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Index 247 Abbott and Costello [Bud Abbott and Lou Costello], 139– 41, 227–28n1 “Abenámar, Romance de,” 74–75, 191 Abre el ojo (Rojas Zorrilla), 156– 57 Academy of Madrid, 193, 195– 97, 201, 206, 210, 212, 214, 229–30n9 acrobatics, 7, 24, 28, 32, 54, 68, 88, 105, 107, 111, 125, 136, 149, 158, 214, 216, 218, 222n4 (introd.). See also jugglers acting, 4, 6, 9, 26, 30, 37, 40, 46, 68, 91, 93, 95–96, 98, 101, 119, 124, 137–39, 149, 161–62, 165–66, 189, 204, 219 actors. See performers Adam de la Halle, 54–55, 59, 78, 105 Alarcón. See Ruiz de Alarcón, Juan Allegri, Luigi, 53–55, 59, 64, 86 Allen, John J., 3, 26, 143 Alonso, Dámaso, 1, 21, 123, 176 Alter, Jean, 28–31, 33, 35, 55, 123 alternating song, 69, 71–72, 75 Antigone (Sophocles), 38, 151 antiphonal song, 14, 17, 126, 225n9 Apology for Actors, An (Heywood), 204–05 apprenticeship, 90–92, 96, 111, 131, 183, 226n2. See also performers: training Arcipreste de Hita. See Ruiz, Juan Aristotle, 13–14, 16, 26, 32, 148, 172–75, 201, 207, 229– 30n9 Aristotelianism, 8, 37, 140, 142, 145, 148, 172–75, 193– 94, 198, 201–03, 205– 08. See also neoclassicism Art of the Bawdy Song, The, 80, 225–26n13 audiences. See spectators authority, textual, 180, 187–88, 201, 203, 212 Auto de los Reyes Magos, 18, 215 autores de comedias, 94, 101, 161, 168, 194. See also impresarios auto sacramental, 217 “¡Ay!, un galán de esta villa,” 70, 72 Bagby, Benjamin, 69. See also bards; Beowulf; scôps Bakhtin, Mikhail, 7, 10, 40, 53, 64, 85, 90, 103–06, 109– 11, 115, 151, 222n4 (introd.), 227n7 balladry, 6, 9, 20, 23, 35, 42–43, 46, 55, 60, 62, 64–65, 68–70, 73–74, 76–77, 82–83, 89, 102, 111, 118, 120, 122–23, 128– 29, 132, 136, 152, 162– 63, 166, 176–77, 181–82, 188, 191–93, 198, 214, 218, 222n6, 223–24n12, 225–26n13, 228n5, 229n6 Baltimore Consort, 80, 92 bards, 6, 41–42, 57, 86 Bartholomew Fair (Jonson), 185–86 bear baiting, 32, 68, 89, 142. See also trained animals Beowulf, 69, 192 “bien oiréis lo que dirá, ” 46, 121, 123, 128–29 248 Index Blues, 69, 75. See also music Boccaccio, Giovanni, 59–61, 219 Borges, Jorge Luis, 16 Brecht, Bertolt, 2, 17 Breuil, Henri, 39, 47 Broadway. See national theaters: United States Brook, Peter, 2, 7, 27–28, 153 Buber, Martin, 46 buffoons, 64–65, 86, 107, 154– 55, 190, 195, 214, 218 burlador de Sevilla, El (Tirso), 146, 155 burlas, 95–96, 99, 103, 227n9. See also tricks “busca de Averroes, La” (Borges), 16–17 Búscon, El (Quevedo), 94, 96 Bute Psalter, 46, 48–49, 155, 157 Calderón de la Barca, Pedro, 2, 11, 18, 60, 93, 134, 158, 165 La dama duende, 215 El príncipe constante, 146 La vida es sueño, 30, 149–52, 155, 219 cancioneros, 36, 73, 75–76, 78, 182 cantares de gesta, 87, 121, 123, 136, 216, 221n1, 222n6, 223–24n12 Canterbury Tales, The (Chaucer), 59–60, 81, 117, 219 carnival, 10, 51, 64, 103–05, 109– 11, 115, 136–37, 166 carros, 9, 142 Castillo Solórzano, Alonso de, 94–95 Castro, Guillén de, 175–76 catches. See balladry Celestina (Rojas), 22–23, 133, 178, 222nn4–5 Cervantes, Miguel de, 10–12, 23, 177, 193–94, 213, 229n4 Don Quijote, 83, 116–19, 130– 31, 133, 153, 178, 194, 227n11 “Adventure of the FortuneTelling Ape,” 121, 124– 26, 183 “Braying Tale,” 119–22, 124–26 El curioso impertinente, 130 Maese Pedro’s puppet show, 10, 115–17, 121– 29, 131, 142, 155–56, 160, 183–84 Ocho comedias y ocho entremeses nuevos, nunca representados, 11–12, 23, 131, 172–80, 188–89, 196, 198, 213 “Rinconete y Cortadillo,” 95–96 Chambers, E. K., 52–55, 58, 64– 65, 71, 87, 90, 107, 226n14 Chanson de Roland, La, 192, 216 character dialogue, 8, 21, 37–38, 43, 45–47, 56, 73, 81, 120–23, 128, 225n12, 229n5 charlatans, 24, 86. See also mountebanks Chaucer, Geoffrey, 59–61, 83, 219 Child’s ballads, 62. See also balladry Chrétien de Troyes, 171, 185–86, 189, 199 church drama. See drama: liturgical City Dionysia, 14, 37–38, 44, 58, 175, 217 clowns, 7, 44, 85, 102, 104, 151, 154–55, 165, 178–79, 189–90, 193, 197, 214. See...

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