In lieu of an abstract, here is a brief excerpt of the content:

bibliography Primary Sources Chambers, Ephraim. “The Preface.” Cyclopaedia, vol. 1. Scotland, 1728. Crouch, Nathanial. The Surprising Miracles of Nature and Art. London, 1685. Evelyn, John. The Diary of John Evelyn. 1641. Ed. Esmond S. de Beer. Vol. 2. Oxford: Clarendon Press, 1955. Grew, Nemiah. Musaeum Regalis Societatis; or, A Catalogue & Description of the Natural and Artificial Rarities Belonging to the Royal Society and Preserved at Gresham College. London: W. Rawlins, 1681. Hitch, Charles. The British Apollo. London, 1740. Hubert, Robert. A Catalogue of Many Natural Rarities. London, 1664. Imperato, Ferrante. Historia Naturalae. Venice, 1672. James, Robert. A Medicinal Dictionary. Vol. 1. London, 1740. Lemery, J. New Curiosities in Art and Nature; Or, A Collection of the Most Valuable Secrets in All Arts and Sciences. London, 1711. Petiver, James. Opera, Historiam Naturalem Spectantia or Gazophylacium. Vol. 1. London, 1764. ———. Musei Petiveriani Centuria Prima, Raroria Naturae. London, 1764. Ray, John. The Correspondence of John Ray. Ed. Edwin Lankester. London, 1848. Ruysch, Frederick. Thesaurus Anatomicus Primus. Amsterdam: Joannem Wolters, 1701. ———. Opera Omnia Anatomico-Medico-Chirurgica. Amsterdam, 1737–43. Sprat, Thomas. History of the Royal Society. London, 1667. Tradescant, John. Musaeum Tradescantinum; or, A Collection of Rarities Preserved at South Lambeth neer London. London, 1656. Wilkins, John. Essay Towards a Real Character, and a Philosophical Language. London, 1668. Worm, Olaus. Museum Wormianum Seu Historia Rerum Rarariorum. Amsterdam, 1655. Secondary Sources d’Alembert, Jean Le Rond. “Preliminary Discourse.” 1751. Denis Diderot’s The Encyclopedia : Selections, trans. and ed. Steven J. Gendzier. New York: Harper Torchbooks , 1967. 1–41. Ansell Pearson, Keith. Viroid Life. New York: Routledge, 1997. ———. Germinal Life. New York: Routledge, 1999. Antin, David. “Video: The Distinctive Features of the Medium.” In Videoculture: A Critical Investigation, ed. John G. Hanhardt. New York: Visual Studies Workshop Press, 1986. 141–66. Appardurai, Arjun. Modernity at Large. Minneapolis: University of Minnesota Press, 1997. Arnold, Ken R. “Cabinets for the Curious: Practicing Science in Early Modern English Museums.” Dissertation, Princeton University, 1992. Aronwitz, Stanley, Barbara Martinsons, and Michael Menser, eds. Technoscience and Cyberculture. New York: Routledge, 1996. 211 Ascott, Roy. “On Networking.” Leonardo 21:3 (1988): 231–32. Bailey, Cameron. “Virtual Skin: Articulating Race in Cyberspace.” In Immersed in Technology, ed. Marianne A. Moser and David MacLeod. Cambridge, Mass.: MIT Press, 1996. 29–50. Barnouw, Jeffrey. “The Beginnings of ‘Aesthetics’ and the Leibnizian Concept of Sensation.” In Eighteenth-Century Aesthetics and the Reconstruction of Art, ed. Paul Mattick Jr. Cambridge: Cambridge University Press, 1993. 52–95. Barrett, Edward, and Marie Redmond, eds. Contextual Multimedia and Interpretation . Cambridge, Mass.: MIT Press, 1995. Baudrillard, Jean. “Xerox and Infinity.” In The Transparency of Evil. London: Verso, 1993. 51–59. ———. “The System of Collecting.” In The Cultures of Collecting, ed. John Elsner and Roger Cardinal. Melbourne: Melbourne University Press, 1994. 7–24. Bennett, Jill. “The Aesthetics of Sense-Memory: Theorizing Trauma through the Visual Arts.” In Trauma and Memory: Cross-Cultural Perspectives, ed. Franz Kaltenbeck and Peter Weibel. Graz: Passagen Verlag, 2000. 81–95. Bentley, Peter. Digital Biology: How Nature Is Transforming Our Technology. London: Headline, 2001. Biggs, Simon. “Introduction.” The Great Wall of China, 1996. http://www .greatwall.org.uk. Bijvoet, Marga. “How Intimate Can Art and Technology Really Be? A Survey of the Art and Technology Movement of the Sixties.” In Culture, Technology and Creativity in the Late Twentieth Century, ed. Philip Hayward. London: J. Libbey, 1994. 15–37. Bolz, N. “Navigation in Docuverse.” Mediamatic 6:4 (summer 1992): 273–75. Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge, Mass.: MIT Press, 2000. Bostrom, Hans-Olaf. “Philipp Hainhofer and Gustavus Adolphus’s Kunstschrank in Uppsala.” In The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe, ed. Oliver Impey and Arthur MacGregor. Oxford: Clarendon Press, 1985. 90–101. Boundas, Constantin V. “Deleuze-Bergson: An Ontology of the Virtual.” In Deleuze: A Critical Reader, ed. Paul Patton. London: Blackwell, 1996. 81–106. Brook, James, and Ian A. Boal, eds. Resisting the Virtual Life. San Francisco: City Light Books, 1995. Bukatman, Scott. Terminal Identity. Durham, N.C.: Duke University Press, 1993. Bush, Vannevar. “As We May Think.” http://www.theatlantic.com/unbound/ flashbks/computer/bushf.htm. Buci-Glucksmann, Christine. Baroque Reason: The Aesthetics of Modernity. Tr. Patrick Camiller. London: Sage Publications, 1994. Cache, Bernard. Earth Moves: The Furnishing of Territories. Ed. Michael Speaks, trans. Anne Boyman. Cambridge, Mass.: MIT Press, 1995. Canguihem, George. “Machine and Organism.” In Incorporations, ed. Jonathan Crarey and Sanford Kwinter. New York: Zone Books, 1992. 44–69. Cascone, Kim...

Share