Girlhood and the Plastic Image

Index

index adolescence: emergence of, 13–14, 15, 16; definition of, 170–71n28; esthetic: of cuteness, 104–6, 128; of unfinish, 57–63, 85, 96, 117, 134, 138 Agamben, Giorgio, 112–16 Agassi, Andre, 57 Alice in Wonderland, xiv, 18–32; Annlee in No Ghost Just a Shell and, 53; as avatar, 30; Burton film (2010), 19, 30; Disney’s Alice shorts (1923–1927), 23–24, 27, 29; Disney feature film (1951), 20, 26, 28–30, 53; first film adaptation (1903), 23; The Matrix and, 45, 129; as a figure of theory, 34, 36, 42, 44; plastic, transmedia nature of, xiv, 19–20, 22, 32, 53; as serial creature , 32; software application Alice, 20, 30; La Tana di Alice, Pinocchio Park, Tuscany, 30–32, 43. See also Carroll, Lewis Allison, Anne, 146, 147 animation: animated body, 24, 30, 33, 44; cel animation, 20, 23–24, 28–29, 80, 129, 131, 132, 136, 137, 144; brand animation, 2, 74, 132, 149, 152–54, 155, 163; CGI, 4–5, 41, 65, 90, 129, 131, 136, 144, 149, 152; combination of CGI and cel animation , 125, 129, 131, 132, 136–137, 144, 145; concept of, 14, 19, 34–36, 44, 60, 91, 99, 113–114, 116, 120, 143–144, 146, 149, 163–64; GIF, 90, 101, 102, 103, 108, 123, 164; globalization and, 80, 123, 125, 130, 131–34, 143, 146, 156–157; as intermediary , 137; keyframes, 3–4; machinima animation, 2, 88, 180n7; relationship between Japanese and American, 80, 125, 133–34, 136–37, 151; the rotoscope, 28–29. See also Disney Studio; anime; specific animated works anime, 14, 27, 30, 46, 49, 56, 64, 66, 79–80, 86, 102, 121, 123–25, 133–34, 136–37, 146– 47, 149, 151, 153, 156, 174n107, 183n85, 186n28, 186n33, 188n69, 190n21 Annlee. See No Ghost Just a Shell Ann Lee (Sehgal, 2011), 190n27 Ann Lee Lives! (Vélez and Law Office, 2003), 81 Anywhere out of the World (Parreno, 2000), 49, 50, 56, 64–65 Apple Super Bowl Commercial (1984), 154–56, 155, 189n82 Ariel, 150, 151 ARPANET, 95, 101, 106 Ascott, Roy, 161–62, 163, 190n12 at-riskism, 77, 100–103, 105, 120, 161 avatar, 1; Alice as, 30 Azuma, Hiroki, 133, 141, 149, 186n33 Badcock, Mary Hilton, 20 Barande, Henri, 64 Barbie dolls, 12, 62–63 Barrie, J. M., Peter Pan, or The Boy who Wouldn’t Grow Up, 163 Baudrillard, Jean, 145, 187n57 Beaumont, Kathryn, 28–30 Belcher, Marge, 28 Bell, Elizabeth, 173n84 206 • index Bellmer, Hans, 24–26, 29, 44, 143, 160, plate 4 Benjamin, Walter, 37, 190n13 Bishop, Claire, 190n27 Blade Runner (1982), 80, 94, 160, 166 Blinking Girls (Gervais and Weis, 2012), 164–65 Bolter, Jay David, 139–41, 142, 153, 154, 187n47 Bonnenfant, Katya, 104 Bookchin, Natalie, The Intruder (1999), 97 Botticelli, Sandro, Birth of Venus (1486), 112–13, 115 Bourriaud, Nicolas, 53–54, 55, 57, 80, 176n17 Braidotti, Rosi, 42, 97 brand characters, 149, 152–54, 155, 163–64. See also animation, Hello Kitty Bresson, Robert, Mouchette (1967), 91–92, 98, 107, 109, 121, 183n69 Brown, Steven T., 133 Bukatman, Scott, 33, 34 Burnett, Robert, 95 Burnett, Ron, 7–8 Burton, Tim, Alice in Wonderland (2010), 19, 30 butterflies, 116, 159–63, 190n12 CADIE, 94, 103, 166, plate 15 Campanelli, Vito, 39–40, 114–15 Cantor, Mircea, I 6M STIL7 ALIV3 (2004), 85, 165 Carroll, Lewis, Alice books (1860s), xiv, 11, 13, 18, 20–22, 34, 36, 157, 159, 169n7, plates 2–3; photography and, 19, 21–22; in media and visual culture theory, xiv, 34, 42, 44, 169n7; Tenniel illustrations, 13, 20, 34. See also Alice in Wonderland Carter, Huntly, 33 Castañeda, Claudia, 55–56, 58, 63 Catmull, Ed, 4–5, 6 Cattelan, Maurizio, 81 cel animation, 125, 129, 131, 132, 136–37, 144, 145 Cerrito, Fanny, 184n100 CGI, 4–5, 41, 65, 90, 129, 131, 136, 144, 149, 152 Cheshire Cat, 22, 50, 78, 81 Cholodenko, Alan, 132, 156 Chun, Wendy Hui Kyong, 99–100, 121–22 cinema: digital cinema, 20, 124, 129, 137; new media, cinematic nature of, xiii; the nymph and, 112–14; Paprika’s allusions to, 131, 139–41. See also specific films Clark, David, 33 Clarke, Don, 62 Cloninger, Curt, “Mouchette Has a Posse” (2001), 99, plate 18 Coca-Cola, 3–4, 39, 67–68, 70–71, 75 Collodi, Carlo, 151 “Come Inside Girls” (Gervais and Weis, 2012), 164–65, 165. See also Blinking Girls Computer Technique Group, “Running Cola is Africa” (1967/1968), 3–4 conceptual persona, 54, 57...