Live Nude Girl: My Life as an Object

Index

p. 23 “tearing off her undervests” The Deipnosophists of Athenaeus of Naucratis, Book XIII Concerning Women. p. 24 Polybius Lahanas. p. 24 “knocked it down . . .” Valhouli, “Courtesan Power.” p. 24 “to Phryne” Segal, 18. p. 24 “I remember reading . . .” Carter, reprinted in Inside Out, 29. p. 25 “The nude, dressed up to the eyeballs . . .” Carter, 29. p. 25–26 “Of course . . .” Carter, 32–33. p. 28 “To be naked is to be oneself . . .” Berger, 54. p. 28 “Gloria won out . . .” O’Hara, Appointment in Samarra, 256. p. 28 “Ludovici, the artist . . .” O’Hara, 290. p. 28–29 “If you were a real decent woman . . .” Smithsonian Institution, Artists and Models. p. 29 “From Greek antiquity . . .” Steinhart, The Undressed Art, 113. p. 30 “There was an exhibitionist model . . .” Elder discussion. p. 31 Hughes, American Visions, 357. p. 31 “the dialectic between clothing . . .” Barcan, 18. p. 32 “regular and repeated public . . .” Barcan, 21. p. 34 “The nude had flourished . . .” Clark, 26. p. 35 “even in the 1960s . . .” Steinhart, 120. p. 35 “despite the profession’s . . .” Danna, Rollover, Mona Lisa!, 34. p. 35 “There have always been noble . . .” Steinhart, 124. p. 36 “Julie was played by Julie McCullough . . . Playboy . . . Azalea Queen . . .” Internet Movie Database. “Julie McCullough.” p. 36 “The episode entitled . . .” Tv.com. “Growing Pains: Nude Photos.” p. 36 “Mike’s photography course . . .” Wodell, Russell. “Growing Pains: an Episode Guide.” p. 37 “Mike has won a prize for . . .” FortuneCity.com, “Episodelists & Guides: Growing Pains, Season 4.” p. 37 “CTS has decided . . .” Tv.com. p. 37 “In the part where CJ . . .” Tv.com. p. 38 “don’t embarrass me, nor . . .” Goldberg, “Lee Friedlander’s Nudes.” p. 38 “double issues of the photographer’s . . .” Goldberg, 202. p. 39 “Some of my relatives in Portugal . . .” Faria discussion. p. 39 “Historically, modeling for artists . . .” Danna, 23. p. 39 “at the very time . . .” Postle and Vaughn, The Artist’s Model, 15. p. 39 “‘My parents don’t mind at all . . .” Faria. p. 41 “Now you know it’s . . .” Elder discussion. 168 Notes p. 42 “a form of representation . . .” Langmuir and Lynton, The Yale Dictionary of Art and Artists, 501. p. 42 “Pigalle, Jean Baptiste . . .” Langmuir and Lynton, 538 p. 42 “Female nudity . . .” Barcan, 197. p. 42 “Live female models may . . .” Steinhart, 85. p. 42 “Renaissance artists often . . .” Barcan, 39. p. 42 “Artists have seldom . . .” Steinhart, 113. p. 44 “Bareness and nudity . . .” Barcan, 19. Chapter Two: Do You Want Me to Seduce You? p. 47 “Pliny the Elder . . .” Schama, “Unnatural Beauty.” p. 47 “sometimes known as Dibutades . . .” Muecke, “‘Taught by love.’” p. 49 “Many travelers pass . . .” Leader. Stealing the Mona Lisa, 31–32. p. 49 “when we desire . . .” Leader, 32. p. 50 “According to the mythology . . .” Nead, The Female Nude, 43. p. 51 “In severing Eros . . .” Prose, Lives of the Muses, 4. p. 51 “There were no deities . . .” Prose, 5. p. 51 Karlstrom discussion. p. 51 “Why did I start?” Hoffeld discussion. p. 51 “assiduous frequenter of bordellos . . .” Borel, The Seduction of Venus, 24, 69. p. 51–52 “As his friend Jean Genet recollected . . .” Borel, 69. p. 52 “I go to work as the others rush to see their mistresses . . .” Borel, 75 p. 52 “goes something like this . . .” Leader, 53. p. 55 “unrivaled topographer of male . . .” Hughes, American Visions, 254 p. 56–57 “moved to a rambling eighteenth-century . . .” Postle and Vaughn, The Artist’s Model, 58. p. 57 “openly set up house with . . .” Postle, 58. p. 57 “over the history of Western art . . .” Steinhart, The Undressed Art, 106. p. 57 “was that models . . .” Steinhart, 117. p. 67 “the professionals of strip . . .” Barthes, 87. p. 67 “dignified insistence on her privacy . . .” Prose, 108. p. 68 “There is a subtle perversion . . .” Borel, 98. p. 69–70 “The value the mind sets . . .” Barthelme, Snow White, 76. Notes 169 p. 70 “turned to the question of sublimation . . .” Leader, 58. p. 71 “I think the relationship aspect . . .” Hoffeld discussion. p. 72 “Starting in the 1700s . . .” Muecke. p. 72 “The French expression . . .” Spurling, 74 p. 74 “Americans put a premium . . .” Gregory, “The Fleeting Relationship.” p. 74 “In Together Alone: Personal Relationships in Public Places . . .” Gregory. p. 74 “the value of ‘anchored relationships . . .” Gregory. p. 74 “It’s good to have an intelligent life . . .” Andrus discussion. p. 75 “You definitely were . . .” Hoffeld discussion. Chapter Three: You Only Live Twice p. 77 “Apparently, the Chinese government . . .” RoadsideAmerica.com. “Katy, Texas—Forbidden Gardens.” p. 78 “the third largest . . .” RoadsideAmerica.com. p. 78 “Journey back...