral transparency, it serves on a second level, through a process of multiplication and repetition, to accentuate the marginality and exclusion of the mass of others that these heroes come to represent. Indeed, the plural ...
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From Quasimodo, to Esmeralda, to Jean Valjean, to Cosette, to Gwynplaine, Victor Hugoâs characters have enjoyed an afterlife whose longevity is unparalleled in French literature. One hundred and seventy years after the publication of Notre-Dame de Paris, a musical version of it by Luc Plamondon and Richard Coccianteâï¬rst presented in France in 1998 and commercially ...
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About the Author
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Page Count: 242
Publication Year: 2007
Series Title: Purdue Studies in Romance Literatures
Series Editor Byline: Patricia Hart